The Art of the Drama |
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Page 29
... dialogue . Here again the particular problems , especially those of style , will be raised later , but in con- nexion with the topic of this chapter , representational images , we observe that dialogue is ambivalent . On the one hand it ...
... dialogue . Here again the particular problems , especially those of style , will be raised later , but in con- nexion with the topic of this chapter , representational images , we observe that dialogue is ambivalent . On the one hand it ...
Page 171
... dialogue . Manfred's words are not action - in- speech but agitated meditation . Byron lacks the sense of dramatic dialogue and of how it incorporates character and action . His talent is for haughty narrative , coloured , it is true ...
... dialogue . Manfred's words are not action - in- speech but agitated meditation . Byron lacks the sense of dramatic dialogue and of how it incorporates character and action . His talent is for haughty narrative , coloured , it is true ...
Page 172
... dialogue , thus find their point of adjustment in the speech- gesture imagery . It is an organic interfusion . Persons imply action and dialogue , dialogue implies something that occasions it , situa- tions imply decisions and behaviour ...
... dialogue , thus find their point of adjustment in the speech- gesture imagery . It is an organic interfusion . Persons imply action and dialogue , dialogue implies something that occasions it , situa- tions imply decisions and behaviour ...
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abstract achieved action actor aesthetic Antony and Cleopatra artist aspects auditory auditory imagery beautiful blank verse century chapter character comedy comic complex composition connexion context décor dialogue drama dramatic form dramatist elements emotional epic poetry evocation example experience expressive formula-images feeling function gesture human Ibsen idea ideal imagery images imagination implicit intense interfusion kind language Les Parents Terribles lyric lyric poetry Macbeth Mallarmé meaning meditation medium metaphor moral myth narrative nature Novalis objects observe Othello particular pattern persons play plot poem poésie poet poetic poetry precise principle problem prose psychological realism reality relation representational representational art rhythm romantic romantic poetry romanticism scene sense sensuous Shakespeare simple situation social song sonnet Sophocles sound speech style symbolic symbolist texture theatre theatrical themes theory things thought tion tragedy tragic types unity varied verbal verse vision visual vivid voice whilst whole words