Paradise Lost: A Poem, in Twelve Books, Volume 1J. and R. Tonson and S. Draper; and for S. Birt, C. Hitch, J. Hodges [and seven others in London], 1750 |
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... and there is another intitled Letters concerning poetical translations , and Virgil's and Milton's arts of verfe , commonly afcribed to Mr. Auditor Benfon : and of both these I have made fome ufe , as I have likewife of the learned ...
... and there is another intitled Letters concerning poetical translations , and Virgil's and Milton's arts of verfe , commonly afcribed to Mr. Auditor Benfon : and of both these I have made fome ufe , as I have likewife of the learned ...
Page lviii
Dupré de S. Maur ; but nothing showeth the weakness and imperfection of their language more , than that they have few or no good poetical verfions of the greatest poets ; they are forced to tranflate Homer , Virgil , and Milton into ...
Dupré de S. Maur ; but nothing showeth the weakness and imperfection of their language more , than that they have few or no good poetical verfions of the greatest poets ; they are forced to tranflate Homer , Virgil , and Milton into ...
Page lxxix
... and on his waking in a morning would make her write down sometimes twenty or thirty verses and being asked whether he did not often read Homer and Virgil , the understood it as an imputation upon him for ftealing from thofe authors ...
... and on his waking in a morning would make her write down sometimes twenty or thirty verses and being asked whether he did not often read Homer and Virgil , the understood it as an imputation upon him for ftealing from thofe authors ...
Page xcii
But because it was neceffary for the reader to know what had happened to him in the taking of Troy , and in the preceding parts of his voyage , Virgil makes his hero relate it by way of epifode in the fecond and third books of the ...
But because it was neceffary for the reader to know what had happened to him in the taking of Troy , and in the preceding parts of his voyage , Virgil makes his hero relate it by way of epifode in the fecond and third books of the ...
Page xciii
I muft obferve alfo , that , as Virgil in the poem which was defigned to celebrate the original of the Roman empire , has described the birth of its great rival , the Carthaginian common - wealth : Milton , with the like art in his poem ...
I muft obferve alfo , that , as Virgil in the poem which was defigned to celebrate the original of the Roman empire , has described the birth of its great rival , the Carthaginian common - wealth : Milton , with the like art in his poem ...
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Chronicles the rise and fall of Man in the Garden of Eden. Begins with the crowning of the Son of God, moves to Lucifer's rebellion and fall, the beginning of the Earth, the birth of Adam and Eve, and how they fell prey to Satan's fraud.
Written in 10 syllable per line prose, which must have been very difficult. Milton was blind, which makes the accomplishment even more amazing. Parts of the book were wonderfully written (the battles with Satan, Eden, the creation of the Earth, the coming events as Adam and Eve are escorted from Eden by Archangel Michael), but others are difficult with many references to Greek characters. I'm sure Milton was brilliant, but those parts don't add much for me and make it seem as though he's being pretentious. I also disliked the way all the characters addressed each other: "Lo, great angel from Heaven, graceful and true of spirit." The pictures of the story in the book, while they received vast praise in the preface, were forgettable.
Still, I can't get away from the amazing work that Milton put here. My only real compliant was the blatant sexism that Adam had for Eve, assuming she was always inferior to him. That is no longer the way of the world, and I doubt Adam would have treated Eve thusly. Sin, Death. Satan, Michael and Raphael were my favorite characters, all providing memorable lines.
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Common terms and phrases
Adam alfo ancient Angels appear arms beauty becauſe Bentley better call'd called Cant death deep divine earth edition equal faid fall fame Father fays fecond feems fenfe feveral fhall fhould fide fight fire firft fome fometimes fons fuch fuppofe gates give glory Gods hand hath head Heaven Hell himſelf Homer Hume Iliad Italy kind king laft Latin learned light lines living loft Lord manner mean Milton mind moft morning moſt nature never night obferves paffage pain Paradife particular Pearce perfon perhaps poem poet proper reader river round Satan Spirits thee thefe theſe things thofe thoſe thou thought throne Thyer tion turn uſed verfe Virgil whofe whole wings write
Popular passages
Page 26 - Here we may reign secure ; and, in my choice, To reign is worth ambition, though in Hell : Better to reign in Hell than serve in Heaven.
Page 238 - O thou that, with surpassing glory crown'd, Look'st from thy sole dominion, like the god Of this new world, at whose sight all the stars Hide their diminish'd heads, to thee I call, But with no friendly voice, and add thy name, 0 sun, to tell thee how I hate thy beams, That bring to my remembrance from what state 1 fell, how glorious once above thy sphere...
Page 3 - Sing, heavenly muse, that on the secret top Of Oreb, or of Sinai, didst inspire That shepherd who first taught the chosen seed, In the beginning how the heavens and earth Rose out of chaos : or, if Sion hill Delight thee more, and Siloa's brook that flow'd Fast by the oracle of God, I thence Invoke thy aid to my adventrous song, That with no middle flight intends to soar Above the Aonian mount, while it pursues Things unattempted yet in prose or rhyme.
Page 470 - And full of wrath bent on his enemies. At once the four spread out their starry wings, With dreadful shade contiguous, and the orbs Of his fierce chariot roll'd, as with the sound Of torrent floods, or of a numerous host. He on his impious foes right onward drove, Gloomy as night ; under his burning wheels The steadfast empyrean shook throughout, All but the throne itself of God.
Page 253 - Flowers worthy of Paradise, which not nice Art In beds and curious knots, but Nature boon Pour'd forth profuse on hill, and dale, and plain...
Page 174 - Whose fountain who shall tell? Before the sun, Before the heavens thou wert, and at the voice Of God, as with a mantle didst invest The rising world of waters dark and deep, Won from the void and formless infinite.
Page 179 - And wisdom at one entrance quite shut out. So much the rather thou, celestial Light, Shine inward, and the mind through all her powers Irradiate ; there plant eyes, all mist from thence Purge and disperse, that I may see and tell Of things invisible to mortal sight.
Page 334 - Fairest of stars, last in the train of night, If better thou belong not to the dawn, Sure pledge of day, that crown'st the smiling morn With thy bright circlet, praise Him in thy sphere, While day arises, that sweet hour of prime.
Page 179 - Thus with the year Seasons return, but not to me returns Day, or the sweet approach of even or morn, Or sight of vernal bloom, or summer's rose, Or flocks, or herds, or human face divine ; But cloud instead, and ever-during dark Surrounds me, from the cheerful ways of men Cut off, and for the book of knowledge fair Presented with a universal blank Of Nature's works to me expunged and rased, And wisdom at one entrance quite shut out.
Page 151 - Chaos umpire sits, And by decision more embroils the fray By which he reigns : next him, high arbiter, Chance governs all.
Bibliographic information
| Title | Paradise Lost: A Poem, in Twelve Books, Volume 1 Paradise Lost: A Poem, in Twelve Books, Thomas Newton |
| Author | John Milton |
| Illustrated by | John Miller |
| Publisher | J. and R. Tonson and S. Draper; and for S. Birt, C. Hitch, J. Hodges [and seven others in London], 1750 |
| Original from | Oxford University |
| Digitized | Aug 4, 2006 |
| Export Citation | BiBTeX EndNote RefMan |