VI. On Mr. FRANCIS BEAUMONT, (then newly deud). He that hath such acuteness, and such wit, Beaumont is dead, by whose sole death appears, VII. RICH. CORBET, 14 D. D. On the happy Collection of Mr. FLETCHER'S Works, never before printed. They canton thy vast wit to build small plays: He comes! his volume breaks through clouds and dust; Nor comes he private; here's great Beaumont too: Some think your wits of two complexions fram'd, Two, deprived of the chancellorship of Salisbury, and all his other preferments. After the restoration, he was made, first Dean of Westminster, then Bishop of Worcester, and afterwards of Salisbury. Mr. Wood gives a character of him, that extremely resembles that of the excellent Dr. Hough, the late Bishop of Worcester; the sum of it is, that he joined the politeness of a courtier to the sanctity, goodness, and charity of an apostle. SEWARD. 14 Richard Corbet, first Student, then Dean of Christ-Church, afterwards Bishop of Oxford, and from thence translated to Norwich; in his youth was eminent for wit and poetry, of which this is a specimen, and a good testimony of Beaumont's having a luxuriant wit as well as Fletcher, a wit That would ask ten good heads to husband it. 15 But, as two voices in one song embrace, SEWARD. Two, full, congenial souls.] Here Berkenhead is speaking of the doubtful opinions relating to the share which Beaumont and Fletcher had in these plays: he tells you, that the general opinion was, that Beaumont was a grave tragic writer, Fletcher most excellent in comedy. This he contradicts; but how, why, they did not differ as a general of horse does from a general of foot, nor as the sock does from the bushin, nor as the will from the under standing, 1 Two, full, congenial souls; still both prevail'd; Scenes flow like sun-beams from thy glorious brain; To feed poor languid wits that wait at door; Who creep and creep, yet ne'er above-ground stood; Thou always best; if aught seem'd to decline, standing, but were two full congenial souls, and differed only as the base and treble do in the same song. Why, if this is the true reading, he confirms in these lines what he had contradicted in all the foregoing similes, for buse and treble have much the same difference between them as horse and foot in an army, or the wit and understanding in the soul. To make the writer consistent with himself, the true reading seems to be not instead of but: Not as two voices in one song embrace, Fletcher's keen treble and deep Beaumont's base; 16 His muse and thine were quarter'd, not impal'd;] I know I am going out of my depth, in attempting a criticism on terms in heraldry. But my books tell me, that impaling is when the arms of the man and wife are placed on the same escutcheon, the one on the right and the other on the left; which is a proper emblem of the matrimonial union; and might seemingly be as well applied to the marriage of Beaumont and Fletcher's wit, as the word quartering can, which the same Berkenhead speaks of at the latter end of this poem: What strange production is at last display'd, But I shall attempt no change in a science where I am ignorance itself. SEWARD. Thus Thus thy fair Shepherdess, which the bold heap For plunder'd folks ought to be rail'd upon; They stuff their page with gods, write worse than men; As much as Greeks, or Latins, thee in years: Lost to behold this great relapse of wit: What strength remains, is like that (wild and fierce) Such boist'rous trifles thy muse would not brook, Thy nerves have beauty, which invades and charms; Nor art thou loud and cloudy; those, that do Thy fancy gave no unswept language vent; High crimes were still arraign'd; though they made shift All's safe, and wise; no stiff affected scene, Nor swoln, nor flat, a true full natural vein; Thy sense (like well-drest ladies) cloath'd as skinn'd, Thou hadst no sloth, no rage, no sullen fit, But strength and mirth; Fletcher's a sanguine wit. Behold, Behold, two masculines espous'd each other; Wit and the world were born without a mother. J. BERKENHEAD.17 VIII. On the Works of BEAUMONT and FLETCHER, now at length printed. GREAT pair of Authors, whom one equal star In fame, as well as writings, both so knit, That Art with Nature ne'er did smoother run. That modern cowards, when they saw him play'd, And thank'd you for this coz'nage, whose chaste scene That they, who brought foul fires, and thither came Be't to your praise too, that 18 your stock and vein 17 J. Berkinhead.] Berkinhead was first amanuensis to bishop Laud, and fellow of AllSouls. He was author of the Mercurius Aulicus, a very loyal paper in the time of the rebellion. He was persecuted much in Cromwell's days, and lived by his wits; afterwards he had good places under King Charles the Second, was member of parliament, and knighted. your stock and vein SEWARD. Held both to tragic and to comic strain.] i. e. Your stock of understanding and knowledge, and your vein of wit and humour, are equally excellent in tragedy and comedy. SEWARD. Where Where-e'er you listed to be high and grave, 20 21 19 Hath severally sent forth; nor were join'd so, As serv'd, like spice, to make them quick and fit; Did you conspire to go still twins to th' press; But what, thus join'd, you wrote, might have come forth As good from each, and stor'd with the same worth That thus united them: you did join sense; In you 'twas league, in others impotence: And the press, which both thus amongst us sends,22 JASPER MAINE.23 19 As two bodies to have but one fair mind.] Amended by SEWARD. 20 By the divided pieces which the press Upon Hath severally sent forth.] I have before shewed that there were two comedies wrote by Beaumont singly, and given some reasons why the Nice Valour ought to be deemed one of them. Whether Mr. Maine in this place referred to these two comedies, knowing which they were; or whether he only meant the mask at Gray's-Inn, which was the only piece which we know to have been published in Beaumont's name before these Commendatory Poems were published; or whether he spoke in general terms, without a strict adherence to facts, must be left uncertain. SEWARD. Like some our modern authors made to go On merely by the help of th other.] The word go which ends the next line, seeins to have ran in the printer's head, and made him put gone here instead of some other word. Mr. Theobald had prevented me in the emendation: we read join'd so, and as I have his concurrence, I have the less doubt in preferring it to Mr. Sympson's conjecture- Nor were one so — though this latter is very good sense, and nearer the trace of the letters, but it would make one be repeated too often, for it is already in the third and fourth lines after, and it is very evident to me that it should have been in the second, for On merely, I read One merely. SEWARD. 22 And the press which both thus amongst us sends.] To make this verse run smoother, Seward would read, And thus the press which both amongst us sends, and refers to his rule for verse in note 4 on Wit without Money. 23 Jasper Maine.] This gentleman was author of the City Match, a comedy, and the Amorous War, a tragi-comedy. He was an eminent preacher in the civil war, but warmly adhering |