The Humanism of Milton's Paradise Lost"The great divide in commentary on Paradise Lost is between historical and critical analysis. In his discussion of the poem, David Reid combines both approaches, at once placing it historically in terms of neoclassical humanism, and reflecting on it critically as a late twentieth-century humanist." "As a historian, Reid argues that Paradise Lost shares in the cultural effort of neoclassical humanism, and yet, in its picture of volition, the poem stands apart from it - Milton's understanding of freedom, error and guilt owing more to his Protestant than to his humanist concerns. And as a critic, Reid argues that surprisingly Milton's religious understanding speaks more directly to our humanism than his splendid articulation of neoclassical humanist themes."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
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Page 70
... figure and its disfigurement . With Rinaldo the best counter - imaging is to be found in the contrast between his figure in eclipse with Armida and his figure restored after he has been brought back to the Christian army and indeed to ...
... figure and its disfigurement . With Rinaldo the best counter - imaging is to be found in the contrast between his figure in eclipse with Armida and his figure restored after he has been brought back to the Christian army and indeed to ...
Page 94
... figure of Satan in his journey through chaos up to the verge of light , where he sees heaven and the world hanging from it in bigness ' as a star / Of smallest magnitude close by the moon ' ( II , 1052–3 ) . With Book III , the ...
... figure of Satan in his journey through chaos up to the verge of light , where he sees heaven and the world hanging from it in bigness ' as a star / Of smallest magnitude close by the moon ' ( II , 1052–3 ) . With Book III , the ...
Page 116
... figure of execration , like Dante's Satan , whose three mouths chew Judas , Brutus and Cassius , or indeed like Tasso's complicated monster . However , Milton also draws us into feeling that Satan on his malign course is a tragic figure ...
... figure of execration , like Dante's Satan , whose three mouths chew Judas , Brutus and Cassius , or indeed like Tasso's complicated monster . However , Milton also draws us into feeling that Satan on his malign course is a tragic figure ...
Common terms and phrases
Absalom and Achitophel Adam and Eve Adam's angels Armida Arminian Augustan Bondage Book choice Christian Doctrine Christian humanism concerns corruption creation creaturely culture death despair divine Dryden earth earthly eloquence Empson Erasmus Erasmus's Essays Eve's evil experience Faerie Queene fall fallen feel forbidden knowledge freedom from constraint fruit God's heaven heavenly hell heroic human action human finitude human nature ideal imitation imagination innocence invocation involved Jerusalem Delivered John Dryden judgement light lines literary literature London looks Luther means Middlemarch Milton Milton's treatment mind moral ideas motions neoclassical epic neoclassical humanism neoclassical humanist Paradise Lost Petrarch philosophy poem poet poetry prohibition Raphael rational reason religious Renaissance Renaissance humanism Renaissance humanists rhetorical Rinaldo Satan scheme scholastic scholasticism schoolmen seems sense serpent shows sort soul speaks spirit suggests talk Tasso temperance theology thought turns understanding unfallen universal Valla virtues and vices volition