Situation. See Position.

Sleep and death, brothers, 348, 378. sleep,
what, 378.

Social sympathy, 291. state, 370.
Socrates, 284, 307, 379, 380.
Sophocles, 348.

Soul, its three great principles, 280. itself
not visible, but known from its opera-
tions, ibid. immortal, 283.

Space, of place and time, connected with
motion, how, 364.

Sphere, has no position, or situation, though
it occupy place, 343, 345.
Spontaneous, how it differs from forced,
368. what it is, and what constitutes it,
368, 369, 370.

Stat and sedet, peculiar uses of them, 378.
Statius, 383.

Stoics, 254, 269, 369. account of the state
of their writings in the time of Simplicius,
323.

Strife, its utility, 321.
Stuart, 383.

Sublunary, meaning of the word, 269.
Substance and attribute, 255, 381. general

and particular, 255. at the head of the
predicaments, 257. substance natural,
how continued, or carried on, 259. sub-
stance, its properties, considered logically,
268. has no contraries within itself, ibid.
but susceptible of them all, ibid.
Substantial form, what, 275, 297, 298. 362.
Suidas, 286.

Sun, his relations and duties, 317. a cause
of generation, 321. presides over his
proper system, 349.

Supreme Being, 279, 281, 290, 296, 322,
326, 334, 341, 350, 380.
EVOTOιxía, 264. See Co-arrangement.
Sydenham, his elegant translation of Plato,
350, 378.

Syllogisms, 251, 252, 374.

Sylva, matter, 270, 321. sylvæ, miscel-
lanies, 383.

Systems of nature, four: one, which ad-
mitted no God, 286. a second, which
supposed gods, that gave themselves no
trouble, 287. a third, which only em-
ployed them on difficult occasions, ibid.
a fourth, which supposed Divine Pro-
vidence never to cease for a moment,
ibid.

Thales, his idea concerning the magnet,
376. fine sentiment about Providence,
ibid. 287.

Themistius, 266. his idea of matter, 268,
269, 290.
Theognis, 265,

Thrasea Pætus, 248, 358.
Tibullus, 311.

Timæus, 270, 271, 272, 292.
Time, place, both of them quantities, 303,
335. time, how distinguished from other
quantities continuous, 304. distinction,
a peculiar one belonging to time and
place, ibid. time infinitely divisible in
power, but not in act, ibid. having a
genus, and a difference, may be defined,
335. its use in life, and human affairs,
336. connection with human affairs ge-
nerates when, 335, 337.

Tous Deux, 274.

Tragedy and comedy made out of the same
letters, 350.

Transition. See Motion.

Truth, all truth, good, 374. its union with
taste, in fine writing, 383. all truth,
similar and congenial, 247, 383. conse-
quence of this in the forming of cha-
racters, 247. in the elegance of composi-
tion, 383.

Typhoeus, the giant, his positions finely
enumerated by Ovid, when he describes
how the island Sicily was thrown upon
him, 345.

Vanbrugh, sir John, his elegant reply, and
his predicting the fine taste of garden-
ing, now at its height in Great Britain,
353.

Vappa. See Fopp.

Varro, 264. his account of four predica-
ments, ibid.

Vegetative life, described, 375. See Na-

ture.

Velleius Paterculus, 248.

Venus wedded to Vulcan, the fable ex-

plained, 250. her motion as a goddess,
308. her appearance, 311.

Utility of these arrangements or predica-
ments, 253, 258, 381, 382, 383.
Verbs transitive, and neuter, where to be
found among the predicaments, 327.
Verulam, lord, 272.

Virgil, 275, 280, 281, 287, 288, 292, 301,

302, 308, 311, 317, 320, 324, 328, 332,
336, 339, 340, 347, 348, 354, 358. 361,
374, 375, 376, 378, 379.
Virtue, Pleasure, and Hercules, 326. moral
virtue, 296.

Unifying comprehension, the property of
mind, 289, 290.
Union, 262, 321, 322.

Volition and perception, their objects coin-
cide, where, 374.

Ὑποκείμενον and ὕλη, how they differ, 269.
Upton, 248, 287.

Wallis, 335, 342, 351.

Wants, their efficacy, 316, 317,322. source
of connection, 369. founded on percep-
tion, 373. the source of animal motion,
ibid. lead to arts and industry, 379. to
have few wants is great; to have none,
divine, ibid.

When, connected with time, 335. its na-
ture and character, 337. coincides with
where, ibid. an enlarged when, and a pre-
cise one, both of them relative to each in-
dividual, 338. use of the precise when,
in computation of distant time, ibid.
Where, connected with place, 335. its na-
ture and character, 337. coincides with
when, ibid. where and when called by
Simplicius brothers, ibid. an enlarged
where, and a precise one, both of them

relative to each individual, 338. use of
the precise where, in computing distant
places, ibid. compared with quantity,
337.

