Revaluation: Tradition & Development in English Poetry |
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Page 2
... give as clearly as can be given without misleading simplification the main lines of development in the English tradition - to give , as it were , the essential structure . But no treatment of poetry is worth much that does not keep very ...
... give as clearly as can be given without misleading simplification the main lines of development in the English tradition - to give , as it were , the essential structure . But no treatment of poetry is worth much that does not keep very ...
Page 165
... give a good view of his creative preoccupations ; and both his main preoccupation and his achievement are fairly intimated by this passage from the Letter to John Wilson : " You have given me praise for having reflected faith- fully in ...
... give a good view of his creative preoccupations ; and both his main preoccupation and his achievement are fairly intimated by this passage from the Letter to John Wilson : " You have given me praise for having reflected faith- fully in ...
Page 274
... give me the impression of the poet turning the urn round in his hand , with his eye fixed on the object in a more complete sense than was ever dreamed of by Wordsworth , because Wordsworth dictates to his senses what they are going to ...
... give me the impression of the poet turning the urn round in his hand , with his eye fixed on the object in a more complete sense than was ever dreamed of by Wordsworth , because Wordsworth dictates to his senses what they are going to ...
Contents
Introduction | 1 |
THE LINE OF | 10 |
Note Popes Satiric Modes | 92 |
Copyright | |
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Common terms and phrases
A. C. Bradley aesthetic aestheticism Arnold Augustan beauty Ben Jonson bright characteristic cloud Coleridge contemplation contrast course Donne Dryden Dunciad effect eighteenth century emotional English English Poetry essential experience fact feeling genius grasp habit heart hounds of spring human Hyperion imagery imagination insistence inspiration intensity Jonson Keats Keats's kind literary living luxury Lycidas lyrical Marvell's Matthew Arnold ment merely Metaphysical Milton mind mode Mont Blanc moral movement nature ness Nightingale o'er obvious offered Othello Oxford Book Paradise Lost passage phrase plain poem poet poetic Pope Pope's Prelude present prose reader realization relation representative rich Romantic satiric seems sense sensibility sensuous Shakespeare Shelley Shelley's Shelleyan significant solemn song soul spirit stanza strength suggest sweet Symons Tennyson thee things thou thought Tintern Abbey tion tone tradition tranquillity turn uncon verse Victorian winds words Wordsworth Wordsworth's poetry