A History of English Poetry, Volume 5Macmillan and Company, 1905 - English poetry |
From inside the book
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Page x
... ADDISON Latin panegyrical poetry : Pax Gulielmi Auspiciis Europae Reddita . English panegyrical poetry : Letter from Italy . The Campaign . Character of the poem : Truthful panegyric : Address to Tallard . Addison's Disciples : Thomas ...
... ADDISON Latin panegyrical poetry : Pax Gulielmi Auspiciis Europae Reddita . English panegyrical poetry : Letter from Italy . The Campaign . Character of the poem : Truthful panegyric : Address to Tallard . Addison's Disciples : Thomas ...
Page xi
... Addison's simile of the Angel in The Campaign : how far just . Addison's conventional descriptions in The Campaign . Contrast between the classical style of Waller and that of the " Meta- physical " poets in the seventeenth century ...
... Addison's simile of the Angel in The Campaign : how far just . Addison's conventional descriptions in The Campaign . Contrast between the classical style of Waller and that of the " Meta- physical " poets in the seventeenth century ...
Page xii
... ADDISON Birth , education , history , and character . The Spectator : its design and character . Formation of Public ... Addison's reasoning on Religion in The Spectator : dislike of the Deists . Anarchy in manners . Johnson's ...
... ADDISON Birth , education , history , and character . The Spectator : its design and character . Formation of Public ... Addison's reasoning on Religion in The Spectator : dislike of the Deists . Anarchy in manners . Johnson's ...
Page xiii
William John Courthope. Weakness of Addison as a philosophical critic : excellence of his applied criticism : his humour . Specimens of Addison's criticisms in The Spectator . Tickell's Elegy on Addison . CHAPTER V DEVELOPMENT OF THE ...
William John Courthope. Weakness of Addison as a philosophical critic : excellence of his applied criticism : his humour . Specimens of Addison's criticisms in The Spectator . Tickell's Elegy on Addison . CHAPTER V DEVELOPMENT OF THE ...
Page xxvi
... ADDISON Growing morality in the audience : influence of the Court . T. Boyer : Achilles or Iphigenia in Aulis . Edmund Smith : Phædra and Hippolytus . Ambrose Philips : Distrest Mother . All adapted from plays of Racine . Addison's ...
... ADDISON Growing morality in the audience : influence of the Court . T. Boyer : Achilles or Iphigenia in Aulis . Edmund Smith : Phædra and Hippolytus . Ambrose Philips : Distrest Mother . All adapted from plays of Racine . Addison's ...
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Common terms and phrases
Addison admiration Æneid afterwards Ambrose Philips appeared Battle of Blenheim Blackmore blank verse Boileau Canto character Charles charms Christian Church classical Coffee-houses College Court criticism death diction Dryden Dunciad eighteenth century England English poetry epic Epistle Essay expression eyes fame French Garth genius Granville hand heaven heroic couplet honour Horace humour Iliad imagination imitation inspired Italy John Gay Johnson Joseph Warton kind King King Arthur Latin latter liberty lines literary live Lord lyric manner mind mock-heroic Montague moral Muse nation nature numbers o'er panegyrical Pastorals Philips Physicians Pindaric poem poet poetical political Pope Pope's praise principle Prior published Queen reader reign religion Renaissance Revolution of 1688 Rolliad Roman satire says seems society soul Spectator spirit style Swift taste Tatler thee things Thomas Parnell thou thought translation verse Virgil virtue Walpole Whig William writing written
Popular passages
Page 214 - A time there was, ere England's griefs began, When every rood of ground maintained its man ; For him light labour spread her wholesome store, Just gave what life required, but gave no more : His best companions, innocence and health, And his best riches ignorance of wealth.
Page 358 - No poet wept him ; but the page Of narrative sincere, That tells his name, his worth, his age, Is wet with Anson's tear: And tears by bards or heroes shed Alike immortalize the dead. I therefore purpose not, or dream, Descanting on his fate, To give the melancholy theme A more enduring date: But misery still delights to trace Its semblance in another's case. No voice divine the storm allayed, No light propitious shone, When, snatched from all effectual aid, We perished, each alone: But I beneath...
Page 395 - midst its dreary dells, Whose walls more awful nod By thy religious gleams. Or if chill blustering winds, or driving rain, Prevent my willing feet, be mine the hut, That from the mountain's side, Views wilds, and swelling floods, And hamlets brown, and dim-discovered spires, And hears their simple bell, and marks o'er all Thy dewy fingers draw The gradual dusky veil.
Page 87 - Can I forget the dismal night that gave My soul's best part for ever to the grave ! How silent did his old companions tread, By midnight lamps, the mansions of the dead, Through breathing statues, then unheeded things, Through rows of warriors, and through walks of kings...
Page 136 - I'll venture for the vole.) Six deans, they say, must bear the pall, (I wish I knew what king to call.; Madam, your husband will attend The funeral of so good a friend.
Page 399 - Forbade to wade through slaughter to a throne, And shut the gates of mercy on mankind ; The struggling pangs of conscious truth to hide, To quench the blushes of ingenuous shame, Or heap the shrine of Luxury and Pride With incense kindled at the Muse's flame.
Page 206 - Resistless burns the fever of renown, Caught from the strong contagion of the gown: O'er Bodley's dome his future labours spread. And Bacon's mansion trembles o'er his head.
Page 173 - Some to the sun their insect wings unfold, Waft on the breeze, or sink in clouds of gold; Transparent forms, too fine for mortal sight, Their fluid bodies half dissolved in light. Loose to the wind their airy garments flew. Thin...
Page 357 - Twas my distress that brought thee low, My Mary ! Thy needles, once a shining store, For my sake restless heretofore, Now rust disused, and shine no more ; My Mary ! For though thou gladly wouldst fulfil The same kind office for me still, Thy sight now seconds not thy will, - My Mary ! But well thou play'dst the housewife's part; And all thy threads with magic art, Have wound themselves about this heart, My Mary...
Page 432 - The numerous and violent claps of the whig party on the one side of the theatre, were echoed back by the tories on the other; while the author sweated behind the scenes with concern to find their applause proceeding more from the hand than the head.