Milton and the Baroque

achieved Adam angels appear argued artist attempt baroque battle become beginning belief biblical bright building ceiling celestial central century challenge Christian church classical close concept concern contrast cosmic cosmos course created creation creatures criticism darkness depiction described direction divine earlier early earth effect elements entire epic established evidence example fact fall figure final forces frescoes God's hand heaven heavenly hell human imaginatively immense impressive infinite Italy later least less light lines London major man's means Milton move nature never offers once opening original painting Paradise Lost passage period physical poem poet present Providence reader reading reason rebel religious remains Renaissance response Satan scene seen sense setting solid space spirits stars strength struggle style suggest task theme theory thir thought tradition universe vast vision visual