An Analytical Inquiry Into the Principles of Taste |
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Page 266
... nevertheless , it is of the utmost importance in fixing the just bounds of poetical fiction ; and that is the subject , to which the nature of my present inquiry leads me to apply it . 7. One of the boldest of the bold fictions of the ...
... nevertheless , it is of the utmost importance in fixing the just bounds of poetical fiction ; and that is the subject , to which the nature of my present inquiry leads me to apply it . 7. One of the boldest of the bold fictions of the ...
Page 386
... nevertheless , another source of the sublime applicable to the same art , which is still untried ; though the same difficulty of calculating the exact degree of proximity in the danger may arise to obstruct it . The author of the ...
... nevertheless , another source of the sublime applicable to the same art , which is still untried ; though the same difficulty of calculating the exact degree of proximity in the danger may arise to obstruct it . The author of the ...
Page 470
... nevertheless , its root seems to be in an habitual attachment to the possession itself , and a consequent anxiety for its integral preservation : whence it has often appeared most prevalent , where there has been no symptom of such ...
... nevertheless , its root seems to be in an habitual attachment to the possession itself , and a consequent anxiety for its integral preservation : whence it has often appeared most prevalent , where there has been no symptom of such ...
Contents
INTRODUCTION p | 1 |
In Building Furniture Gardening and Dress | 2 |
In imitative | 3 |
Copyright | |
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Common terms and phrases
according acquired Æneid afford animals appear applied arises artist association of ideas become Bernini body buildings called cause CHAP character charms colour composition consequently degree delight duated effect elegance employed equally excited expression faculty feeling felt fræna GEORGIC gratification Grecian Greek habit hearing Iliad Imagina imitation impressions improved Perception instances irregular irritation Judg kind language less light and shadow malè means ment mental sympathies merely metre mind modes nature never nevertheless notion objects observed olfactory nerves organs of sense pain painters painting Paradise Lost passions perceived perfect person picturesque Pindar pleasing pleasure poet poetry polished languages principle produced proportion prosody qualities quantity racter Rembrandt laughed scenery sculpture sensation sensibility sentiments sexual Sight smell smooth sound species style Sublime and Beautiful syllables taste temple of Vesta thing tiful tints tion Titian tone touch turally ture variety verse visible whence wherefore words СНАР