To one well-born the affront is worse and more,
When he's abused and baffled by a boor.
With an ill grace the Dutch their mischiefs do;
They've both ill nature and ill manners too.
Well may they boast themselves an ancient nation;
For they were bred ere manners were in fashion:
And their new commonwealth has set them free
Only from honour and civility.

Venetians do not more uncouthly ride,

Than did their lubber state mankind bestride.
Their sway became them with as ill a mien,
As their own paunches swell above their chin.
Yet is their empire no true growth but humour,
And only two kings'1 touch can cure the tumour.
As Cato fruits of Afric did display,

Let us before our eyes their Indies lay:
All loyal English will like him conclude;
Let Cæsar live, and Carthage be subdued.

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HER ROYAL HIGHNESS THE DUCHESS,2

ON THE MEMORABLE VICTORY GAINED BY THE DUKE OVER THE HOLLANDERS, JUNE 3, 1665. AND ON HER JOURNEY AFTERWARDS INTO THE NORTH.

MADAM,

WHEN, for our sakes, your hero you resign'd
To swelling seas, and every faithless wind;

1 'Two kings:' alluding to projected union between France and England. 2 The Duchess' daughter to the great Earl of Clarendon; married privately to Duke of York. For account of this victory, see Hume or Macaulay. The duchess accompanied the duke to Harwich, and thence made a progress northwards, referred to here.

When you released his courage, and set free
A valour fatal to the enemy;

You lodged your country's cares within your breast
(The mansion where soft love should only rest):
And, ere our foes abroad were overcome,
The noblest conquest you had gain'd at home.
Ah, what concerns did both your souls divide!
Your honour gave us what your love denied: .
And 'twas for him much easier to subdue
Those foes he fought with, than to part from you.
That glorious day, which two such navies saw,
As each unmatch'd might to the world give law.
Neptune, yet doubtful whom he should obey,
Held to them both the trident of the sea:
The winds were hush'd, the waves in ranks were cast,
As awfully as when God's people pass'd;
Those, yet uncertain on whose sails to blow,
These, where the wealth of nations ought to flow.
Then with the duke your highness ruled the day:
While all the brave did his command obey,

you did pray.

The fair and pious under
How powerful are chaste vows! the wind and tide
You bribed to combat on the English side.
Thus to your much-loved lord you did convey
An unknown succour, sent the nearest way.
New vigour to his wearied arms you brought
(So Moses was upheld while Israel fought),
While, from afar, we heard the cannon play,1
Like distant thunder on a shiny day.
For absent friends we were ashamed to fear
When we consider'd what you ventured there.

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'Heard the cannon play: the cannon were heard in London a hundred miles from Lowestoff where the battle was fought.

Ships, men, and arms, our country might restore,
But such a leader could supply no more.

With generous thoughts of conquest he did burn,
Yet fought not more to vanquish than return.
Fortune and victory he did pursue,

To bring them as his slaves to wait on you.
Thus beauty ravish'd the rewards of fame,
And the fair triumph'd when the brave o'ercame.
Then, as you meant to spread another way
By land your conquests, far as his by sea,

A

Leaving our southern clime you march'd along
The stubborn North, ten thousand Cupids strong.
Like commons the nobility resort

In crowding heaps, to fill your moving court:
To welcome your approach the vulgar run,

Like some new envoy from the distant sun;
And country beauties by their lovers go,
Blessing themselves, and wondering at the show.
So when the new-born Phoenix first is seen,
Her feather'd subjects all adore their queen;
And while she makes her progress through the east,
From every grove her numerous train's increased;
Each poet of the air her glory sings,

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And round him the pleased audience clap their wings.

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ANNUS MIRABILIS:

THE YEAR OF WONDERS, 1666.

AN HISTORICAL POEM.

AN ACCOUNT OF THE ENSUING POEM, IN A LETTER TO THE HONOURABLE SIR ROBERT HOWARD.

