The Morality of Art: Essays Presented to G. Wilson Knight by His Colleagues and Friends |
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Page 168
... Coleridge says , and in sleep we pass no judgment on the reality of events ; they simply happen and we concur . So it is in the theatre , save for the Bohn's Standard Library edition ( 1883 ) , p . 89 . " Coleridge's Shakespearian ...
... Coleridge says , and in sleep we pass no judgment on the reality of events ; they simply happen and we concur . So it is in the theatre , save for the Bohn's Standard Library edition ( 1883 ) , p . 89 . " Coleridge's Shakespearian ...
Page 170
... Coleridge's thinking on these issues as any of his note- book meditations or his public discourses . The plays offer creative exploration of what is elsewhere critical surmise . As the first version of Remorse , called Osorio , was ...
... Coleridge's thinking on these issues as any of his note- book meditations or his public discourses . The plays offer creative exploration of what is elsewhere critical surmise . As the first version of Remorse , called Osorio , was ...
Page 173
... Coleridge's researching mind being alert and actively experimental under the demands of dramatic creation , Zapolya in its whole character confirms that he sees the drama as an opportunity for delineating something of the ' varying ...
... Coleridge's researching mind being alert and actively experimental under the demands of dramatic creation , Zapolya in its whole character confirms that he sees the drama as an opportunity for delineating something of the ' varying ...
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The Morality of Art: Essays Presented to G. Wilson Knight by His Colleagues ... Douglas William Jefferson No preview available - 1969 |
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action actor Alcibiades Apemantus audience Bolingbroke Byron character chthonic Coleridge Coleridge's colour contrast creative critics Cymbeline dead death Dido dramatic dramatist dream edition effect Essays essence experience Falstaff feel final Hamlet Helen Faucit Henry Hermione Hotspur human Husband I.ii II.i III.iii illusion imagery imagination IV.i IV.iii Keats Keats's king King Lear Kipling's Lama Lear Leontes lines London lyric Macbeth Manfred Marlowe means Milton moral murder nature Obatala Ogun pamphlet passage Perdita play play's playwright poem poet poet's poetic poetry Posthumus present Priam Pyrrhus Queen reader reality Reprinted in S.R. Richard role says scene sense Shakespeare Shakespearian Shakespearian Production Shelley Shelley's significant speech spirit stage stanza suggests symbolic T. S. Eliot Tempest theatre theatrical thee theme things thou throne Timon of Athens tion tragic Tudor Warburton wife Wilson Knight Winter's Tale words York Yorkshire Tragedy Yoruba