The Art of Drama |
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Page 8
... colour . In such a place one usually has a vague general impression of road channels , kerbstones , concrete stands and posts , islands , mounds , and other shapes . But an attempted drawing of the “ actual ” scene would be an elaborate ...
... colour . In such a place one usually has a vague general impression of road channels , kerbstones , concrete stands and posts , islands , mounds , and other shapes . But an attempted drawing of the “ actual ” scene would be an elaborate ...
Page 9
... colour and visual form , bears a scientific character , but with a change of direction ; the object of representation is then not the common object " apple " but the forms of colour and light themselves . Works of art , either in part ...
... colour and visual form , bears a scientific character , but with a change of direction ; the object of representation is then not the common object " apple " but the forms of colour and light themselves . Works of art , either in part ...
Page 19
... coloured girdle : otherwise no orna- ments . And her face was lovely , fair , with a soft exotic white complexion and delicate pink cheeks . Her hair was soft and heavy , of a lovely pallid gold colour , ash - blond . Her hair , her ...
... coloured girdle : otherwise no orna- ments . And her face was lovely , fair , with a soft exotic white complexion and delicate pink cheeks . Her hair was soft and heavy , of a lovely pallid gold colour , ash - blond . Her hair , her ...
Contents
INTRODUCTION | 1 |
THE PRINCIPLE OF CHARACTERISTIC INTER page | 29 |
IMAGES AND FEELING | 32 |
Copyright | |
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abstract abstract art achieved action aesthetic artist aspects auditory auditory imagery beauty blank verse chapter character characteristic colour comedy complex composition conception connexion context dialogue drama dramatist effect elaborate elements emotional evocation evokes example experience expressive formula-images factors feeling formula function human Ibsen idea ideal imagination implicit interfuse intertexture language Les Parents Terribles literary art lyric Macbeth meaning medium metaphor mind moral myth nature non-representational Novalis objects observe painting particular passion pattern persons play poem poet poetic poetry precise principle problem programme music prose psychological R. G. Collingwood re-enactment realism reality reference relation representational art representational image Restoration Comedy rhythm romantic romantic poetry romanticism scene scientific sensation sense sensuous Shakespeare simple situation social song Sophocles sound speech style symbolism symbolist theory things thought tion unity varied verbal verse vision visual vivid whilst whole words