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Page 60
... fame will rest upon them I entertain no doubt ; but we have at present to deal only with the character of his poems . Scott's career of author- ship was probably the most amazing that has ever been witnessed in any country , whether we ...
... fame will rest upon them I entertain no doubt ; but we have at present to deal only with the character of his poems . Scott's career of author- ship was probably the most amazing that has ever been witnessed in any country , whether we ...
Page 65
... fame , paid his first visit to Edinburgh , Walter Scott was a lad of about fifteen years of age , and was present , on one occasion , when Burns was entertained in the most accomplished society of the Scottish metropolis . There chanced ...
... fame , paid his first visit to Edinburgh , Walter Scott was a lad of about fifteen years of age , and was present , on one occasion , when Burns was entertained in the most accomplished society of the Scottish metropolis . There chanced ...
Page 75
... fame they had given with such open hand . This makes it necessary to judge more carefully of the real character of Scott's poetry . Certainly it has no pre- tensions to be classed with the greatest productions of the art . Admirable as ...
... fame they had given with such open hand . This makes it necessary to judge more carefully of the real character of Scott's poetry . Certainly it has no pre- tensions to be classed with the greatest productions of the art . Admirable as ...
Page 100
... fame may attach to his memory will be the acquisition of his poems . One spirit , indeed , pervades all his productions ; one intellectual character is stamped upon them all , only modified by the subjects . The great moral element of ...
... fame may attach to his memory will be the acquisition of his poems . One spirit , indeed , pervades all his productions ; one intellectual character is stamped upon them all , only modified by the subjects . The great moral element of ...
Page 110
... fame chiefly rests , " The Ancient Mariner " and " Christabel . " These extraordinary poems - neither of them of any great length -are the highest proofs of the originality of Coleridge's imagination . Their origin is traced by him to ...
... fame chiefly rests , " The Ancient Mariner " and " Christabel . " These extraordinary poems - neither of them of any great length -are the highest proofs of the originality of Coleridge's imagination . Their origin is traced by him to ...
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Common terms and phrases
admiration ALONZO POTTER ancient auld bard beautiful beneath bonny bonny Dundee breath bright Burns Byron's character Charles Lamb child Christabel Coleridge's criticism dark dead dear deep delight descriptive poetry early earth Edmund Spenser emotion English poetry fame fancy feeling frae French Revolution friends genius gentle glory happy Hartley Coleridge hath heart heaven HENRY REED honour human imagination Jansenists Johnson language lecture light literary literature living look Lord lyrical poetry melody memory Milton mind minstrelsy moral nature never night o'er pass passage passion Petrarch poem poet poet's poetic Pope prose QUESNEL reader Samuel Taylor Coleridge Scott Scottish sense sentiment Shakspeare song sonnet soul sound Southey Southey's Spenser spirit stanzas strain strong sweet sympathy taste Thalaba thee thing thou thought tion true truth utterance verse voice volume words Wordsworth writings youth
Popular passages
Page 123 - Alas ! they had been friends in youth ; But whispering tongues can poison truth; And constancy lives in realms above; And life is thorny; and youth is vain; And to be wroth with one we love Doth work like madness in the brain.
Page 262 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand...
Page 118 - Christ! what saw I there! Each corse lay flat, lifeless, and flat, And, by the holy rood! A man all light, a seraph-man, On every corse there stood. This seraph-band, each waved his hand: It was a heavenly sight! They stood as signals to the land, Each one a lovely light; This seraph-band, each waved his hand, No voice did they impart — No voice; but oh!
Page 120 - There is not wind enough to twirl The one red leaf, the last of its clan, That dances as often as dance it can, Hanging so light, and hanging so high, On the topmost twig that looks up at the sky.
Page 260 - IT is a beauteous evening, calm and free ; The holy time is quiet as a Nun Breathless with adoration...
Page 195 - That they are not a pipe for fortune's finger To sound what stop she please. Give me that man That is not passion's slave, and I will wear him In my heart's core, ay, in my heart of heart, As I do thee.
Page 115 - The moving Moon went up the sky, And nowhere did abide; Softly she was going up, And a star or two beside...
Page 33 - Unskilful he to note the card Of prudent lore, Till billows rage, and gales blow hard, And whelm him o'er! Such fate to suffering worth is...
Page 113 - All in a hot and copper sky, The bloody Sun, at noon, Right up above the mast did stand, No bigger than the Moon. Day after day, day after day, We stuck, nor breath nor motion; As idle as a painted ship Upon a painted ocean.
Page 264 - That time of year thou mayst in me behold When yellow leaves, or none, or few, do hang Upon those boughs which shake against the cold, Bare ruin'd choirs, where late the sweet birds sang. In me thou see'st the twilight of such day As after sunset fadeth in the west; Which by and by black night doth take away, Death's second self, that seals up all in rest.