An Analytical Inquiry Into the Principles of Taste |
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Page 59
... sense ; but by the calculations and discoveries of improved intellect , that the error has been removed . 4. The visible magnitude of bodies depend- ing entirely upon their distance from the eye , we have , of course , as imperfect and ...
... sense ; but by the calculations and discoveries of improved intellect , that the error has been removed . 4. The visible magnitude of bodies depend- ing entirely upon their distance from the eye , we have , of course , as imperfect and ...
Page 96
Richard Payne Knight. CHAP . V. Of Sight . over the sense , as to make it reject almost every gratification , in which one of them does not participate . But , nevertheless , the sense ac- quires a similar negative power , in its turn ...
Richard Payne Knight. CHAP . V. Of Sight . over the sense , as to make it reject almost every gratification , in which one of them does not participate . But , nevertheless , the sense ac- quires a similar negative power , in its turn ...
Page 154
... sense of vision ; but by the intellect and imagination through that sense . The 27. To attempt to analyze , class , or enume- rate the objects in nature , which are , in this proper sense of the word , picturesque , would be vain and ...
... sense of vision ; but by the intellect and imagination through that sense . The 27. To attempt to analyze , class , or enume- rate the objects in nature , which are , in this proper sense of the word , picturesque , would be vain and ...
Contents
INTRODUCTION p | 1 |
In Building Furniture Gardening and Dress | 2 |
In imitative | 3 |
Copyright | |
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Common terms and phrases
according acquired Æneid afford animals appear applied arises artist association of ideas become Bernini body buildings called cause CHAP character charms colour composition consequently degree delight duated effect elegance employed equally excited expression faculty feeling felt fræna GEORGIC gratification Grecian Greek habit hearing Iliad Imagina imitation impressions improved Perception instances irregular irritation Judg kind language less light and shadow malè means ment mental sympathies merely metre mind modes nature never nevertheless notion objects observed olfactory nerves organs of sense pain painters painting Paradise Lost passions perceived perfect person picturesque Pindar pleasing pleasure poet poetry polished languages principle produced proportion prosody qualities quantity racter Rembrandt laughed scenery sculpture sensation sensibility sentiments sexual Sight smell smooth sound species style Sublime and Beautiful syllables taste temple of Vesta thing tiful tints tion Titian tone touch turally ture variety verse visible whence wherefore words СНАР