A Familiar Explanation of the Poetical Works of Milton: To which is Prefixed Mr. Addison's Criticism on Paradise LostJ. and R. Tonson ... and J. Newbery, 1762 - 144 pages |
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Page 4
... Episode in the fecond and third Books of the Eneid : the Contents of both which Books come before thofe of the first Book in the Thread of the Story , tho ' for preferving of this Unity of Action , they follow it in the Difpo- fition ...
... Episode in the fecond and third Books of the Eneid : the Contents of both which Books come before thofe of the first Book in the Thread of the Story , tho ' for preferving of this Unity of Action , they follow it in the Difpo- fition ...
Page 5
... Episode to this noble Poem . Vid . the End of Spectator 327 ARISTOTLE himself allows , that Homer has nothing to boast of as to the Unity of his Fable , though , at the fame time that great Critic and Philofopher endeavours to palliate ...
... Episode to this noble Poem . Vid . the End of Spectator 327 ARISTOTLE himself allows , that Homer has nothing to boast of as to the Unity of his Fable , though , at the fame time that great Critic and Philofopher endeavours to palliate ...
Page 45
... Episodes are fo many fhort Fables , and their 3 Similies Similies fo many fhort Episodes , to which you may MILTON'S PARADISE LOST . 45.
... Episodes are fo many fhort Fables , and their 3 Similies Similies fo many fhort Episodes , to which you may MILTON'S PARADISE LOST . 45.
Page 46
... Episodes , to which you may add , if you please , that their Metaphors are fo many fhort Similies . If the Reader confiders the Compa- rifons in the firft Book of Milton , of the Sun in an Eclipfe , of the fleeping Leviathan , of the ...
... Episodes , to which you may add , if you please , that their Metaphors are fo many fhort Similies . If the Reader confiders the Compa- rifons in the firft Book of Milton , of the Sun in an Eclipfe , of the fleeping Leviathan , of the ...
Page 60
... Episode of Sin and Death , and fome of the imaginary Persons in his Chaos . Thefe Paffages are aftonifhing , but not credible ; the Reader cannot fo far impofe upon himself as to fee a Poffibility in them ; they are the Defcription of ...
... Episode of Sin and Death , and fome of the imaginary Persons in his Chaos . Thefe Paffages are aftonifhing , but not credible ; the Reader cannot fo far impofe upon himself as to fee a Poffibility in them ; they are the Defcription of ...
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Common terms and phrases
Adam Adam and Eve Æneid Afia alfo alſo ancient Angels Ariftotle Author beautiful becauſe Boeotia Book Caphtor Circumftance Creation defcribed Defcription Difcourfe Earth Eneid Epiſode Expreffion exquifite Fable faid fallen Angels fame fays fecond feems fent feveral fhall fhews fhort fhould fignifies fince firft firſt fituated flain fmall fo called fome fometimes fpeak ftill fublime fuch fufficient fuitable fuppofed Gods Greek Heaven Hell Heroic Poem himſelf Hoft Homer Iliad Imagination Imaus infernal Inftances iſland itſelf juft Jupiter Kind King laft likewife Mankind Meaſure Meffiah Milton Moabites moft Moloch moſt mountain muſt Nature obferved Occafion Ophion Ovid Paffage paffed Paffion Paradife Loft particular Perfia Perfons Place Pleaſure Poet poetical racters raiſed Reader Reaſon reprefented rifes river Satan Sentiments ſeveral Speech Spirit thee thefe themſelves theſe thing thofe thoſe Thoughts Turnus uſed Verfe Vifion Virgil weft whofe Words
Popular passages
Page 74 - For, lo, the winter is past, The rain is over and gone; The flowers appear on the earth; The time of the singing of birds is come, And the voice of the turtle is heard in our land; The fig tree putteth forth her green figs, And the vines with the tender grape give a good smell, Arise, my love, my fair one, and come away.
Page 127 - And another angel came and stood at the altar, having a golden censer; and there was given unto him much incense, that he should offer it with the prayers of all saints upon the golden altar which was before the throne.
Page 16 - Milton's chief talent, and indeed his distinguishing excellence, lies in the sublimity of his thoughts. There are others of the moderns who rival him in every other part of poetry ; but in the greatness of his sentiments he triumphs over all the poets both modern and ancient, Homer only excepted. It is impossible for the imagination of man to distend itself with greater ideas, than those which he has laid together in his first, second, and sixth books.
Page 74 - Come, my beloved, let us go forth into the field; let us lodge in the villages. Let us get up early to the vineyards; let us see if the vine flourish, whether the tender grape appear, and the pomegranates bud forth: there will I give thee my loves.
Page 24 - Milton, by the above-mentioned helps, and by the choice of the noblest words and phrases which our tongue would afford him, has carried our language to a greater height than any of the English poets have ever done before or after him, and made the sublimity of his style equal to that of his sentiments.
Page 79 - At length into the limits of the north They came ; and Satan to his royal seat High on a hill, far blazing, as a mount Rais'd on a mount, with pyramids and towers From diamond quarries hewn, and rocks of gold ; The palace of great Lucifer...
Page 28 - One great mark, by which you may discover a critic who has neither taste nor learning, is this, that he seldom ventures to praise any passage in an author •which has not been before received and applauded by the public, and that his criticism turns wholly upon little faults and errors.
Page 91 - The author appears in a kind of composed and sedate majesty; and though the sentiments do not give so great an emotion as those in the former book, they abound with as magnificent ideas. The sixth book, like a troubled ocean, represents greatness in confusion; the seventh affects the imagination like the ocean in a calm, and fills the mind of the reader, without producing in it any thing like tumult or agitation.
Page 71 - ... endearing things without descending from his natural dignity, and the woman receiving them without departing from the modesty of her character ; in a word, to adjust the prerogatives of wisdom and beauty, and make each appear to the other in its proper force and loveliness. This mutual subordination of the two sexes is wonderfully kept up in the whole poem...
Page 70 - To whom thus Eve replied. O thou for whom And from whom I was form'd, flesh of thy flesh, And without whom am to no end, my guide And head! what thou hast said is just and right. For we to him indeed all praises owe And daily thanks; I chiefly, who enjoy So far the happier lot, enjoying thee Preeminent by so much odds, while thou Like consort to thyself canst no where find.