John DrydenDryden's poetry is straightforward, bold, and energetic. He was in the public eye for some forty years, holding positions at court for a long period of time. He was indisputably perceived as the leading writer of his day. He excelled in all the types of writing practiced at the time. He wrote more, and in more genres than anyone. He accumulated to himself (it is a odd distinction) a huge mass of attacks, ranging from the reasoned to the scabrous. Dryden explained his attitudes and intentions in a large number of prologues, epilogues, prefaces, defences, and vindications-thereby quite casually producing the first body of what we now call 'criticism' in English. And yet his life and character remain something of a mystery. |
From inside the book
Results 1-3 of 82
Page vi
... Ovid's Elegies . Book II . The Nineteenth Elegy Prologue to The University of Oxford [ ' What Greece ' ] Epilogue to ... Ovid's Metamorphoses 320 321 322 323 336 359 373 382 Ovid's Amours . Book I. Elegy 1 409 Ovid's Amours . Book ...
... Ovid's Elegies . Book II . The Nineteenth Elegy Prologue to The University of Oxford [ ' What Greece ' ] Epilogue to ... Ovid's Metamorphoses 320 321 322 323 336 359 373 382 Ovid's Amours . Book I. Elegy 1 409 Ovid's Amours . Book ...
Page 27
... Ovid is famous amongst the poets , for the latter Virgil . Ovid images more often the movements and affections of the mind , either combating between two contrary passions , or extremely discomposed by one : his words therefore are the ...
... Ovid is famous amongst the poets , for the latter Virgil . Ovid images more often the movements and affections of the mind , either combating between two contrary passions , or extremely discomposed by one : his words therefore are the ...
Page 159
... Ovid asserts this work as his own invention , and not borrowed from the Greeks , whom ( as the masters of their learning ) the Romans usually did imitate . But it appears not from their writers , that any of the Grecians ever touched ...
... Ovid asserts this work as his own invention , and not borrowed from the Greeks , whom ( as the masters of their learning ) the Romans usually did imitate . But it appears not from their writers , that any of the Grecians ever touched ...
Contents
To John Hoddesdon on his Divine Epigrams I | 1 |
Astraea Redux | 9 |
Absalom and Achitophel | 177 |
Copyright | |
17 other sections not shown
Other editions - View all
Common terms and phrases
Absalom and Achitophel Aeneas Aeneid ancient Arcite Aristotle arms bear beauty behold Ben Jonson betwixt blessed blood breast Caeneus Chaucer Cinyras courser cried crime crown death Dryden e'en earth English eyes fair fame fate father fear fight fire flames force Georgics give goddess gods grace Greek ground hand haste head heart heaven honour Iliad John Dryden Jove kind king labour leave light live lord lover Lucretius maid Metamorphoses mighty mind mortal muse nature never night numbers o'er once Ovid pain Palamon passion Pindar Pirithous plain play pleased poem poet praise Priam prince pursue queen race rage rest rhyme Roman sacred Satire of Juvenal seas Sejanus sighed sight sire skies soul stood sweet sword tears thee Theseus thou thought translation Twas verse Virgil vows wife wind words youth