The Humanism of Milton's Paradise Lost"The great divide in commentary on Paradise Lost is between historical and critical analysis. In his discussion of the poem, David Reid combines both approaches, at once placing it historically in terms of neoclassical humanism, and reflecting on it critically as a late twentieth-century humanist." "As a historian, Reid argues that Paradise Lost shares in the cultural effort of neoclassical humanism, and yet, in its picture of volition, the poem stands apart from it - Milton's understanding of freedom, error and guilt owing more to his Protestant than to his humanist concerns. And as a critic, Reid argues that surprisingly Milton's religious understanding speaks more directly to our humanism than his splendid articulation of neoclassical humanist themes."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
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Page 30
... looks as the expression of abstract qualities , ' Truth , wisdom , sanctitude severe and pure ' ( line 293 ) , qualities one usually reads into a face rather than a body . Yet I think the whole body is to be imagined . There is a ...
... looks as the expression of abstract qualities , ' Truth , wisdom , sanctitude severe and pure ' ( line 293 ) , qualities one usually reads into a face rather than a body . Yet I think the whole body is to be imagined . There is a ...
Page 125
... looks reflect each other . The face is a mirror , which at once sees and reflects what it sees ; a ' look ' means both a gaze and an appearance , both a looking and the expression on the face as it looks . In heaven , Satan's ...
... looks reflect each other . The face is a mirror , which at once sees and reflects what it sees ; a ' look ' means both a gaze and an appearance , both a looking and the expression on the face as it looks . In heaven , Satan's ...
Page 147
... looks , the smiling glimpse of oneself in the smile of another . Adam can even say later that he receives ' Access in every virtue ' ' from the influence of [ Eve's ] looks ' ( lines 309–10 ) . So much for the unfallen mutuality of looks ...
... looks , the smiling glimpse of oneself in the smile of another . Adam can even say later that he receives ' Access in every virtue ' ' from the influence of [ Eve's ] looks ' ( lines 309–10 ) . So much for the unfallen mutuality of looks ...
Common terms and phrases
Absalom and Achitophel Adam and Eve Adam's angels Armida Arminian Augustan Bondage Book choice Christian Doctrine Christian humanism concerns corruption creation creaturely culture death despair divine Dryden earth earthly eloquence Empson Erasmus Erasmus's Essays Eve's evil experience Faerie Queene fall fallen feel forbidden knowledge freedom from constraint fruit God's heaven heavenly hell heroic human action human finitude human nature ideal imitation imagination innocence invocation involved Jerusalem Delivered John Dryden judgement light lines literary literature London looks Luther means Middlemarch Milton Milton's treatment mind moral ideas motions neoclassical epic neoclassical humanism neoclassical humanist Paradise Lost Petrarch philosophy poem poet poetry prohibition Raphael rational reason religious Renaissance Renaissance humanism Renaissance humanists rhetorical Rinaldo Satan scheme scholastic scholasticism schoolmen seems sense serpent shows sort soul speaks spirit suggests talk Tasso temperance theology thought turns understanding unfallen universal Valla virtues and vices volition