Wilton house, its valuable marbles, 347.
Wisdom, book of, 375.

Words, things, ideas, all respect simple
terms, and how, 252, 253.

World, one city or commonwealth, 316,
317. a theatre, 320. made by reason
and design, 340.

Xenophon, the speech he
when dying, 280, 283.
the earth's justice, 317.
sure, and Hercules, 326.
380.

gives to Cyrus
his account of
of Virtue, Plea-
quoted, 379,

Zyv, Zwa, the first applied to plants, or
vegetables; the latter not applied, and
why, 372.

ABASSIDE, caliphs, 479. illustrious race,

ibid. extinguished, when, 495, 496.
Abelard, Peter, and Heloisa, 508.
Abulfeda, Arabian historian, account of
of him, 480. quoted, passim.
Abulpharagius, Arabian historian, account
him, 480. quoted, passim.

Academy, the place where Plato taught,
461.

Academy, New, by Arcesilas and Car-
neades, 461.

Accent, differs from quantity, how, 405.
accurately distinguished, anciently, ibid.
prevailed at length over quantity, 408,
515. samples of its force, 409, 410.
Accentual quantity, used even by classic
writers, and by whom, and how far, 411.
prevails in English verse, and in that of
all the other modern languages, 411,

412.
Accumulation, exemplified, 402, 403. cause
or reason of its force, 403, 404.
Accuracy, important every where, but
where most so, 425.

Acrostics, chronograms, wings, altars, eggs,
&c. finely described, 520, 521.
Acts of the Apostles, 464.

Addison, his elegant comedy, 446. superior
to Swift, both in diction and wit and
philanthropy, 538. fine comment on Mil-
ton, 394.

Admiration, upon what founded,401. foolish,
how cured, 453.

Adrian, a capital benefactor to Athens, 464.
Elian, 525.

Eneas Sylvias (afterward pope Pius the
Second) deplores the taking of Constan-
tinople, and describes its state, imme-
diately previous to that fatal event, 476.
schines, the Socratic, 452.
Affability, see Saladin, 480.

Antiphona, described, 549.
Arabians, 478-496. their national cha-
racter, 478, 482. favoured medicine and
astrology, 492, 494, 495. had no ideas
of civil liberty, 495, 543. their poetry
484-487. loved allegory, 485. their
degeneracy, 496.

Arabian poetry. See Poetry.
Aratus, 464.
Arcesilas, 461.
Aristophanes, 469.

Aristotle, father of criticism, 389. quoted,
401, 402, 404, 406, 407, 408, 413, 415,
416, 427, 428, 429, 430, 431, 432, 434,
436, 437, 438, 439, 440, 441, 442, 443,
444, 445, 446, 449, 451, 452, 460, 461,
462, 467, 470, 487, 496, 501, 508, 518,
519, 530, 540.

Arrian's Epictetus, 397.

lent, 541.

Alaric takes Rome, 465.

Albigeois, cruelty of the crusaders towards
them, 502. See Beziers-Inquisition.
Alcidamas, his fine metaphor in describing
the Odyssey, 441.

Alcuin, 497.

Alexander the Great, 463.

Alexandrian library, burnt, 458, 478.
Alexius, Greek emperor, 530.

Allegro and Penseroso of Milton, 403. See
Accumulation.

Alliteration, 414. examples of, from Latin,

ibid. from Greek, 415. from old English,
ibid. from English less ancient, ibid. 416.
from modern English, 416.
Almamun, caliph, the great patron of litera-
ture, 479, 488.

his fine translation of the Cyropædia,
395.

Astrology, 492, 494, 495.
Atheism, what leads to it, 538.
Athenæus 463, 467.

Athens, a place of education, 464. of phi-
losophical retreat, ibid. St. Paul there,
ibid. besieged by Alaric, 465. how saved,
and by whom, ibid. taken, and by whom,
466. present character of its inhabitants,
from Spon, Wheeler, and Stuart, 467.
Athenians, 459. their high taste, when it
began, ibid. survived their empire, 460,
463.

Attica, still famous for olives and honey, 467.
Atticus. See T. Pomponius.
Averroes, 479. his patience, 491. his com-
ment upon Aristotle, 496.

See

his-

Cornelius Nepos, 465.
Counts, 530. their employ, 531.
Barons and Barbarians.
Critics, modern, philosophical, 392.
torical, 392-395. corrective, 396.
Critics, young, advised in two respects, as
to the conduct of their judgment, 404,
405.

