An Analytical Inquiry Into the Principles of Taste |
From inside the book
Results 1-5 of 100
Page ix
... Kind . 28. Neatness , Freshness , Lightness , Symmetry , Re- gularity , Uniformity and Propriety . 29. Dress and Culture . Consistency and Propriety . 30. In Houses and Gardens . 31. In Parks and Forests . 32. Sense of Propriety or ...
... Kind . 28. Neatness , Freshness , Lightness , Symmetry , Re- gularity , Uniformity and Propriety . 29. Dress and Culture . Consistency and Propriety . 30. In Houses and Gardens . 31. In Parks and Forests . 32. Sense of Propriety or ...
Page 19
... kind of sensation ; for unless there be some gratification of a want , such as thirst , the per- ception is merely of contact . 3. But let the liquid , so received , be im- pregnated with salt , with sugar , with acid , or CHAP . I. Of ...
... kind of sensation ; for unless there be some gratification of a want , such as thirst , the per- ception is merely of contact . 3. But let the liquid , so received , be im- pregnated with salt , with sugar , with acid , or CHAP . I. Of ...
Page 34
... kind . The im- pressions , therefore , being unperceived , pro- duce only mechanical vibrations in the fibres , of which the sufferer is not conscious , and which , therefore , only differ in their cause or mode from those which impulse ...
... kind . The im- pressions , therefore , being unperceived , pro- duce only mechanical vibrations in the fibres , of which the sufferer is not conscious , and which , therefore , only differ in their cause or mode from those which impulse ...
Page 45
... kind , though not loud , will create a very uneasy and even painful sensation in the human organs , which we commonly call setting the teeth on edge ; and it seems to be produced by extending the vibrations from the ears to the teeth ...
... kind , though not loud , will create a very uneasy and even painful sensation in the human organs , which we commonly call setting the teeth on edge ; and it seems to be produced by extending the vibrations from the ears to the teeth ...
Page 47
... kind ever mistaking the murmur of affection for the growl of anger , or the cry of joy for the whine of distress . 7. Similar modulations of tone also serve , as a natural medium of communication of cor- responding sentiments , in the ...
... kind ever mistaking the murmur of affection for the growl of anger , or the cry of joy for the whine of distress . 7. Similar modulations of tone also serve , as a natural medium of communication of cor- responding sentiments , in the ...
Contents
80 | |
81 | |
82 | |
83 | |
84 | |
85 | |
86 | |
87 | |
9 | |
10 | |
11 | |
12 | |
13 | |
14 | |
15 | |
16 | |
17 | |
18 | |
19 | |
20 | |
21 | |
22 | |
23 | |
24 | |
25 | |
26 | |
27 | |
28 | |
29 | |
30 | |
31 | |
32 | |
33 | |
34 | |
35 | |
36 | |
37 | |
38 | |
39 | |
40 | |
41 | |
44 | |
45 | |
46 | |
47 | |
48 | |
49 | |
50 | |
51 | |
52 | |
53 | |
54 | |
55 | |
56 | |
57 | |
58 | |
59 | |
60 | |
61 | |
62 | |
63 | |
64 | |
65 | |
66 | |
69 | |
70 | |
71 | |
72 | |
73 | |
74 | |
75 | |
76 | |
77 | |
78 | |
79 | |
88 | |
89 | |
90 | |
91 | |
92 | |
93 | |
94 | |
95 | |
96 | |
97 | |
98 | |
99 | |
101 | |
102 | |
103 | |
104 | |
105 | |
106 | |
107 | |
108 | |
109 | |
110 | |
111 | |
112 | |
113 | |
114 | |
115 | |
116 | |
117 | |
118 | |
119 | |
120 | |
121 | |
122 | |
123 | |
125 | |
126 | |
127 | |
129 | |
171 | |
172 | |
192 | |
193 | |
194 | |
195 | |
196 | |
198 | |
200 | |
205 | |
210 | |
238 | |
262 | |
264 | |
272 | |
282 | |
283 | |
309 | |
328 | |
351 | |
354 | |
356 | |
357 | |
382 | |
394 | |
425 | |
435 | |
438 | |
Other editions - View all
Common terms and phrases
according acquired Æneid afford animals appear applied arise ascer association of ideas become Bernini blime and Pathetic body called cause CHAP character colour consequently degree delight display effect elegance employed equally excite expression faculty feeling felt fræna Georgic gratification Greek habit hearing human Iliad images Imagina imitation impressions improved Perception inquiry instances irregular irritation Judg kind language less light and shadow malè mankind means ment mental sympathies merely metre mind modes nations nature never nevertheless objects observed olfactory nerves organs of sense pain painters painting Paradise Lost passions perceived perfect person picturesque Pindar pleasing pleasure poet poetry polished languages principle produced proportion prosody qualities racter Rembrandt laughed sculpture sensation sensibility sentiments Sight smell smooth sound species style Sublime and Beautiful syllables taste temple of Vesta thing tiful tints tion Titian tone touch turally variety verse visible whence wherefore words СНАР
Popular passages
Page 357 - Above them all the archangel: but his face Deep scars of thunder had intrench'd; and care Sat on his faded cheek; but under brows .Of dauntless courage, and considerate pride Waiting revenge; cruel his eye, but cast Signs of remorse and passion, to behold The fellows of his crime, the followers rather (Far other once beheld in bliss,) condemn'd For ever now to have their lot in pain...
Page 396 - Commander : he, above the rest In shape and gesture proudly eminent, Stood like a tower : his form had yet not lost All her original brightness ; nor appear'd Less than Arch-Angel ruin'd, and the excess Of glory obscured...
Page 352 - Be innocent of the knowledge , dearest chuck , Till thou applaud the deed. — Come, seeling night, Scarf up the tender eye of pitiful day; And with thy bloody and invisible hand Cancel and tear to pieces that great bond Which keeps me pale!
Page 245 - THAT HE HAD A HEAD TO CONTRIVE, A TONGUE TO PERSUADE, AND A HAND TO EXECUTE ANY MISCHIEF.
Page 395 - Mighty victor, mighty lord, Low on his funeral couch he lies! No pitying heart, no eye, afford A tear to grace his obsequies.
Page 9 - I do not know whether I am singular in my opinion: but for my own part, I would rather look upon a tree in all its luxuriancy and diffusion of boughs and branches, than when it is thus cut and trimmed into a mathematical figure; and can not but fancy, that an orchard in flower looks infinitely more delightful than all the little labyrinths of the most finished parterre.
Page 397 - Looks through the horizontal misty air Shorn of his beams; or from behind the moon, In dim eclipse, disastrous twilight sheds On half the nations, and with fear of change Perplexes monarchs.
Page 395 - Give ample room, and verge enough The characters of hell to* trace. Mark the year, and mark the night, When Severn shall re-echo with affright The shrieks of death, thro...
Page 369 - When danger or pain press too nearly, they are incapable of giving any delight, and are simply terrible; but at certain distances, and with certain modifications, they may be, and they are delightful, as we every day experience.
Page 395 - Fair laughs the Morn, and soft the zephyr blows, While proudly riding o'er the azure realm In gallant trim the gilded vessel goes: Youth on the prow, and Pleasure at the helm: Regardless of the sweeping whirlwind's sway, That hush'd in grim repose expects his evening prey.