The Humanism of Milton's Paradise Lost"The great divide in commentary on Paradise Lost is between historical and critical analysis. In his discussion of the poem, David Reid combines both approaches, at once placing it historically in terms of neoclassical humanism, and reflecting on it critically as a late twentieth-century humanist." "As a historian, Reid argues that Paradise Lost shares in the cultural effort of neoclassical humanism, and yet, in its picture of volition, the poem stands apart from it - Milton's understanding of freedom, error and guilt owing more to his Protestant than to his humanist concerns. And as a critic, Reid argues that surprisingly Milton's religious understanding speaks more directly to our humanism than his splendid articulation of neoclassical humanist themes."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
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Page 138
... issue which she knows to be of the utmost moment . To say she is ' unweeting ' absolves which her from deliberate malice , but to say she does not fully realise what she is doing does not mean that she was so cleverly tricked that she ...
... issue which she knows to be of the utmost moment . To say she is ' unweeting ' absolves which her from deliberate malice , but to say she does not fully realise what she is doing does not mean that she was so cleverly tricked that she ...
Page 171
... issue , although none of them seems to treat it entirely satisfactorily . There is , however , another way of ... issues . They assume the identity , mutatis mutandis , of their neohumanism and Renaissance humanism . Greenlaw makes an ...
... issue , although none of them seems to treat it entirely satisfactorily . There is , however , another way of ... issues . They assume the identity , mutatis mutandis , of their neohumanism and Renaissance humanism . Greenlaw makes an ...
Page 173
... issue for criticism , that is for contemporary humanism : ' How does Milton's masterpiece really stand to us moderns ? 225 ( ' A French Critic ' , p . 186 ) . That is the question we must ask if we are to understand what humanism has to ...
... issue for criticism , that is for contemporary humanism : ' How does Milton's masterpiece really stand to us moderns ? 225 ( ' A French Critic ' , p . 186 ) . That is the question we must ask if we are to understand what humanism has to ...
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Absalom and Achitophel Adam and Eve Adam's angels Armida Arminian Augustan Bondage Book choice Christian Doctrine Christian humanism concerns corruption creation creaturely culture death despair divine Dryden earth earthly eloquence Empson Erasmus Erasmus's Essays Eve's evil experience Faerie Queene fall fallen feel forbidden knowledge freedom from constraint fruit God's heaven heavenly hell heroic human action human finitude human nature ideal imitation imagination innocence invocation involved Jerusalem Delivered John Dryden judgement light lines literary literature London looks Luther means Middlemarch Milton Milton's treatment mind moral ideas motions neoclassical epic neoclassical humanism neoclassical humanist Paradise Lost Petrarch philosophy poem poet poetry prohibition Raphael rational reason religious Renaissance Renaissance humanism Renaissance humanists rhetorical Rinaldo Satan scheme scholastic scholasticism schoolmen seems sense serpent shows sort soul speaks spirit suggests talk Tasso temperance theology thought turns understanding unfallen universal Valla virtues and vices volition