The Art of Speaking: Containing, I. An Essay; in which are Given Rules for Expressing Properly the Principal Passions and Humours, ... II. Lessons Taken from the Ancients and Moderns ...T. Longman, T. Field, C. Dilly, W. Goldsmith, D. Ogilvy and J. Speare, 1792 - 373 pages |
From inside the book
Results 1-5 of 46
Page 16
... Pity , a mixed paffion of love and grief , looks down upon diftrefs with lifted hands ; eyebrows drawn down ; mouth open , and features drawn together . Its expreffion , as to looks , and gesture , is the fame with thofe of fuffering ...
... Pity , a mixed paffion of love and grief , looks down upon diftrefs with lifted hands ; eyebrows drawn down ; mouth open , and features drawn together . Its expreffion , as to looks , and gesture , is the fame with thofe of fuffering ...
Page 19
... pity . The fentence is to be expreffed as with reluctance . Teaching , explaining , inculcating , or giving orders to an inferior , requires an air of fuperiority to be affumed . The features are to be compofed to an authoritative ...
... pity . The fentence is to be expreffed as with reluctance . Teaching , explaining , inculcating , or giving orders to an inferior , requires an air of fuperiority to be affumed . The features are to be compofed to an authoritative ...
Page 25
... pity , envy , pride , rage , cruelty , vengeance , madness , and if there be any other tormenting paffion , which can agitate the human mind . Therefore to exprefs jealoufy well , requires that one know how to reprefent juftly all these ...
... pity , envy , pride , rage , cruelty , vengeance , madness , and if there be any other tormenting paffion , which can agitate the human mind . Therefore to exprefs jealoufy well , requires that one know how to reprefent juftly all these ...
Page 27
... Pity , for example , is compofed of grief and love . It is therefore evident , that a correct fpeaker muil , by his looks and geftures , and by the tone and pitch of his voice , exprefs both grief and love , in exprefling pity , and fo ...
... Pity , for example , is compofed of grief and love . It is therefore evident , that a correct fpeaker muil , by his looks and geftures , and by the tone and pitch of his voice , exprefs both grief and love , in exprefling pity , and fo ...
Page 28
... pity . It is granted , that nature is the rule by which we are to speak , and to judge of propriety in fpeaking . And every public speaker , who faithfully , and in a mafterly manner , follows that univerfal guide , commands attention ...
... pity . It is granted , that nature is the rule by which we are to speak , and to judge of propriety in fpeaking . And every public speaker , who faithfully , and in a mafterly manner , follows that univerfal guide , commands attention ...
Other editions - View all
Common terms and phrases
Accus AFFECT againſt APOL APPREHENS arms becauſe body Caius Verres confequence confiderable CONT CONTEMPT dead death defign defire Diodotus doft Doub enemy ENQU expreffed eyes faid fame father fear fecure feem feen fenfe fentence feven fhall fhew fhould fleep fome fometimes foon foul fpeaker fpeaking fpeech ftate ftill fubjects fuch fuffer fufficient fuperior fuppofe fure Ghoft Ghoſt Greece GRIEF hand heaven himſelf honour hope HORROR Humph Iago INTR INTREAT itſelf Jugurtha king leaſt lefs loft Longh look manner matter moft moſt muft muſt myſelf NARRA Nick Bottom Numidia occafion orator ourſelves paffage paffions perfon Peter Quince PITY pleafing pleaſe pleaſure Pray prefent QUEST Quintilian raiſe reafon REMON rife Roman ſay Scythians ſhall Shyl Shylock ſpeak ſpoken ſtate thee thefe themſelves theſe thing thofe thoſe thou thought TION uſed VENERA VEXAT voice whofe whoſe wife words
Popular passages
Page 115 - The bell strikes One. We take no note of time But from its loss : to give it then a tongue Is wise in man. As if an angel spoke I feel the solemn sound. If heard aright, It is the knell of my departed hours. Where are they? With the years beyond the flood.
Page 92 - Fairest of stars, last in the train of night, If better thou belong not to the dawn, Sure pledge of day, that crown'st the smiling morn With thy bright circlet, praise Him in thy sphere, While day arises, that sweet hour of prime.
Page 100 - To sigh for ribands if thou art so silly, Mark how they grace Lord Umbra or Sir Billy. Is yellow dirt the passion of thy life ? Look but on Gripus or on Gripus
Page 44 - Our words flow from us in a smooth continued stream, without those strainings of the voice, motions of the body, and majesty of the hand, which are so much celebrated in the orators of Greece and Rome. We can talk of life and death in cold blood, and keep our temper in a...
Page 93 - His praise, ye Winds, that from four quarters blow, Breathe soft or loud ; and, wave your tops, ye Pines, With every plant, in sign of worship wave. Fountains, and ye that warble, as ye flow, Melodious murmurs, warbling tune his praise.
Page 240 - With eyes darting fury, and a countenance distorted with cruelty, he orders the helpless victim of his rage to be stripped, and rods to be brought ; accusing him, but without the least shadow of evidence, or even of suspicion, of having come to Sicily as a spy.
Page 210 - I'll look up; My fault is past. But, O, what form of prayer Can serve my turn? 'Forgive me my foul murder?
Page 276 - Awaked, should blow them into sevenfold rage And plunge us in the flames? or from above Should intermitted vengeance arm again His red right hand to plague us?
Page 93 - Of Nature's womb, that in quaternion run Perpetual circle, multiform ; and mix And nourish all things ; let your ceaseless change Vary to our great Maker still new praise.
Page 145 - O thou that, with surpassing glory crown'd, Look'st from thy sole dominion, like the god Of this new world, at whose sight all the stars Hide their diminish'd heads, to thee I call, But with no friendly voice, and add thy name, 0 sun, to tell thee how I hate thy beams, That bring to my remembrance from what state 1 fell, how glorious once above thy sphere...