An Analytical Inquiry Into the Principles of Taste |
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Page 120
... racter of enthusiastic expression to any exten- sive composition . It is only by a constant preconception of what is to follow , that the poetical flow of utterance and elevation of tone are sustained for unless the reader be gene ...
... racter of enthusiastic expression to any exten- sive composition . It is only by a constant preconception of what is to follow , that the poetical flow of utterance and elevation of tone are sustained for unless the reader be gene ...
Page 158
... racter ; and not only be , but appear to be Of Imagina- dressed and cultivated . In such situations , tion . neat gravel walks , mown turf , and flowering plants and shrubs , trained and distributed by art , are perfectly in character ...
... racter ; and not only be , but appear to be Of Imagina- dressed and cultivated . In such situations , tion . neat gravel walks , mown turf , and flowering plants and shrubs , trained and distributed by art , are perfectly in character ...
Page 159
... racter of nature , which ought to be as little disturbed , as is consistent with comfort : for , after all , the character of nature is more pleas- ing than any that can be given by art . 31. At all events the character of dress and ...
... racter of nature , which ought to be as little disturbed , as is consistent with comfort : for , after all , the character of nature is more pleas- ing than any that can be given by art . 31. At all events the character of dress and ...
Page 193
... racter to occupy another place in his scale of taste , with those of the sublime , the picturesque and the beautiful . But the imitations of sculp- ture being less mannered , and more confined than those of painting ; its process more ...
... racter to occupy another place in his scale of taste , with those of the sublime , the picturesque and the beautiful . But the imitations of sculp- ture being less mannered , and more confined than those of painting ; its process more ...
Page 198
... racter appears to those , who do expect the objects , to which it is attributed : since if it really belong to the objects , and not to the minds of the observers , it must be equally perceptible to those who do , as to those who do not ...
... racter appears to those , who do expect the objects , to which it is attributed : since if it really belong to the objects , and not to the minds of the observers , it must be equally perceptible to those who do , as to those who do not ...
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Common terms and phrases
according acquired Æneid afford animals appear applied arises ascer association of ideas become Bernini blime and Pathetic body called cause CHAP character colour consequently degree delight display effect elegance employed equally excite expression faculty feeling felt fræna Georgic gratification Greek habit hearing human Iliad Imagina imagination imitation impressions improved Perception inquiry instances intellectual irregular irritation Judg kind language less light and shadow malè mankind means ment mental sympathies merely metre mind modes nature never nevertheless notion objects observed olfactory nerves organs of sense pain painters painting Paradise Lost passions perceived perfect person picturesque Pindar pleasing pleasure poet poetry polished languages principle produced proportion prosody qualities racter Rembrandt laughed sculpture sensation sensibility sentiments Sight smell smooth sound species Sublime and Beautiful sweet taste temple of Vesta thing tints tion Titian tone touch turally ture variety verse visible whence wherefore words СНАР