The Odes of John KeatsArgues that Keat's six odes form a sequence, identifies their major themes, and provides detailed interpretations of the poems' philosophy, mythological references, and lyric structures. |
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Page 106
... allowed the victory . Rather , the trope of inter- rogation - neither sensuous descriptive reiteration nor intellectual asserted proposition - is invoked for closure ; and the vocabulary of physical state and music ( " a vision . . . a ...
... allowed the victory . Rather , the trope of inter- rogation - neither sensuous descriptive reiteration nor intellectual asserted proposition - is invoked for closure ; and the vocabulary of physical state and music ( " a vision . . . a ...
Page 128
... allowed the two responses , to matter and to medium , free play . He permits there a rapidly alternating perception first of one and then of the other , and he uses identical language for the two experiences in order to show that they ...
... allowed the two responses , to matter and to medium , free play . He permits there a rapidly alternating perception first of one and then of the other , and he uses identical language for the two experiences in order to show that they ...
Page 261
... allowed , in sound , their independent possession of the air . Had the memorial gleam been allowed to remain fixed on the fields for the entire dura- tion of the last stanza - had the syntactic frame , that is , been simply " While this ...
... allowed , in sound , their independent possession of the air . Had the memorial gleam been allowed to remain fixed on the fields for the entire dura- tion of the last stanza - had the syntactic frame , that is , been simply " While this ...
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Common terms and phrases
adieu aesthetic allegorical Ambition Apollo autumn ode Beauty bird bower brain casement cloud conceptual Cupid and Psyche death diction divinity dream drowsy earth Endymion erotic eternal eyes fade Fall of Hyperion Fancy Fanny Brawne feeling figures flowers frieze fruit gnats goddess happy harvest human imagination immortal Indolence intellectual John Keats Keats Keats's Keatsian landscape language last stanza Letters listening medium Melan melody Milton mimetic mind Moneta Moneta's face Mutability mythological natural Nightingale numbers Ode on Indolence Ode on Melancholy ode To Autumn Ode to Psyche pain Paradise Lost passage pastoral philosophical poem Poesy poet poetry propositional Proserpine Psyche's question realm represented rhythm sacrifice scene season second stanza sensation sense sensual Shakespeare shape shrine sing song sonnet sorrow soul speak Spenserian spirit sweet symbol thee thou thought tion transubstantiation trope truth vision visual voice wine wings wish