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disarm it at once of all power of mischief, and to perform a public service of the most advantageous kind in which any man can employ his time and his talents. The voice, indeed, of an honest satirist, is not only beneficial to the world, as giving alarm against the designs of an enemy so dangerous to all social intercourse, but as proving likewise the most efficacious preventative to others, of assuming the same character of distinguished infamy. Few are so totally vitiated, as to have abandoned all sentiments of shame; and when every other principle of integrity is surrendered, we generally find the conflict is still maintained in this last post of retreating virtue. In this view, therefore, it should seem, the function of a satirist may be justified, notwithstanding it should be true, (what an excellent moralist has asserted) that his chastisements rather exasperate than reclaim those on whom they fall. Perhaps no human penalties are of any moral advantage to the criminal himself; and the principal benefit that seems to be derived from civil punishments of any kind, is their restraining influence upon the conduct of others.

It is not every arm, however, that is qualified to manage this formidable blow. The arrows of satire, when they are not pointed by virtue as well as wit, recoil back upon the hand that directs them, and wound none but him from whom they proceed. Accordingly, Horace rests the whole success of writings of this sort upon the poet's being integer ipse, free himself from those immoral stains which he points out in others. There cannot, indeed, be a more odious, nor at the same time a more

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contemptible character, than that of a vicious sa

tirist:

Quis cœlum terris non misceat et mare cœlo,

Si fur displiceat Verri, homicida Miloni?-Juv.

The most favourable light in which a censor of this species could possibly be viewed, would be that of a public executioner, who inflicts the punishment on others, which he has already merited himself. But the truth of it is, he is not qualified even for so wretched an office; and there is nothing to be dreaded from a satirist of known dishonesty, but his applause. Adieu.

1

INDEX.

Νο.

I. To Clytander.-Concerning enthusiasm
II. To Philotes.-On portrait painting.
III.

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To Palamedes.-Reflections on the Roman

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15

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IV. To Philotes.-On his travels.
V. To Clytander. On the veneration paid to
the ancients

VI. To Orontes.-The character of Varus.
VII. To Hortensius. Returning him thanks
for a present of brawn; with an account
of the author's manner of celebrating
the feast.

VIII. To Clytander.-In favour of a particular

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IX. To Timoclea. A panegyric upon riddles 28
X. To Phidippus.-Reflections upon friend-

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XIII. To Philotes.-Written in a fit of the spleen 41
XIV. To Orontes.-Concerning the neglect of
oratorical numbers. Observations upon

Dr. Tillotson's style. The care of the
ancient orators, with respect to nume-
rous composition, stated and recom-
mended.

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XVI. To Philotes.-Against cruelty to insects
XVII. To the same.-Upon his marriage
XVIII. To Hortensius.-Reflections upon the pas-
sion of fame

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XIX. To Cleora.-Rallying her taste for mysti-
cal and romance writers

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XX. To Euphronius.-Observations upon some
passages in Mr. Pope's translation of
the Iliad.

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XXIII. To Clytander.-Concerning his intentions
to marry. The character of Amasia
XXIV. To Orontes.-On metaphors
XXV. To Philotes

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XXVI. To Phidippus.-Reflections on generosity 85
XXVII. To Sappho, a young lady of thirteen years

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XXVIII. To Phidippus.-Reflections upon the sen-
timents of the ancients concerning
friendship

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XXIX. To the same.-Upon grace in writing
XXX. To Clytander.-Concerning the love of our

country.

XXXI. To Palamedes

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XXXII. To the same. The author's resolutions to

continue in retirement.

100

XXXIII. To Palemon.-The character of Hortensia 102
XXXIV. To Hortensius.--Concerning self-reverence 106
XXXV. To Cleora.-With an ode upon their wed-

ding-day

XXXVI. To Clytander.-Reasons for the author's
retirement. A description of the situa-
tion of his villa

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XXXVII. To Hortensius.-Concerning the style of
Horace in his moral writings

XXXVIII. To the same.-Concerning the great vari-

ety of characters among mankind. The
singular character of Stilotes

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