Elements of Criticism, Volume 2Scott and Seguine, 1819 - Aesthetics |
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Page 13
... necessary to premise some general observations upon the appearance that objects make , when placed in an increasing or decreasing series . Where the objects vary by small differences , so as to have a mutual resemblance , we in ...
... necessary to premise some general observations upon the appearance that objects make , when placed in an increasing or decreasing series . Where the objects vary by small differences , so as to have a mutual resemblance , we in ...
Page 17
... defect is too common in the ordinary herd of writers to make examples from them necessary , I confine my- self to the most celebrated authors . Livy , speaking of a rout after a battle , SECT . II . ] 17 Beauty of Language .
... defect is too common in the ordinary herd of writers to make examples from them necessary , I confine my- self to the most celebrated authors . Livy , speaking of a rout after a battle , SECT . II . ] 17 Beauty of Language .
Page 35
... necessary to complete the thought . And in what manner these several parts are connected in the expression , will appear from what follows . In a complete thought or mental proposition , all the members and parts are mutually related ...
... necessary to complete the thought . And in what manner these several parts are connected in the expression , will appear from what follows . In a complete thought or mental proposition , all the members and parts are mutually related ...
Page 36
... necessary with respect to such words only as are not declined , adverbs , for exam- ple , articles , prepositions , and conjunctions . In the English language there are few declensions ; and therefore juxtaposition is our chief resource ...
... necessary with respect to such words only as are not declined , adverbs , for exam- ple , articles , prepositions , and conjunctions . In the English language there are few declensions ; and therefore juxtaposition is our chief resource ...
Page 37
... a single adjective or adverb . Το pave the way for the rules of arrangement , one other preliminary is necessary ; which is , to explain the difference between a natural style , and that SECT . II . ] 37 Beauty of Language ,
... a single adjective or adverb . Το pave the way for the rules of arrangement , one other preliminary is necessary ; which is , to explain the difference between a natural style , and that SECT . II . ] 37 Beauty of Language ,
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Common terms and phrases
accent action admit Æneid agreeable allegory appear beauty blank verse capital cause Chapter circumstance colour common composition confined connected connexion couplet Demetrius Phalereus distinguished effect elevation emotions employed Eneid epic poem epic poetry equally Euripides expression figure of speech Fingal foregoing garden give hath Heav'n Hence Henry VI Hexameter Hexameter line Horat idea Iliad imagination imitation impression ject kind language less light long syllable manner means melody metaphor mind motion nature never object observed ornaments Paradise Lost passion pause perceived perception period personification pleasure poet principal pronounced proper proportion reader reason regularity relation relished representation resemblance respect rhyme Richard II rule scarce scene sect sense sensible short syllables signify simile sion sound spectator Spondees substantive taste termed thee thing thou thought tion tragedy tree unity variety verb verse words writer
Popular passages
Page 171 - Wilt thou upon the high and giddy mast, Seal up the ship-boy's eyes, and rock his brains In cradle of the rude imperious surge. And in the visitation of the winds, Who take the ruffian billows by the top, Curling their monstrous heads, and hanging them With deaf ning clamours in the slippery clouds...
Page 235 - There are a sort of men, whose visages Do cream and mantle, like a standing pond...
Page 242 - But whate'er you are That in this desert inaccessible, Under the shade of melancholy boughs, Lose and neglect the creeping hours of time ; If ever you have look'd on better days, If ever been where bells have knoll'd to church, If ever sat at any good man's feast, If ever from your eyelids wiped a tear And know what 'tis to pity and be pitied, Let gentleness my strong enforcement be : In the which hope I blush, and hide my sword.
Page 142 - He scarce had ceased, when the superior fiend Was moving toward the shore ; his ponderous shield, Ethereal temper, massy, large, and round, Behind him cast ; the broad circumference Hung on his shoulders like the moon, whose orb Through optic glass the Tuscan artist views At evening from the top of Fesole Or in Valdarno, to descry new lands, Rivers, or mountains, in her spotty globe.
Page 201 - For the vineyard of the Lord of hosts is the house of Israel, and the men of Judah his pleasant plant; and he looked for judgment, but behold oppression; for righteousness, but behold a cry.
Page 148 - Give me my Romeo, and when he shall die, Take him and cut him out in little stars, And he will make the face of heaven so fine, That all the world will be in love with night, And pay no worship to the garish Sun.
Page 233 - One cried, God bless us ! and, Amen, the other ; As they had seen me, with these hangman's hands, Listening their fear. I could not say, amen, When they did say, God bless us.
Page 140 - In these two princely boys! They are as gentle As zephyrs, blowing below the violet, Not wagging his sweet head: and yet as rough, Their royal blood enchafd, as the rud'st wind, That by the top doth take the mountain pine, And make him stoop to the vale.
Page 242 - With thee conversing I forget all time ; All seasons and their change, all please alike. Sweet is the breath of morn, her rising sweet, With charm of earliest birds...
Page 201 - My well-beloved hath a vineyard in a very fruitful hill: and he fenced it, and gathered out the stones thereof, and planted it with the choicest vine, and built a tower in the midst of it, and also made a winepress therein: And he looked that it should bring forth grapes, and it brought forth wild grapes.