John Dryden, Volume 10Dryden's poetry is straightforward, bold, and energetic. He was in the public eye for some forty years, holding positions at court for a long period of time. He was indisputably perceived as the leading writer of his day. He excelled in all the types of writing practiced at the time. He wrote more, and in more genres than anyone. He accumulated to himself (it is a odd distinction) a huge mass of attacks, ranging from the reasoned to the scabrous. Dryden explained his attitudes and intentions in a large number of prologues, epilogues, prefaces, defences, and vindications-thereby quite casually producing the first body of what we now call 'criticism' in English. And yet his life and character remain something of a mystery. |
Contents
To John Hoddesdon on his Divine Epigrams I | 1 |
Astraea Redux | 9 |
Annus Mirabilis | 23 |
Copyright | |
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appear arms bear beauty better blood body born breast called cause close common crown death desire Dryden e'en earth English eyes face fair fall fame fate father fear field fight fire follow force fortune give gods grace ground hand head heart heaven honour hope Italy kind king labour land laws least leave length less light live look lord lost mind move nature never night o'er once pain pass plain play pleased poem poet praise published pursue race raised reason received rest rise seas seemed sense side sight soul sound stand stood tell thee things thou thought took translation true turn verse wife wind write youth