1984-1991 |
From inside the book
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Page 66
VIRGINIA : Where would you like to sit , Gram ? ISABEL : I seem to be heading toward that chair . ( She begins to make her way downstage toward a particular chair . ) VIRGINIA : Would you like some help , Gram ? ISABEL : No thank you .
VIRGINIA : Where would you like to sit , Gram ? ISABEL : I seem to be heading toward that chair . ( She begins to make her way downstage toward a particular chair . ) VIRGINIA : Would you like some help , Gram ? ISABEL : No thank you .
Page 67
VIRGINIA : Oh Gram ... ISABEL : Now a real writer brings in life . He creates it . TOM : That's why I want to be one . That's why I've come to New York . ISABEL : Then do it , man ! On your own ! Don't lean on an old woman !
VIRGINIA : Oh Gram ... ISABEL : Now a real writer brings in life . He creates it . TOM : That's why I want to be one . That's why I've come to New York . ISABEL : Then do it , man ! On your own ! Don't lean on an old woman !
Page 102
Oh , Gram . I love you ... ISABEL : You should listen to Verdi . He wrote operas about liberation . Even his name meant freedom . They'd write it on walls . VIRGINIA : ( Indicating blue piece of paper . ) You left this note on the ...
Oh , Gram . I love you ... ISABEL : You should listen to Verdi . He wrote operas about liberation . Even his name meant freedom . They'd write it on walls . VIRGINIA : ( Indicating blue piece of paper . ) You left this note on the ...
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actually ALISON ANDY begins believe better BRADLEY bring comes course dance DAVE dear DEXTER DIANA don't door drawing drink enters father feel getting girl give goes Gram hall hand happens HARRIET hear HENRY hold hope I'll ISABEL It's JAKE JOHN JUDY keep least leave light live LOIS looks mean MELISSA Miss mother move never night NINA party Pause PERRY play remember SALLY seems sorry sound stands starts stay stop summer suppose sure SUSAN talk telephone tell Thank That's There's thing thought told TONY true turns VIRGINIA wait walk Weatherill What's WILMA woman write wrote York