Wallace Stevens & the FeminineMelita Schaum American poet Wallace Stevens has been at the centre of most major critical controversies of the 20th century, from the early emergence of New Criticism through the past decade's battles over poststructuralism. This collection of 10 essays by scholars of Stevens and modernism explores various aspects of the feminine in Steven's writings and his life. Together, the essays demonstrate how a focus on gender provides new insights into Steven's poetry and life, and new perspectives on the nature of language and poetic voice, the social and cultural shaping of American poetry and the viability of current critical debates. |
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Page 24
... face " is a central idea or motivation beneath the desires , narcissistic strivings , and quest for the supreme fiction in the poetry of Wallace Stevens . “ The mother's face " is for Stevens a figure that refers to that prenatal state ...
... face " is a central idea or motivation beneath the desires , narcissistic strivings , and quest for the supreme fiction in the poetry of Wallace Stevens . “ The mother's face " is for Stevens a figure that refers to that prenatal state ...
Page 88
... face to face , " echoes that most canonical of old world texts , the Bible , 1 Corinthians 13 : " For we now see in a glass darkly , but then face to face . " Emerson is never more deeply implicated in textual filiation than at the very ...
... face to face , " echoes that most canonical of old world texts , the Bible , 1 Corinthians 13 : " For we now see in a glass darkly , but then face to face . " Emerson is never more deeply implicated in textual filiation than at the very ...
Page 125
... face . " In elucidating for a correspondent in 1943 a section of " Notes toward a Supreme Fiction ” ( “ It Must Give Pleasure , " III ) , Stevens interprets the face as the " elementary idea of God . . . We struggle with the face , see ...
... face . " In elucidating for a correspondent in 1943 a section of " Notes toward a Supreme Fiction ” ( “ It Must Give Pleasure , " III ) , Stevens interprets the face as the " elementary idea of God . . . We struggle with the face , see ...
Contents
Sister of the Minotaur | 3 |
Stevens and the Mythology of Gender | 23 |
A Woman with the Hair | 46 |
Copyright | |
9 other sections not shown
Common terms and phrases
Aeschylus American angel appears argues become beginning believe body calls central clear Collected Complete critical culture death desire difference distance early earth Emerson essays example experience expression face fact fall father feeling female feminine fiction figure final gender give human idea Ideas of Order imagination individual interior paramour language later less letter light lines literary living look male marriage maternal means metaphor Milton mind Moore mother move muse myth nature never Notes object once opening original paramour perhaps poem poet poet's poetic poetry politics possible presence proper reading reality reference reflection relation remains represents resistance seems sense sexual social soul speak suggests things thought tion tradition turn University Press voice Wallace Stevens wife Wisdom woman women writing York