Openings: Narrative Beginnings from the Epic to the NovelWhat is the difference between a natural beginning and the beginning of a story? Some deny that there are any beginnings in nature, except perhaps for the origin of the universe itself, suggesting that elsewhere we have only a continuum of events, into which beginnings are variously 'read' by different societies. This book argues that history is full of real beginnings but that poets and novelists are indeed free to begin their stories wherever they like. The ancient poet Homer laid down a rule for his successors when he began his epic by plunging in medias res, 'into the midst of things'. The inspiring Muse of epic gives way to the poet's ego, dies, revives and dies again. Later writers, however, persistently play off the 'interventionist', in medias res opening against some sense of a 'deep', natural beginning: Genesis or the birth of a child. Ranging from Greek and Roman epic to the modern novel via Dante, Milton, Wordsworth, Sterne, and Dickens, A. D. Nuttall has written an ambitious and original book which will be of interest to a wide variety of readers. |
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Page 46
... true , but , so to speak , only just true . The very fact that Dante sees Virgil solely as the poet of Empire shows that he was not naturally responsive to the pastoral vision . There is no sense in his poetry of any poignant nostalgia ...
... true , but , so to speak , only just true . The very fact that Dante sees Virgil solely as the poet of Empire shows that he was not naturally responsive to the pastoral vision . There is no sense in his poetry of any poignant nostalgia ...
Page 165
... true is to say only that it coheres within a system of other statements . According to the correspondence theory of truth , on the other hand , a statement is true if it corresponds to the real : " The cow is in the meadow ' is true if ...
... true is to say only that it coheres within a system of other statements . According to the correspondence theory of truth , on the other hand , a statement is true if it corresponds to the real : " The cow is in the meadow ' is true if ...
Page 213
... true beginning , ' he forces us to attend to a more complex proposition : ' Anything which is importantly new — as distinct from the trivial posturing of the avant - garde — must emerge from a context : Nothing on its own can be new ...
... true beginning , ' he forces us to attend to a more complex proposition : ' Anything which is importantly new — as distinct from the trivial posturing of the avant - garde — must emerge from a context : Nothing on its own can be new ...
Contents
The Beginning of the Aeneid | 1 |
The Commedia | 33 |
Paradise Lost | 74 |
Copyright | |
3 other sections not shown
Common terms and phrases
Aeneas Aeneid allegory ancient becomes birth century Chaos Chaucer Christian Clarendon Press classical Commedia consciousness creation Criticism Dante Dante's darkness David Copperfield dead death Dickens divine E. R. Dodds Eclogues Eliot English epic essay F. H. Bradley fact father fiction figure Genesis Greek Heaven Homer human Ibid idea Iliad imagination Inferno inspiration invocation John Milton Latin light lines literal literary literature London Meanwhile medias res medias res opening medieval metaphor Milton mind Miss Trotwood Muse narrative natural beginning nekuia never notion novel Odyssey origin Oxford University Press Paradise Lost pastoral perhaps person poem poet poet's poetic poetry pre-echoed Prelude proem Purgatorio reader reality reference Renaissance Roman seems sense sentence Shakespeare sing somehow song speak spirit Sterne story strange tell things thought translation Tristram Shandy Trotwood turn unconscious Virgil Virgilian voice vols word Wordsworth writing wrote