An Exaltation of Forms: Contemporary Poets Celebrate the Diversity of Their ArtAnnie Finch, Kathrine Varnes At once handbook, reader, and guide to the literary tastes and wisdom of poets, An Exaltation of Forms is an indispensable resource certain to find a dedicated audience among poetry lovers. The editors invited over fifty contemporary poets to select a poetic meter, stanza, or form, describe it, recount its history, and provide favorite examples. The essays represent a remarkably diverse range of literary styles and approaches, and show how the forms of contemporary English-language poetry derive from a wealth of different traditions. The forms range from hendecasyllabics to prose poetry, haiku to procedural poetry, sonnets to blues, rap to fractal verse. The range of poets included is equally impressive--from Amiri Baraka to John Frederick Nims, from Maxine Kumin to Marilyn Hacker, from Agha Shahid Ali to Pat Mora, from W. D. Snodgrass to Charles Bernstein. Achieving this level of eclecticism is a remarkable feat, especially given the strong opinions held by members of the various camps (e.g., the New Formalists, LANGUAGE poets, feminist and multicultural poets) that exist within today's poetry community. Poets who might never occupy the same room here occupy the same pages, perhaps for the first time. The net effect is a book that will surprise, inform, and delight a wide range of readers, whether as reference book, pleasure reading, or classroom text. Poet, translator, and critic Annie Finch is director of the Stonecoast low-residency MFA program at the University of Southern Maine. She is author of The Ghost of Meter: Culture and Prosody in American Free Verse, Eve, and Calendars. She is the winner of the eleventh annual Robert Fitzgerald Prosody Award for scholars who have made a lasting contribution to the art and science of versification. Kathrine Varnes teaches English at the University of Missouri-Columbia. She is the author of the book of poems, The Paragon. Her poems and essays have appeared in many books and journals. |
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Page 96
... come on the late train and continues in that rhythm . But it is not a metrical exercise ; it's a poem about love and loss , driven not by its meter but by the urgency of its emotion . Meter ... come , and it meant come at 96 METERS MAVERICKS.
... come on the late train and continues in that rhythm . But it is not a metrical exercise ; it's a poem about love and loss , driven not by its meter but by the urgency of its emotion . Meter ... come , and it meant come at 96 METERS MAVERICKS.
Page 97
... come , and it meant come at the Steep price We regret yet as the debt swells In the nighttime And the could come , if you could hum in The skull's drum And the limbs writhe till the bed Cries like a hurt thing— If you could - ah but the ...
... come , and it meant come at the Steep price We regret yet as the debt swells In the nighttime And the could come , if you could hum in The skull's drum And the limbs writhe till the bed Cries like a hurt thing— If you could - ah but the ...
Page 264
... comes redness and out of rudeness comes rapid same question , out of an eye comes research , out of selection comes painful cattle . So then the order is that a white way of being round is something suggesting a pin 264 RECEIVED FORMS ...
... comes redness and out of rudeness comes rapid same question , out of an eye comes research , out of selection comes painful cattle . So then the order is that a white way of being round is something suggesting a pin 264 RECEIVED FORMS ...
Contents
Introduction | 1 |
Accentual Verse DANA GIOIA | 15 |
Sweeter Melodies MARGARET HOLLEY | 24 |
Copyright | |
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accent accentual verse accentual-syllabic aesthetic alcaic anapestic anthology ballade Bashō beats blues called Campion century classical contemporary Copyright dactylic décima dream English epigrams example excerpt eyes feel feet formal fractal Frankie free verse genre ghazal haiku hand heroic couplet hip-hop iambic pentameter John language light literary look Lord lyric Marilyn Hacker Mattie Groves meter metrical moon morning narrative never night opening Oulipo pantoum pantun Paradelle pattern permission poem's poetic form poetry prose poem prosody quatrain rappers reader refrain renku Reprinted rhyme scheme rhythm Robert rondeau sapphic seasons sestina shape sing Sir Patrick song sonnet sound stanza stress syllables terza rima tetrameter thee things thou tion traditional translated triolet trochaic trochees University Press villanelle Villon W. H. Auden William words writing written X. J. Kennedy York
References to this book
Discovering Patterns in Mathematics and Poetry Marcia Birken,Anne Christine Coon Limited preview - 2008 |