A. But why infult the poor, affront the great? Let Budgel charge low Grubftreet on his quill, 360 365 Foe to his pride, but friend to his distress: Three thousand funs went down on Welfted's lye. 375 He lash'd him not, but let her be his wife: And better got, than Beftia's from the throne. 370 380 385 Of gentle blood (part fhed in Honour's caufe, While yet in Britain Honour had applause) Each parent fprung-A! What fortune, pray?-----P. Their own, 390 395 No No courts he faw, no fuits would ever try; 400 Who fprung from kings fhall know lefs joy than I. 405 And keep a while one parent from the sky! On cares like these if length of days attend, A. Whether that bleffing be deny'd or giv'n, 410 SATIRES ADVERTISEMENT. THE HE occafion of publishing these Imitations was the clamour raised on fome of my Epiftles. An answer from Horace was both more full, and of more dignity, than any I could have made in my own perfon; and the example of much greater freedom in fo eminent a divine as Dr. Donne, feemed a proof with what indignation and contempt a chriftian may treat vice or folly, in ever fo low, or ever fo high a ftation. Both these authors were acceptable to the Princes and Minifters under whom they lived. The Satires of Dr. Donne I verfified, at the defire of the earl of Oxford, while he was lord treasurer, and of the duke of Shrewsbury, who had been secretary of ftate: neither of whom looked upon a Satire on vicious courts as any reflection on those they served in. And indeed there is not in the world a greater erTor, than that which fools are fo apt to fall into, and knaves with good reafon to encourage, the mistaking a Satirift for a Libeller; whereas to a true Satirift nothing is fo odious as a Libeller, for the fame reafon as to a man truly virtuous nothing is so hateful as a Hypocrite. ni æquus Virtuti atque ejus Amicis. WHOEVER expects a Paraphrafe of Horace, or a faithful copy of his genius, or manner of writing, in thefe IMITATIONS, will be much disappointed. Our author uses the Roman poet for little more than his canvas; and if the old design or colouring chance to fuit his purpose, it is well; if not, he employs his own, without fcruple or ceremony. Hence it is, he is fo frequently ferious where Horace is in jeft; and at ease where Horace is difturbed, In a word, he regulates his movements no further on his original, than was neceffary for his concurrence, in promoting their common plan of Reformation of manners. Had it been his purpose merely to paraphrase an ancient fatirift, he had hardly made choice of Horace ; with whom, as a poet, he held little in common, be fides a comprehenfive knowledge of life and manners, and a certain curious felicity of expreffion, which confifts in ufing the fimpleft language with dignity, and the most ornamented with ease. For the reft, his harmony and ftrength of numbers, his force and fplendor of colouring, his gravity and fublimity of fentiment, would have raVOL. II. D ther |