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While thus each hand promotes the pleasing pain,
And quick sensations skip from vein to vein ;
A youth unknown to Phæbus, in despair,
Puts his last refuge all in heaven and prayer.
What force have pious vows! The Queen of Love 215
Her sister sends, her votaress, from above,
As, taught by Venus, Paris learnt the art
To touch Achilles' only tender part;
Secure, through her, the noble prize to carry,
He marches off, his Grace's Secretary.

Now turn to different sports (the Goddess cries)
And learn, my sons, the wondrous power of Noise.
To move, to raise, to ravish every heart,
With Shakespeare's nature, or with Jonson's art,
Let others aim : 'Tis yours to shake the soul

With thunder rumbling from the mustard-bowl,
With horns and trumpets now to madness swell,
Now sink in sorrows with a tolling bell !
Such happy arts attention can command,
When fancy flags, and sense is at a stand.

230 Improve we these. Three Cat-calls be the bribe Of him, whose chattering thames the Monkey tribe :



Ver. 226. With Thunder rumbling from the mustard bowl,] The old way of making Thunder and Mustard were the fame ; but since, it is more advantageously performed by troughs of wood with ftops in them. Whether Mr. Dennis was the inventor of that improvement, I know not; but it is certain, that being once at a Tragedy of a new author, he fell into a great passion at hcaring some, and cried, “ 'Sdeath! that is my Thunder."

And his this Drum, whose hoarse heroic bass
Drowns the loud clarion of the braying Ass.

Now thousand tongues are heard in one loud din :
The Monkey-mimics rush discordant in ;
'Twas chattering, grinning, mouthing, jabbering all,
And Noise and Norton, Brangling and Breval,
Dennis and Dissonance, and captious Art,
And Snip-snap short, and Interruption smart, 240
And Demonstration thin, and Theses thick,
And Major, Minor, and Conclusion quick.
Hold (cry'd the Queen): A Cat-call each shall win ;
Equal your merits ! equal is your din !
But that this well-disputed game may end, 245
Sound forth, my Brayers, and the welkin rend.

As when the long-ear’d milky mothers wait At some fick miser's triple-bolted gate, For their defrauded, absent foals they make A moan so loud, that all the Guild awake; 250 Sore fighs Sir Gilbert, starting at the bray, From dreams of millions, and three groats to pay : So swells each wind-pipe: Ass intones to Ass, Harmonic twang! of leather, horn, and brass; Such as from labouring lungs th'Enthusiast blows, 255 High sounds, attemper'd to the vocal nose ;


Ver. 241, 242. added since the first Edition.

Ver. 238. Norton,] See ver. 417.-J. Durant Breval,
Author of a very extraordinary Book of Travels, and
Come Poems. See before, Note on ver. 126.


Or such as bellow from the deep Divine ;
There, Webster ! peal’d thy voice, and Whitefield! thine.
But far o'er all sonorous Blackmore's strain;
Walls, steeples, skies, bray back to him again.
In Tottenham fields, the Brethren, with amaze,
Prick all their ears up, and forget to graze!
Long Chancery-lane retentive rolls the sound,
And courts to courts return it round and round ;
Thames wafts it thence to Rufus' roaring hall, 265
And Hungerford re-echoes bawl for bawl.
All hail him viétor in both gifts of song,
Who sings so loudly, and who sings so long.



Ver. 257, 258. This couplet is an addition.


Ver. 258. Webster-and Whitefield] The one the writer of a News-paper called the Weekly Miscellany, the other a Field-preacher. This thought the only means of advancing Religion was by the New-birth of spiritual madness: That by the old death of fire and faggot: And therefore they agreed in this, though in no other earthly thing, to abuse all the sober Clergy. From the finall success of these two extraordinary perfons, we may learn how little hurtful Bigotry and Enthusiasm are, while the Civil Magistrate prudently forbears to lend his power to the one, in order to the employing it against the other.

Ver. 263. Long Chancery-lane] The place where the offices of Chancery are kept. The long detention of Clients in that Court, and the difficulty of getting out, is humorously allegorized in these lines.

This labour past, by Bridewell all descend, (As morning-prayers, and flagellation end)

270 To



Ver. 268. Who sings so loudly, and who sings so long:) A just charaéter of Sir Richard Blackmore, knight, who (as Mr. Dryden expresseth it)

“ Writ to the rumbling of his coach's wheels." and whose indefatigable Muse produced no less than fix Epic poems : : Prince and King Arthur, twenty books; Eliza ten ; Alfred twelve ; the Redeemer, fix; besides Job, in folio; the whole Book of Psalms; the Creation, seven books; Nature of Man, three books; and many

It is in this sense he is ftyled afterwards the everlasting Blackmore. Notwithstanding all which, Mr. Gildon seems assured, “ that this admirable author “ did not think himself upon the same foot with Ho“ mer." Comp. Art of Poetry, vol. i. p. 108.

But how different is the judgment of the author of Characters of the times? p. 25. who says, “ Sir Ri“ chard Blackmore is unfortunate in happening to mis“ take his proper talents ; and that he has not for many “ years been lo much as named, or even thought of among

writers.” Even Mr. Dennis differs greatly from his friend Mr. Gildon : “ Blackmore's Action “ (faith he) has neither unity, nor integrity, nor mora“ lity, nor univerfality; and consequently he can have “ no Fable, and no Heroic Poem : His Narration is “ neither probable, delightful, nor wonderful ; his cha“racters have none of the necessary qualifications; the “ things contained in his narration are neither in their os own nature delightful, nor numerous enough, nor rightly disposed, nor surprizing, nor pathetic.”-Nay he proceeds lo far as to say Sir Richard has no Genius; first laying down, that “Genius is caused by a furious “joy and pride and soul, on the conception of an extra

“ ordinary



To where Fleet-ditch with disemboguing streams
Rolls the large tribute of dead dogs to Thaines,




« ordinary Hint. Many men (lays he) have their Hints, “ without those motions of fury and pride of soul, be“ cause they want fire enough io agitate their spirits; “ and there we call cold writers. Others who have a

great deal of fire, but have not excellent organs, feel " the fore-mentioned motions, without the extracr“ dinary hints; and these we call fuftian writers. But

he declares that Sir Richard had neither the Hints nor

the Motions." Remarks on Pr. Arth. octavo, 1656. Preface,

This gentleman in his first works abused the character of Mr. Dryden; and in his last, of Mr. Pope, accuiing him in very high and fober terms of profaneness and immorality (Essay on Polite Writing, vol. ii. p. 270.) on a mere report from Edm. Curll, that he was author of a Travestie on the first Pfalm. Mr. Dennis took up the same report, but with the addition of what Sir Richard had neglected, an Argument to prove it; which being very curious, we shall here transcribe. “ he who burlesqued the Psalms of David. It is apo

parent to me that Pfalm was burlesqued by a Popish rhymester. Let rhyming perfons who have been

brought up Protestants be otherwise what they will, “ let them be rakes, let them be scoundrels, let them “be Atheists, yet education has made an invincible im“pression on them in behalf of the facred writings. “ But a Popish rhymester has been brought up with a

contempt for those facred writings; now thew me " another Popish rhymester but he.” This manner of argumentation is usual with Mr. Dennis; he has einployed the same against Sir Richard himself, in a like charge of Impiety and Irreligion. “ All Mr. Blackmore's " celettial Machines, as they cannot be defended so


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