Thomas Carlyle and the Art of History |
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Page 33
... Literature , the critico - biographical essays all belonged to the historical genre and at the same time had their form dictated by external circumstances . Not until Sartor Resartus did Carlyle have a clear choice ; and there it is ...
... Literature , the critico - biographical essays all belonged to the historical genre and at the same time had their form dictated by external circumstances . Not until Sartor Resartus did Carlyle have a clear choice ; and there it is ...
Page 97
... literature , to a historian with a well - formulated theory of his craft , was a slow spinning of in- clinations and aptitudes into a single strand which might be termed the biographic interest : a psychologic concern for the ...
... literature , to a historian with a well - formulated theory of his craft , was a slow spinning of in- clinations and aptitudes into a single strand which might be termed the biographic interest : a psychologic concern for the ...
Page 212
... Literature , New York , 1910 . Rose , Henry , New Political Economy : Social Teaching of Carlyle , Ruskin and Henry George , London , 1891 . Saintsbury , Geo . , History of Criticism , Vol . III ( 2nd ed . ) , New York , 1906 ...
... Literature , New York , 1910 . Rose , Henry , New Political Economy : Social Teaching of Carlyle , Ruskin and Henry George , London , 1891 . Saintsbury , Geo . , History of Criticism , Vol . III ( 2nd ed . ) , New York , 1906 ...
Contents
CHAPTER PAGE | 1 |
BACKGROUNDS ΙΟ | 10 |
CARLYLES PHILOSOPHY OF HISTORY | 54 |
Copyright | |
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action appearance artist become believed biographic Burke called Carlyle Carlyle's century character Coleridge complete conception considered constitute critical Cromwell Divine early effect element Emerson English essay existence experience expression fact final force French Revolution fundamental give Goethe hand heart Herder hero historian human idea imagination important individual influence institutions intellectual interest interpretation later laws less Letters literary literature living London man's materials matter means merely method mind Misc moral mystery nature never object opinion organism original past period personality philosophy poet poetry political position possessed practical present primary principles Professor qualities reader reality reason record represented romantic Sartor Schiller scientific seems sense significance social society soul spiritual subjective theory things thought tion true truth turn understanding universal volume whole writing written wrote