American Monthly Knickerbocker, Volume 271846 - Periodicals |
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Page 4
... whole moral and intellectual being was lashed into stubborn and scornful re- bellion against the laws of the universe and the very throne of God , produce a poem like the Paradise Lost , that ' pure , ethereal stream , ' fresh with all ...
... whole moral and intellectual being was lashed into stubborn and scornful re- bellion against the laws of the universe and the very throne of God , produce a poem like the Paradise Lost , that ' pure , ethereal stream , ' fresh with all ...
Page 23
... whole territory that afterward became the seventeen united provinces . At the end of the fifteenth century the Netherlands became the school of the fine arts ; imitating with success the great artists of Italy in paint- ing , statuary ...
... whole territory that afterward became the seventeen united provinces . At the end of the fifteenth century the Netherlands became the school of the fine arts ; imitating with success the great artists of Italy in paint- ing , statuary ...
Page 26
... whole body , their agents or representatives . They object to new laws contrary to the privileges of the Nether- lands , and odious to every free - born man , and principally to those whom God had placed under a free Government ; ' 26 ...
... whole body , their agents or representatives . They object to new laws contrary to the privileges of the Nether- lands , and odious to every free - born man , and principally to those whom God had placed under a free Government ; ' 26 ...
Page 38
... whole race of ye ; and in this mood I'll end this chapter . Monotonous , ' indeed ! monotonous ! CHAPTER FIFTH . READER , we'll not tell you of the passage home , or how the Mary C'sped in her wild swiftness ; how she battled the ...
... whole race of ye ; and in this mood I'll end this chapter . Monotonous , ' indeed ! monotonous ! CHAPTER FIFTH . READER , we'll not tell you of the passage home , or how the Mary C'sped in her wild swiftness ; how she battled the ...
Page 44
... whole tail , showing that they attach infinite importance to that perquisite , as it may be called , of beasts . How did the ass of old , or as others have it , the Devil , evince his surpassing conceit and absurdity ? By painting his ...
... whole tail , showing that they attach infinite importance to that perquisite , as it may be called , of beasts . How did the ass of old , or as others have it , the Devil , evince his surpassing conceit and absurdity ? By painting his ...
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admirable appearance artist Babylon beautiful Boreray bosom breath called character church Coos county dark dear death earth eyes face father fear feeling Funk gaze genius Gentleman in Black give grace grave hand Hanseatic League head hear heard heart heaven honor hope hour Hubert Indians JOHN WATERS Kilda KILMARNOCK KNICKERBOCKER lady latent heat light living look Lubeck manner mind Moravian morning mother nature NED BUNTLINE never New-York night o'er once passed poems poet poetry Poland present racter reader remarkable replied round scene seemed seen Slavonian smile Smith song soon soul speak spermaceti spirit stood sweet tell thee thing thou thought tion TITIAN truth turned voice volume whole words wrought iron XXVII young
Popular passages
Page 17 - And it came to pass, as he sat at meat with them, he took bread, and blessed it, and brake, and gave to them. And their eyes were opened, and they knew him; and he vanished out of their sight.
Page 232 - For there is a music wherever there is a harmony, order, or proportion; and thus far we may maintain the music of the spheres; for those well-ordered motions, and regular paces, though they give no sound unto the ear, yet to the understanding they strike a note most full of harmony.
Page 69 - I think nothing in this volume of much value to the public, or very creditable to myself. Events not to be controlled have prevented me from making, at any time, any serious effort in what, under happier circumstances, would have been the field of my choice.
Page 564 - Critical Remarks, in which the various methods of pronouncing employed by different authors are investigated and compared with each other. The SECOND...
Page 233 - For my Conversation, it is like the Sun's, with all men, and with a friendly aspect to good and bad. Methinks there is no man bad. and the worst, best; that is, while they are kept within the circle of those qualities wherein they are good: there is no man's mind of such discordant and jarring a temper, to which a tunable disposition may not strike a harmony.
Page 491 - The Book of Common Prayer, according to the use of the Protestant Episcopal Church in the United States of America; translated into the Mohawk or Iroquois language .. by the Rev.
Page 234 - No man can justly censure or condemn another, because indeed no man truly knows another. This I perceive in my self ; for I am in the dark to all the world, and my nearest friends behold me but in a cloud.
Page 111 - Till every one who saw her, were thankful for the sight Of a face so sweet and radiant with ever fresh delight. Another gave her accents and a voice as musical As a spring-bird's joyous carol, or a rippling streamlet's fall ; Till all who heard her laughing, or her words of childish grace, Loved as much to listen to her, as to look upon her face. Another brought from heaven a clear and gentle mind, And within the lovely casket the precious gem enshrined ; Till...
Page 182 - To hew the rock or wear the gem Can nothing now avail to them ; But if the page of truth they sought, Or comfort to the mourner brought, These hands a richer meed shall claim, Than all that waits on wealth or fame. Avails it whether bare or shod These feet the path of duty trod ? If from the bowers of joy they fled To soothe affliction's humble bed, If grandeur's guilty bribe they spurn'd, And home to virtue's lap return'd ; These feet with angel's wings shall vie, And tread the palace of the sky.
Page 232 - I do embrace it : for even that vulgar and tavern-musick which makes one man merry, another mad, strikes in me a deep fit of devotion, and a profound contemplation of the First Composer.