The Agony and the Triumph: Papers on the Use and Abuse of Myth |
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able accept action Ages appear approach artist become begins believe called character Christian classical comes concept concerned contemporary course creative criticism death divine effect Elizabethan evil existence experience expression face fact faith feeling finally follow forces Frazer Freud gives Graves Greek hand human ideas individual kind less letter lines literature live look Marxism means medieval metaphor method Middle mind mode myth and ritual nature never object once origin Othello person play poem poet possible present problem production question reason religion Renaissance ritual pattern seems sense Shakespeare significance social speak stage suffering suggest sure symbol tell theory things thought tion tradition tragedy tragic true turn understanding universe vision whole writes