Taming the Chaos: English Poetic Diction Theory Since the Renaissance"What is the nature of poetic language? This topic has been the subject of debate among scholars, poets, and critics for centuries, and continues to be a notoriously thorny issue today. Taming the Chaos traces this subject, for the first time, from the Renaissance through the present in chapters on Elizabethan times, Neoclassicism, Wordsworth, Coleridge, the Romantic and Victorian periods, Matthew Arnold, Pater, Eliot, and others."--BOOK JACKET. "In an effort to define the mysterious and attractive power of poetic discourse, Emerson R. Marks undertakes a comparative evaluative exposition of successive attempts to explain the phenomenon. He presents these attempts chronologically, and then distills crucial and therefore recurrent themes."--BOOK JACKET. |
From inside the book
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... Romantics 155 Early Victorian Opinion 171 Matthew Arnold 197 Pater and Others 217 The Early Twentieth Century 247 Aspects of Modernism 265 Eliot I The Genesis of Neo - Coleridgean Poetics 289 Eliot II The Frontiers of Poetic Cognition ...
... Romantics 155 Early Victorian Opinion 171 Matthew Arnold 197 Pater and Others 217 The Early Twentieth Century 247 Aspects of Modernism 265 Eliot I The Genesis of Neo - Coleridgean Poetics 289 Eliot II The Frontiers of Poetic Cognition ...
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Contents
Acknowledgments | 9 |
CHAPTER ONE The Renaissance Setting | 23 |
CHAPTER TWO Elizabethan Beginnings | 37 |
CHAPTER THREE Neoclassicism I | 51 |
CHAPTER FOUR Neoclassicism II | 71 |
CHAPTER SEVEN Coleridge II | 133 |
CHAPTER EIGHT The Younger Romantics | 155 |
CHAPTER NINE Early Victorian Opinion | 171 |
CHAPTER ELEVEN Pater and Others | 217 |
CHAPTER TWELVE The Early Twentieth Century | 247 |
CHAPTER THIRTEEN Aspects of Modernism | 265 |
CHAPTER FOURTEEN Eliot I | 289 |
CHAPTER FIFTEEN Eliot II | 315 |
Postmodernist Theories | 331 |
Common terms and phrases
Aeneid aesthetic Arnold artistic assertion beauty Biographia blank verse cited classical Coleridge Coleridge's composition conception creative difference discourse doctrine dramatic Dryden elegance Eliot Elizabethan emotion etic etry Ezra Pound feeling free verse Greek guage Hazlitt Homer Ibid ideal ideas idiom Iliad imagination imitation intellectual Johnson Keats Keats's kind lines linguistic Literary Criticism literature lyric meaning medium ment metaphor meter metrical mimesis mimetic mode modern moral nature neoclassical neoclassicism never organicism Paradise Lost passage passion Pater phrase poem poet's poetic diction poetic expression poetic language poetic style Poetry and Poets poetry's poets Pope Pound preface prose and verse prosodic Quincey Quintilian readers Renaissance rhetoric rhyme rhythm Romantic Romanticism sense Shakespeare Shelley's simply sound speech structure stylistic Symboliste T. S. Eliot taste theoretical theory thought tion truth University Press utterance verbal versification vols W. B. Yeats words Wordsworth's writing wrote Yeats York