SIR,-I am so many ways obliged to you, and so little able to return your favours, that, like those who owe too much, I can only live by getting farther into your debt. You have not only been careful of my fortune, which was the effect of your nobleness, but you have been solicitous of my reputation, which is that of your kindness. It is not long since I gave you the trouble of perusing a play for me, and now, instead of an acknowledgment, I have given you a greater, in the correction of a poem. But since you are to bear this persecution, I will at least give you the encouragement of a martyr; you could never suffer in a nobler cause. For I have chosen the most heroic subject which any poet could desire: I have taken upon me to describe the motives, the beginning, progress, and successes, of a most just and necessary war; in it, the care, management, and prudence of our king; the conduct and valour of a royal admiral, and of two incomparable generals; the invincible courage of our captains and seamen; and three glorious victories, the result of all. After this I have, in the Fire, the most deplorable, but withal the greatest, argument that can be imagined: the destruction being so swift, so sudden, so vast and miserable, as nothing can parallel in story. The former part of this poem, relating to the war, is but a due expiation for my not having served my king and country in it. All gentlemen are almost obliged to it; and I know no reason we should give that advantage to the commonalty of England, to be foremost in brave actions, which the nobles.of France would never suffer in their peasants. I should not have written this but to a person who has been ever forward to appear in all employments, whither his honour and generosity have called him. The latter part of my poem, which describes the Fire, I owe, first to the piety and fatherly affection of our monarch to his suffering subjects; and, in the second place, to the courage, loyalty, and magnanimity of the city: both which were so conspicuous, that I wanted words to celebrate them as they deserve. I have called my poem Historical, not Epic, though both the actions and actors are as much heroic as any poem can contain. But since the action is not properly one, nor that accomplished in the last successes, I have judged it too bold a title for a few stanzas, which are little more in number than a single Iliad, or the longest of the Eneids. For this reason (I mean not of length, but broken action, tied too severely to the laws of history) I am apt to agree with those who rank Lucan rather

among historians in verse, than Epic poets: in whose room, if I am not deceived, Silius Italicus, though a worse writer, may more justly be admitted. I have chosen to write my poem in quatrains, or stanzas of four in alternate rhyme, because I have ever judged them more noble, and of greater dignity, both for the sound and number, than any other verse in use amongst us; in which I am sure I have your approbation. The learned languages have certainly a great advantage of us, in not being tied to the slavery of any rhyme; and were less constrained in the quantity of every syllable, which they might vary with spondees or dactyls, besides so many other helps of grammatical figures, for the lengthening or abbreviation of them, than the modern are in the close of that one syllable, which often confines, and more often corrupts, the sense of all the rest. But in this necessity of our rhymes, I have always found the couplet verse most easy, though not so proper for this occasion for there the work is sooner at an end, every two lines concluding the labour of the poet; but in quatrains he is to carry it farther on, and not only so, but to bear along in his head the troublesome sense of four lines together. For those who write correctly in this kind must needs acknowledge, that the last line of the stanza is to be considered in the composition of the first. Neither can we give ourselves the liberty of making any part of a verse for the sake of rhyme, or concluding with a word which is not current English, or using the variety of female rhymes; all which our fathers practised and for the female rhymes, they are still in use among other nations; with the Italian in every line, with the Spaniard promiscuously, with the French alternately; as those who have read the Alarique, the Pucelle, or any of their later poems, will agree with me. And besides this, they write in Alexandrins, or verses of six feet; such as amongst us is the old translation of Homer by Chapman: all which, by lengthening of their chain, makes the sphere of their activity the larger. I have dwelt too long upon the choice of my stanza, which you may remember is much better defended in the preface to Gondibert; and therefore I will hasten to acquaint you with my endeavours in the writing. In general, I will only say, I have never yet seen the description of any naval fight in the proper terms which are used at sea: and if there be any such, in another language, as that of Lucan in the third of his Pharsalia, yet I could not avail myself of it in the English; the terms of art in every tongue bearing more of the idiom of it than any other words. We hear indeed among our poets, of the thundering of guns, the smoke, the disorder, and the slaughter; but all these are common notions. And certainly, as those who, in a logical dispute, keep in general terms, would hide a fallacy; so those who do it in any poetical description, would veil their ignorance.

:

Descriptas servare vices operumque colores,
Cur ego, si nequeo ignoroque, Poeta salutor?

For my own part, if I had little knowledge of the sea, yet I have thought it no shame to learn: and if I have made some few mistakes, it is only, as you can bear me witness, because I have wanted opportunity to correct them; the whole poem being first written, and now sent you from a place, where I have not so much as the converse of any seaman. Yet though the trouble I had in writing it was great, it was more than recompensed by the pleasure. I found myself so warm in celebrating the praises of military men, two such especially