The Rambler [by S. Johnson and others]. [Another], Volume 21810 |
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Page vi
... Milton's versifi- cation 87. The reasons why advice is generally ineffectual 88. A criticism on Milton's versification . Elisions dangerous in English poetry 89. The luxury of vain imagination · go . The pauses in English poetry ...
... Milton's versifi- cation 87. The reasons why advice is generally ineffectual 88. A criticism on Milton's versification . Elisions dangerous in English poetry 89. The luxury of vain imagination · go . The pauses in English poetry ...
Page 44
... Milton has judiciously represented the father of mankind , as seized with horrour and astonishment at the sight of death , exhibited to him on the mount of vision . For surely , nothing can so much disturb the passions , or perplex the ...
... Milton has judiciously represented the father of mankind , as seized with horrour and astonishment at the sight of death , exhibited to him on the mount of vision . For surely , nothing can so much disturb the passions , or perplex the ...
Page 56
... Milton , that he who neglects to visit the country in spring , and rejects the pleasures that are then in their first bloom and fragrance , is guilty of sullenness against nature . If we allot dif- ferent duties to different seasons ...
... Milton , that he who neglects to visit the country in spring , and rejects the pleasures that are then in their first bloom and fragrance , is guilty of sullenness against nature . If we allot dif- ferent duties to different seasons ...
Page 90
... and with all his diligence can only hope to find a few flowers or branches un- touched touched by his predecessor , the refuse of contempt , 90 N ° 86 . THE RAMBLER . introduction to a criticism on Milton's versifi- cation.
... and with all his diligence can only hope to find a few flowers or branches un- touched touched by his predecessor , the refuse of contempt , 90 N ° 86 . THE RAMBLER . introduction to a criticism on Milton's versifi- cation.
Page 91
... Milton , he had many objects at once before him , and passed willingly over those which were most barren of ideas , and required labour , rather than genius . Yet Yet versification , or the art of modulating his numbers N ° 86 . 91 THE ...
... Milton , he had many objects at once before him , and passed willingly over those which were most barren of ideas , and required labour , rather than genius . Yet Yet versification , or the art of modulating his numbers N ° 86 . 91 THE ...
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Common terms and phrases
Ajax amusements Aristotle attention Aureng-Zebe beauty caprice celebrated censure considered contempt critick curiosity danger delight Demochares desire dignity diligence discover domestick easily elegance endeavoured envy equally expected eyes FALSEHOOD fancy favour fear February 16 felicity flatter folly fortune frequently Gabba gayety genius gratifications happiness heart honour hope hour human imagination inclination innu inquiry JUPITER justly kind knowledge labour ladies learning lence less lives look mankind March 16 medicated gloves ment Milton mind miscarriage nature necessary negligence nerally ness never NUMB numbers observed once opinion OVID passed passions perhaps perpetual pleased pleasure praise pride publick racters RAMBLER reason regard rence reproach SATURDAY scarcely seldom sentiments sions sometimes soon sound species stancy suffer surely syllables terrour thing thou thought thousand tion truth TUESDAY turally turb vanity verse Virgil virtue writers
Popular passages
Page 441 - So much I feel my genial spirits droop, My hopes all flat, nature within me seems In all her functions weary of herself ; My race of glory run, and race of shame, And I shall shortly be with them that rest.
Page 136 - Soft is the strain when Zephyr gently blows, And the smooth stream in smoother numbers flows ; But when loud surges lash the sounding shore, The hoarse, rough verse should like the torrent roar.
Page 104 - ... harmonically conjoined, and, by consequence, the flow of the verse is longer interrupted, It is pronounced by Dryden, that a line of monosyllables is almost always harsh. This, with regard to our language, is evidently true, not because monosyllables cannot compose harmony, but because our monosyllables being of Teutonick original, or formed by contraction, commonly begin and end with consonants, as, • Every lower faculty Of sense, whereby they hear, see, smell, touch, taste.
Page 443 - The Sun to me is dark And silent as the Moon, When she deserts the night Hid in her vacant interlunar cave. Since light so necessary is to life, And almost life itself, if it be true That light is in the Soul, She all in every part; why was the sight To such a tender ball as the eye confined?
Page 435 - He tugg'd, he shook, till down they came and drew The whole roof after them, with burst of thunder Upon the heads of all who sat beneath, Lords, ladies, captains, counsellors...
Page 148 - I fled, and cried out Death; Hell trembled at the hideous name, and sighed From all her caves, and back resounded Death.
Page 120 - gan war, and fowl with fowl, And fish with fish ; to graze the herb all leaving Devour'd each other ; nor stood much in awe Of man, but fled him, or, with countenance grim, Glared on him passing.
Page 411 - Who dares think one thing, and another tell, My heart detests him as the gates of hell.
Page 94 - But thou hast promised from us two a race To fill the earth, who shall with us extol Thy goodness infinite ; both when we wake, And when we seek, as now, thy gift of sleep.
Page 105 - ... to the ground With solemn adoration down they cast Their crowns inwove with amarant and gold ; Immortal amarant, a flower which once In Paradise, fast by the tree of life, Began to bloom ; but soon for man's offence...