Elements of art, a poem |
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Page xxxi
... sculpture stated , as the school of Beauty and Grace - a standard of proportion first formed by the Greeks , and unequalled by the ability of latter times - propriety of drawing attentively from the living model - defects which always ...
... sculpture stated , as the school of Beauty and Grace - a standard of proportion first formed by the Greeks , and unequalled by the ability of latter times - propriety of drawing attentively from the living model - defects which always ...
Page 59
... Sculpture lavish all your care , Your labour let the living model share ; 360 Line 360. And seize her subtlest principles of Art . ] - The most superficial observer must be struck with that simplicity without insipidity , that ...
... Sculpture lavish all your care , Your labour let the living model share ; 360 Line 360. And seize her subtlest principles of Art . ] - The most superficial observer must be struck with that simplicity without insipidity , that ...
Page 60
... Sculpture still exclusive sways ; Correctly cold , and diligently dry , Nor muscle seems to move , nor limb to ply ; While sapless shapes their marble models own , And born of Sculpture , rise - a race of stone . 365 370 every quality ...
... Sculpture still exclusive sways ; Correctly cold , and diligently dry , Nor muscle seems to move , nor limb to ply ; While sapless shapes their marble models own , And born of Sculpture , rise - a race of stone . 365 370 every quality ...
Page 62
... Sculpture in the first place , as a judicious attention and respect to the interests of that Art ; * and secondly , as a powerful means of diffusing generally , * The Royal Academy of Arts , includes Painting , Sculp- ture , and ...
... Sculpture in the first place , as a judicious attention and respect to the interests of that Art ; * and secondly , as a powerful means of diffusing generally , * The Royal Academy of Arts , includes Painting , Sculp- ture , and ...
Page 63
... Sculpture . There seems to be no good reason why , the Students of this art should not be allowed the be- nefit of public lectures in their particular department ; for although a knowledge of design must be considered the basis of Sculpture ...
... Sculpture . There seems to be no good reason why , the Students of this art should not be allowed the be- nefit of public lectures in their particular department ; for although a knowledge of design must be considered the basis of Sculpture ...
Other editions - View all
Elements of Art: In Six Cantos; With Notes and a Preface; Including ... Martin Archer Shee No preview available - 2015 |
Elements of Art: In Six Cantos; With Notes and a Preface; Including ... Martin Archer Shee No preview available - 2019 |
Common terms and phrases
admiration ambition amongst ancient ancient Greece appears ardour Artist attainment Author beauties behold character Cicero claim colouring common connoisseur considered Correggio criticism defects dignity display divine ductions eazel effect endeavour Euphranor example excellence excited exhibition expression faculties fame fancy favour feeling fire Genius glory grace graphic Greeks honour hope human imitation impression influence judgment judicious labours Laocoon lence liberal Line Louvre mannerist means ment merits Michael Angelo mind modern Muse Nature neglect o'er object observation painter painting palette panegyric passion patriot pencil perfection perhaps Phidias picture Pliny poet poetry powers praise precept prejudice pride principles productions propriety pursuit qualities racter Raphael refinement Rembrandt respect Reynolds rise rival Roman School Rubens scene School sculpture sense sensibility shew skill spirit splendour sublime superior talents Taste terrestrial animals Timanthes tion Titian toil triumph truth vanity vigour Virtù virtue vulgar zeal
Popular passages
Page 38 - As Fancy opens the quick springs of Sense, We ply the Memory, we load the brain, Bind rebel Wit, and double chain on chain, Confine the thought, to exercise the breath; And keep them in the pale of Words till death...
Page 12 - Nothing is denied to well-directed labour: nothing is to be obtained without it. Not to enter into metaphysical discussions on the nature or essence of genius, I will venture to assert that assiduity unabated by difficulty, and a disposition eagerly directed to the object of its pursuit, will produce effects similar to those which some call the result of natural powers.
Page 78 - Great wits sometimes may gloriously offend, And rise to faults true critics dare not mend. From vulgar bounds with brave disorder part. And snatch a grace beyond the reach of art, Which, without passing through the judgment, gains The heart, and all its end at once attains.
Page 202 - To conclude, I will venture to repeat in favour of Rubens, what I have before said in regard to the Dutch school — that those who cannot see the extraordinary merit of this great painter, either have a narrow conception of the variety of art, or are led away by the affectation of approving nothing but what comes from the Italian school.
Page 43 - The imputation of novelty is a terrible charge amongst those who judge of men's heads, as they do of their perukes, by the fashion, and can allow none to be right but the received doctrines.
Page 15 - It is of no use to prescribe to those who have no talents ; and those who have talents will find methods for themselves — methods dictated to them by their own particular dispositions, and by the experience of their own particular necessities.
Page 156 - But each man's secret standard in his mind, That casting-weight pride adds to emptiness, This who can gratify ? for who can guess...
Page 194 - Such faults may be said to be the ebullitions of genius; but at least he had this merit, that he never was insipid, and whatever passion his works may excite, they will always escape contempt. What I have had under consideration is the...
Page 12 - Guido, and the Caraccis. It is true, there is nothing very captivating in Carlo Maratti ; but this proceeded from a want which cannot be completely supplied; that is, want of strength of parts. In this certainly men are not equal; and a man can bring home wares only in proportion to the capital with which he goes to market. Carlo, by diligence, made the most of what he had...
Page 387 - ... tecta figuris : tum paries nullo crimine pictus erat. sed non immerito velavit aranea fanum et mala desertos occupat herba deos.