Critics, English, enumerated, 394.
Criticism, its origin, 388, 389. its objects,
389. the philosophical, chap. i. and iii.
392. the historical, chap. ii. and iii. 392,
393. the corrective, chap. v. philoso-
phical critics enumerated, chap. i. his-
torical critics enumerated, 391. correc-
tive critics enumerated, chap. v. criticism
has been misused, 397. yet defended,
398. its three species repeated, 399.
Crusades, 455. Baldwin's crusade, 472.
when they began, 501. accounts of them,
503, 530, 531.

Crusaders, their destructive barbarity, 472

-475. their character by Nicetas, 475.
Crusaders, their cruelty, 474, 502. (See
Bezieres and Constantinople.) causes of
their cruelty, 506. murdered all the
Mahometans, when they took Jerusa-
lem, 482, 483. never mended, but grew
worse, 475, 501, 532.

Cupping, described in an enigma, 444.
Curiosity, cautioned against, and why, 438.
Custom, its force, 483.

Cyclopes, their brutality, whence, 532.
Cyropædia of Xenophon, finely translated,
395.

Dante, 518.
Del-Rio, 465.

Demetrius of Phalera, a critic, 389. his
character as such, ibid. quoted, 408, 416,
420.

Demosthenes, 549.

Despotism, Oriental, 495, 543.
Aiávola. See Sentiment.
Diction, its species described, 439-445.
the vulgar, 439. the obscure, ibid. the
elegant, ibid. the metaphorical, 440-
443.

Dictionaries, writers of, 393, 394.
Dido, restless, while others rest, 401.
Diodorus Siculus, when entire, 469.
Diogenes Laert. 389, 460, 461.
Dion, Chrysost. Oratio, 549.

Dionysius of Halicarnassus a critic, 389,
418. his character as such, ibid. quoted,

420.

Discovery, dramatic, àvayvápiois, described,
429, 431, 446.

Domestic stories, their force, 447.
Dramatic piece, defined, 427. its consti-
tuent parts, how many and what, 427,
428. which of these parts appertain to
the poet, which to other artists, 428.
dramatic piece often fails in the fable,
432. more often admired for other merits,

433. may be justly admired for those
other merits, 446, 447. yet to be per-
fect, must be complete in every part, 446.
illustrated from painting, 447. English
drama capable of improvement, and how,
ibid.

Drummer, comedy. See Addison.
Dryden, 406, 410, 416, 438, 442, 443, 530.
Duck, civilian, 501.
Durfey, 453.

Ecclesiastes, quoted, 538.
Ecclesiastics. See Church.
Edgcumb, mount, 526, 528.
Education, places of, same in England be
fore the conquest as now, 501. plan of
education during the time of Edward
the Confessor, ibid. during the time of
Henry the Sixth, 524. perhaps began
from Venerable Bede, 506.
Edward, Confessor.
Normandy.

See William duke of

Egitha, queen, and wife to Edward the
Confessor, an accomplished woman, both
in knowledge and in virtue, 500, 501.
Elements of natural beauty, four, 525, 526.
of the universe, as few, ibid.

Eloquence, the noblest, where to be found,
390.

Emanuel Martin, a critic, 393.
Empiric, story of, 394.
Eneas, 402, 403, 539.

English authors quoted, why, 400.
English Drama, may be improved, how,447.
English language, its praise, 394. why

quoted, 400. its quantity, for the greater
part, accentual, yet sometimes syllabic,
411, 412.

Enigmas, 444. from Aristotle, ibid. from
Aulus Gellius, ibid.

Ennius, his alliteration, 416.

Epic and tragic poetry, prior to comic, why,
400.
Epictetus, 460.

Epicurus, short sketch of his doctrine, 461.
his gardens, 462.

Epopee comic, where to be found, 433.
Ερμέρα κλαι. See Mercury and Hercules.
Escurial Library, account of its Arabic
MSS., 540-543.

Eugenius, the Greek translator of the
Georgics, 550.

Euripides, 398, 438, 450, 452, 457, 469.
Eustathius, commentator upon Homer, 470.
Eustratius, commentator upon Aristotle,470.
Fables, dramatic, their species, 428, &c.
tragic fable, 430-432. comic fable, 429,
432. good fables, rare, 432. fable of the
Fatal Curiosity described, 431. super-
latively excellent, ibid. tragic fable, the
soul of tragedy, and why, 432. where to
be found, 447, 449. fable, manners, and
sentiment, estimated by Horace, 447.
Fabricius, 457, 465, 468, 469, 470, 472.
473, 474, 475, 507, 517, 546.