The Cambridge Companion to Alexander PopePat Rogers Alexander Pope was the greatest poet of his age and the dominant influence on eighteenth-century British poetry. His large oeuvre, written over a thirty-year period, encompasses satires, odes and political verse and reflects the sexual, moral and cultural issues of the world around him, often in brilliant lines and phrases which have become part of our language today. This is the first overview to analyse the full range of Pope's work and to set it in its historical and cultural context. Specially commissioned essays by leading scholars explore all of Pope's major works, including the sexual politics of The Rape of the Lock, the philosophical enquiries of An Essay on Man and the Moral Essays, and the mock-heroic of The Dunciad in its various forms. This volume will be indispensable not only for students and scholars of Pope's work, but also for all those interested in the Augustan age. |
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Page 15
... Pope's couplet art finally triumphs by envisioning art's destruction. The genre that distinguishes Pope's art ... Pope is marked out from 15 Pope, self, and world.
... Pope's couplet art finally triumphs by envisioning art's destruction. The genre that distinguishes Pope's art ... Pope is marked out from 15 Pope, self, and world.
Page 16
... Pope often employed even more self-conscious and self-referential examples. If the portrait was Pope's favorite genre, he was – as the proud monument of the 1717 Works and the full embrace of the personal voice afforded by the Horatian ...
... Pope often employed even more self-conscious and self-referential examples. If the portrait was Pope's favorite genre, he was – as the proud monument of the 1717 Works and the full embrace of the personal voice afforded by the Horatian ...
Page 17
... Pope, explore deformity in Pope as a key to subjectivity. The paradox of art and life in Pope's work also articulates the ways in which stigma shaped him as he responded to it, turning blunders into beauties, abjection into the portrait ...
... Pope, explore deformity in Pope as a key to subjectivity. The paradox of art and life in Pope's work also articulates the ways in which stigma shaped him as he responded to it, turning blunders into beauties, abjection into the portrait ...
Page 19
... Pope's embrace of the “not unpleasing Melancholy” that characterizes his lot at the end of An Epistle to Arbuthnot ... Pope's career in the 1730s, arose in part out of a need to justify his satiric attacks on poor scribblers in the 1728 ...
... Pope's embrace of the “not unpleasing Melancholy” that characterizes his lot at the end of An Epistle to Arbuthnot ... Pope's career in the 1730s, arose in part out of a need to justify his satiric attacks on poor scribblers in the 1728 ...
Page 20
... Pope's poetic career with a later one, each offers in the process a revised sense of the poet's relationship to a self that is experienced at once as freeing and unsettlingly elusive. The first is Pope's epigraph to his imitation of ...
... Pope's poetic career with a later one, each offers in the process a revised sense of the poet's relationship to a self that is experienced at once as freeing and unsettlingly elusive. The first is Pope's epigraph to his imitation of ...
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Common terms and phrases
Achilles Alexander Pope ancient Anecdotes Atterbury Augustan Augustus Bathurst Belinda body Bolingbroke Cambridge career Catholic century Cibber classical Colley Cibber contemporary Corr couplet culture Curll defined deformity deism Donne’s Dulness Dunce Dunciad Edmund Curll eighteenth eighteenth-century Elizabethan Eloisa to Abelard English epic Epistle to Arbuthnot Essay on Criticism Faerie Queene figure final financial find first flow Fortescue Francis Atterbury garden gender Gilliver Homer Horace Horace’s Horatian human Iliad imagination imitation influence Jacobite John John Caryll John Dryden John Gay Jonson’s Lady Mary landscape later letters lines Lintot literary Lock London Lord man’s masculine modern moral nature notes Odyssey Oxford passage pastoral pillory poem poet poet’s poetic political Pope’s Pope’s poetry profit published Queen Rape reflected religion Renaissance rhyme satire significance soul specifically Swift Timon’s Tonson translation Twickenham University Press verse versification Virgil vols Walpole Walpole’s Warburton Whig William Windsor-Forest women words writing wrote
Popular passages
Page 232 - Lo, the poor Indian ! whose untutor'd mind Sees God in clouds, or hears him in the wind; His soul, proud science never taught to stray Far as the solar walk, or milky way...
Page 161 - But though the ancients thus their rules invade (As kings dispense with laws themselves have made), Moderns, beware! or if you must offend Against the precept, ne'er transgress its end; Let it be seldom, and compell'd by need; And have, at least, their precedent to plead.
Page 32 - With too much weakness for the stoic's pride, He hangs between; in doubt to act, or rest; In doubt to deem himself a god, or beast...
Page 57 - See dying vegetables life sustain, See life dissolving vegetate again: All forms that perish other forms supply; (By turns we catch the vital breath, and die) Like bubbles on the sea of Matter borne, They rise, they break, and to that sea return.
Page 57 - Look round our world; behold the chain of love Combining all below and all above. See plastic Nature working to this end, The single atoms each to other tend, Attract, attracted to, the next in place Form'd and impell'd its neighbour to embrace. See Matter next, with various life endued, Press to one centre still, the general good.
Page 64 - Some to the sun their insect-wings unfold, Waft on the breeze, or sink in clouds of gold ; Transparent forms, too fine for mortal sight, Their fluid bodies half...
Page 89 - To one small sect, and all are damn'd beside. Meanly they seek the blessing to confine. And force that sun but on a part to shine, Which not alone the southern wit sublimes, But ripens spirits in cold northern climes...
Page 67 - But o'er the twilight groves and dusky caves, Long-sounding aisles and intermingled graves, Black Melancholy sits, and round her throws A death-like silence, and a dread repose : Her gloomy presence saddens all the scene, Shades every flower, and darkens every green ; Deepens the murmur of the falling floods, And breathes a browner horror on the woods.
Page 57 - Nothing is foreign ; parts relate to whole ; One all-extending, all-preserving Soul Connects each being, greatest with the least ; Made beast in aid of man, and man of beast ; All served, all serving : nothing stands alone ; The chain holds on, and where it ends unknown.