Openings: Narrative Beginnings from the Epic to the NovelWhat is the difference between a natural beginning and the beginning of a story? Some deny that there are any beginnings in nature, except perhaps for the origin of the universe itself, suggesting that elsewhere we have only a continuum of events, into which beginnings are variously 'read' by different societies. This book argues that history is full of real beginnings but that poets and novelists are indeed free to begin their stories wherever they like. The ancient poet Homer laid down a rule for his successors when he began his epic by plunging in medias res, 'into the midst of things'. The inspiring Muse of epic gives way to the poet's ego, dies, revives and dies again. Later writers, however, persistently play off the 'interventionist', in medias res opening against some sense of a 'deep', natural beginning: Genesis or the birth of a child. Ranging from Greek and Roman epic to the modern novel via Dante, Milton, Wordsworth, Sterne, and Dickens, A. D. Nuttall has written an ambitious and original book which will be of interest to a wide variety of readers. |
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Page 144
... mind may be a waste land , but the unconscious is green and fertile still . In Coleridge's ' Kubla Khan ' the ... mind ( for this poem is quite inescapably about the growth , not of poetic intelligence in general , but of Wordsworth's ...
... mind may be a waste land , but the unconscious is green and fertile still . In Coleridge's ' Kubla Khan ' the ... mind ( for this poem is quite inescapably about the growth , not of poetic intelligence in general , but of Wordsworth's ...
Page 163
... mind was not left unaltered by the addition of the differential calculus , but rather that its entire character ' was changed . 14 Some years later Bernard Bosanquet carried the idea further : " The end or purpose can be nothing but the ...
... mind was not left unaltered by the addition of the differential calculus , but rather that its entire character ' was changed . 14 Some years later Bernard Bosanquet carried the idea further : " The end or purpose can be nothing but the ...
Page 222
... Mind 2 . But of course Freud did in fact believe that other modes of access to the Unconscious were available to him ... mind : first the repository of memory , noticed by empirical philo- sophers ( we know things without being ...
... Mind 2 . But of course Freud did in fact believe that other modes of access to the Unconscious were available to him ... mind : first the repository of memory , noticed by empirical philo- sophers ( we know things without being ...
Contents
The Beginning of the Aeneid | 1 |
The Commedia | 33 |
Paradise Lost | 74 |
Copyright | |
3 other sections not shown
Common terms and phrases
Aeneas Aeneid allegory ancient becomes birth century Chaos Chaucer Christian Clarendon Press classical Commedia consciousness creation Criticism Dante Dante's darkness David Copperfield dead death Dickens divine E. R. Dodds Eclogues Eliot English epic essay F. H. Bradley fact father fiction figure Genesis Greek Heaven Homer human Ibid idea Iliad imagination Inferno inspiration invocation John Milton Latin light lines literal literary literature London Meanwhile medias res medias res opening medieval metaphor Milton mind Miss Trotwood Muse narrative natural beginning nekuia never notion novel Odyssey origin Oxford University Press Paradise Lost pastoral perhaps person poem poet poet's poetic poetry pre-echoed Prelude proem Purgatorio reader reality reference Renaissance Roman seems sense sentence Shakespeare sing somehow song speak spirit Sterne story strange tell things thought translation Tristram Shandy Trotwood turn unconscious Virgil Virgilian voice vols word Wordsworth writing wrote