Vergilius Redivivus: Studies in Joseph Addison's Latin Poetry, Volume 2
American Philosophical Society, 2005 - English poetry - 210 pages
In this volume, Estelle Haan, one of the world's finest neo-Latinists, makes an important contribution to the study of so often neglected poetry. She uses context & commentary to create an unprecedented understanding of Joseph Addison's poetry. Haan adds to the corpus of neo-Latin poetry, & also offers to non-Latinists with an interest in Addison access to products of his creative imagination that were hitherto unavailable because of the language barrier. The inclusion of material unkonwn to previous Addison editors considerably enhances the volume's value. Illustrations.
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Addison's Latin Addison's poem Aeneid angels appear atque Augustans battle bees birds Bond bowl Bradner Chapter Christ classical College compared contemporary context contrast cranes Criticism depicted described Dillingham drawing echoes Eclogue English epic epigrams Essay example fact fire frequently Fuller Georgics give hand included inter Italy Joseph Addison language Last later Latin poems Latin Poetry Latin verse light likewise lines London look Machinae Gesticulantes Magdalen means Mopsus mural Musae Anglicanae nature neo-Latin notes observation once opening Oxford paint parallel particular pastoral perhaps piece Plautus poet possible praise present proclaims Proelium Punch puppet Pygmies quae race rain reference Resurrectio rising Roman seems signs Spectator Sphaeristerium Studies suggested takes Tatler theme Thomas Tityrus turn University verse Vigo Virgil Virgilian Vota Oxoniensia weather whole Writings
Page 59 - It began upon the following Occasion. It is allowed on all Hands, that the primitive Way of breaking Eggs before we eat them, was upon the larger End: But his present Majesty's Grand-father, while he was a Boy, going to eat 40 an Egg, and breaking it according to the ancient Practice, happened to cut one of his Fingers.
Page 29 - Nor must I here omit an experiment one of the company assured us he himself had made with this liquor, which he found in great quantity about the heart of a coquette whom he had formerly dissected. He affirmed to us, that he had actually...
Page 6 - He delivers the meanest of his precepts with a kind of grandeur, he breaks the clods and tosses the dung about with an air of gracefulness.
Page 126 - The breathless Phaeton, with flaming hair, Shot from the chariot, like a falling star, That in a summer's evening from the top Of heaven drops down, or seems at least to drop ; Till on the Po his blasted corpse was hurl'd, Far from his country, in the western world.
Page 66 - It will be an honour to him to have it said he contended with me:' but I would have him to know, that I can look beyond his wires, and know very well the whole trick of his art; and that it is only by these wires that the eye of the spectator is cheated, and hindered from seeing that there is a thread on one of Punch's chops, which draws it up, and lets it fall at the discretion of the said Powel, who stands behind and plays him, and makes him speak saucily of his betters.
Page 59 - It is computed that eleven thousand persons have at several times suffered death rather than submit to break their eggs at the smaller end. Many hundred large volumes have been published upon this controversy ; but the books of the Bigendians have been long forbidden, and the whole party rendered incapable by law of holding employments. During the course of these troubles the emperors of Blefuscu did frequently expostulate by their ambassadors...
Page 59 - He is taller, by almost the breadth of my nail, than any of his court ; which alone is enough to strike an awe into the beholders.
Page 59 - Wheels her pale course ; they, on their mirth and dance Intent, with jocund music charm his ear ; At once with joy and fear his heart rebounds.
Page 181 - Georgic therefore is some part of the science of husbandry put into a pleasing dress, and set off with all the beauties and embellishments of poetry.
Page 70 - When we came to Noah's flood in the show, Punch and his wife were introduced dancing in the ark. An honest plain friend of Florimel's, but a critic withal, rose up in the midst of the representation, and made many very good exceptions to the drama itself, and told us, that it was against all morality, as well as rules of the stage, that Punch should be in jest in the deluge, or indeed that he should appear at all.