The lives of the most eminent English poets (concluded). Miscellaneous lives
J. Buckland, J. Rivington and Sons, T. Payne and Sons, L. Davis, B. White and Son ... [and 36 others in London], 1787
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affected afterwards allowed appears attention began believe called character common confidered continued death defire died diſcovered Drake edition Engliſh equally excellence expected faid fame father fays feems fent fhew fhip fhould firft firſt fome fometimes foon force formed ftudies fuch fufficient gave give given hand himſelf honour hope hundred Italy kind king knowledge known labour laft language learning lefs Letters lines lived Lord March mean mentioned mind moſt muſt nature never Night numbers obferved once opinion original paffage paffed particular performance perhaps poem poet poetry Pope praiſe prefent prince printed produced publick publiſhed reader reafon received remarkable reputation tell thefe theſe thing thofe thoſe thought tion told took tranflation true verfe whofe whole write written Young
Page 110 - If the flights of Dryden therefore are higher, Pope continues longer on the wing. If of Dryden's fire the blaze is brighter, of Pope's the heat is more regular and constant. Dryden often surpasses expectation, and Pope never falls below it. Dryden is read with frequent astonishment, and Pope with perpetual delight.
Page 109 - Dryden knew more of man in his general nature, and Pope in his local manners.
Page 276 - The excellence of this work is not exactness, but copiousness ; particular lines are not to be regarded ; the power is in the whole ; and in the whole there is a magnificence like that ascribed to Chinese plantation, the magnificence of vast extent and endless diversity.
Page 308 - In the character of his Elegy I rejoice to concur with the common reader; for by the common sense of readers uncorrupted with literary prejudices, after all the refinements of subtilty and the dogmatism of learning, must be finally decided all claim to poetical honours.
Page 206 - He had employed his mind chiefly upon works of fiction, and subjects of fancy; and, by indulging some peculiar habits of thought, was eminently delighted with those flights of imagination which pass the bounds of nature, and to which the mind is reconciled only by a passive acquiescence in popular traditions. He loved fairies, genii, giants, and monsters ; he delighted to rove through the meanders of enchantment, to gaze on the magnificence of golden palaces, to repose by the water-falls of Elysian...
Page 79 - For this reason this joint production of three great writers has never obtained any notice from mankind; it has been little read, or when read has been forgotten, as no man could be wiser, better, or merrier, by remembering it. The design cannot boast of much originality; for, besides its general resemblance to Don Quixote, there will be found in it particular imitations of the History of Mr.
Page 109 - Pope had only a little, because Dryden had more ; for every other writer since Milton must give place to Pope ; and even of Dryden it must be said, that, if he has brighter paragraphs, he has not better poems.
Page 109 - Dryden obeys the motions of his own mind, Pope constrains his mind to his own rules of composition. Dryden is sometimes vehement and rapid; Pope is always smooth, uniform, and gentle. Dryden's page is a natural field, rising into inequalities and diversified by the varied exuberance of abundant vegetation; Pope's is a velvet lawn, shaven by the scythe and levelled by the roller.
Page 90 - Club," compared himself to a spider, and by another is described as protuberant behind and before. He is said to have been beautiful in his infancy, but he was of a constitution originally feeble and weak; and, as bodies of a tender frame are easily distorted, his deformity was probably in part the effect of his application. His stature was so low, that to bring him to a level with common tables, it was necessary to raise his seat. But his face was not displeasing...
Page 176 - As a writer he is entitled to one praise of the highest kind: his mode of thinking, and of expressing his thoughts, is original. His blank verse is no more the blank verse of Milton, or of any other poet, than the rhymes of Prior are the rhymes of Cowley.