An Analytical Inquiry Into the Principles of Taste |
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Page ix
... Proportion in St. Peter's . 51. And of Contrast in Gothic Cathedrals . 52. Of Intricacy and Extent . 53. Lightness in Sculpture and Building . 54. Errors of Imitation in Principles . 55. Lightness in Painting . Flowing Lines . Rubens ...
... Proportion in St. Peter's . 51. And of Contrast in Gothic Cathedrals . 52. Of Intricacy and Extent . 53. Lightness in Sculpture and Building . 54. Errors of Imitation in Principles . 55. Lightness in Painting . Flowing Lines . Rubens ...
Page 11
... proportion , expression , fitness , & c . which perpetually distinguish the beautiful from the ugly in the same species ; though often totally changed when applied to another species , and sometimes , when applied to a different class ...
... proportion , expression , fitness , & c . which perpetually distinguish the beautiful from the ugly in the same species ; though often totally changed when applied to another species , and sometimes , when applied to a different class ...
Page 50
... variation from the difference of the materials to which they are applied . They must , there- fore , be the same in Greek , as in 50 PRINCIPLES OF TASTE : Consequent Effects of Proportion in St Peter's Character and Expression of Form.
... variation from the difference of the materials to which they are applied . They must , there- fore , be the same in Greek , as in 50 PRINCIPLES OF TASTE : Consequent Effects of Proportion in St Peter's Character and Expression of Form.
Page 84
... proportions , which are best Georgic . iii . 52 - The description is of a cow ; but of a cow , whose form is best adapted to breed fine male calves . † Ovid . Metamorph , adapted to exhibit ease , elegance , and dignity of 84 PRINCIPLES ...
... proportions , which are best Georgic . iii . 52 - The description is of a cow ; but of a cow , whose form is best adapted to breed fine male calves . † Ovid . Metamorph , adapted to exhibit ease , elegance , and dignity of 84 PRINCIPLES ...
Page 85
... proportions , upon which he can cal- culate to most advantage , real and essential beauties ; and to hold in the utmost contempt the taste and judgment of any person , who ' should doubt their being so . The beauties of ease , elegance ...
... proportions , upon which he can cal- culate to most advantage , real and essential beauties ; and to hold in the utmost contempt the taste and judgment of any person , who ' should doubt their being so . The beauties of ease , elegance ...
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Common terms and phrases
according acquired Æneid afford animals appear applied arises ascer association of ideas become blime and Pathetic body called cause CHAP character colour consequently degree delight display effect elegance employed equally excite expression faculty feel felt fræna Georgic gratification Greek habit hearing human Iliad Imagina imagination imitation impressions improved Perception inquiry instances irregular irritation Judg kind language less light and shadow malè mankind means ment mental sympathies merely metre mind modes nature never nevertheless notion objects observed olfactory nerves organs of sense pain painters painting Paradise Lost passions perceived perfect person picturesque Pindar pleasing pleasure poet poetry polished languages principle produced proportion prosody qualities quantity racter Rembrandt laughed sculpture sensation sensibility sentiments Sight smell smooth sound species style Sublime and Beautiful syllables taste temple of Vesta thing tints tion Titian tone touch turally variety verse visible whence wherefore words СНАР