The Cambridge Companion to English Literature, 1650–1740Steven N. Zwicker This volume offers an account of English literary culture in one of its most volatile and politically engaged moments. From the work of Milton and Marvell in the 1650s and 1660s through the brilliant careers of Dryden, Rochester, and Behn, Locke and Astell, Swift and Defoe, Pope and Montagu, the pressures and extremes of social, political, and sexual experience are everywhere reflected in literary texts: in the daring lyrics and intricate political allegories of this age, in the vitriol and bristling topicality of its satires as well as in the imaginative flight of its mock epics, fictions, and heroic verse. The volume's chronologies and select bibliographies will guide the reader through texts and events, while the fourteen essays commissioned for this Companion will allow us to read the period anew. |
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... lines gaverise to partyvoting and discipline; thusitcanbe shown from division listsinQueen Anne's parliaments that the vast majorityof MPs votedconsistently on party issues. But thecharacters of the WhigandTory parties were changing ...
... lines gaverise to partyvoting and discipline; thusitcanbe shown from division listsinQueen Anne's parliaments that the vast majorityof MPs votedconsistently on party issues. But thecharacters of the WhigandTory parties were changing ...
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... (lines 187–93) Dryden's aim is not necessarily to separate the deficient Shaftesbury from the sympatheticone, but to accommodate the actions of the statesman to the satirist's particular biases and prejudices. The very moment Dryden ...
... (lines 187–93) Dryden's aim is not necessarily to separate the deficient Shaftesbury from the sympatheticone, but to accommodate the actions of the statesman to the satirist's particular biases and prejudices. The very moment Dryden ...
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... (lines 58–59). The ragethesatirist feels is partofthe satiricrhetoric of the poem, and its writer,Rochester, inserts a stabilizing voice in the middleoftheaction to trytocalm hissatiric self down. In anevenmore interesting variation ...
... (lines 58–59). The ragethesatirist feels is partofthe satiricrhetoric of the poem, and its writer,Rochester, inserts a stabilizing voice in the middleoftheaction to trytocalm hissatiric self down. In anevenmore interesting variation ...
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The Cambridge Companion to English Literature, 1650-1740 Steven N. Zwicker No preview available - 1998 |
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Absalom and Achitophel Alexander Pope andhis Andrew Marvell andthe Aphra Behn Astell Augustan Behn's bythe Cambridge University Press Catholic celebrates century Charles civil Clarendon classical comedies contemporary court Cowley Cromwell culture Davenant Defoe discourse Dissenters drama Dryden Dunciad Earl edition eighteenth EighteenthCentury England English Essay Exclusion Crisis female Flecknoe fromthe gender Glorious Revolution Gulliver's Travels heroic Horace Horace's Horatian Hudibras Ibid inhis inthe Jacobite James John John Dryden Killigrew king Lady liberty lines literary literature London Mac Flecknoe male Marvell Marvell's Mary Mary Astell Milton modern monarch Montagu ofhis ofthe Oldham onthe Opera Oroonoko Oxford parliament Pindaric plays poem poet poetic poetry political Pope Pope's praise prose readers religion religious Restoration Revolution Rochester Rochester's Roman satire satirist semiopera seventeenthcentury sexual social Stuart Swift thatthe theatre Thomas Thomas Hobbes tobe Tory tothe translation verse Walpole Whig William withthe women writing