Revaluation: Tradition & Development in English Poetry |
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Page 254
... Beauty is truth , truth beauty ' —that is all Ye know on earth , and all ye need to know . This surely , in the context just examined , should cause no metaphysical tremors of excitement or illumination , and need no great profundity or ...
... Beauty is truth , truth beauty ' —that is all Ye know on earth , and all ye need to know . This surely , in the context just examined , should cause no metaphysical tremors of excitement or illumination , and need no great profundity or ...
Page 255
... beauty ' is the term he used ; and in calling what seemed to him the supreme thing in life ' beauty , ' he expressed a given bent - the bent every- where manifested in the quality of his verse , in its ' loveli- ness . ' His concern for ...
... beauty ' is the term he used ; and in calling what seemed to him the supreme thing in life ' beauty , ' he expressed a given bent - the bent every- where manifested in the quality of his verse , in its ' loveli- ness . ' His concern for ...
Page 256
... beauty is made truth , truth beauty - for Lionel Johnson's phrase is his equivalent for Keats's . But if life is ritual , the beauty that Johnson and Rossetti worship has ( we are moved to frame the corollary ) little to do with life ...
... beauty is made truth , truth beauty - for Lionel Johnson's phrase is his equivalent for Keats's . But if life is ritual , the beauty that Johnson and Rossetti worship has ( we are moved to frame the corollary ) little to do with life ...
Contents
Introduction | 1 |
THE LINE OF | 10 |
Note Popes Satiric Modes | 92 |
Copyright | |
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Common terms and phrases
A. C. Bradley aesthetic aestheticism Arnold Augustan beauty Ben Jonson bright characteristic cloud Coleridge contemplation contrast course Donne Dryden Dunciad effect eighteenth century emotional English English Poetry essential experience fact feeling genius grasp habit heart hounds of spring human Hyperion imagery imagination insistence inspiration intensity Jonson Keats Keats's kind literary living luxury Lycidas lyrical Marvell's Matthew Arnold ment merely Metaphysical Milton mind mode Mont Blanc moral movement nature ness Nightingale o'er obvious offered Othello Oxford Book Paradise Lost passage phrase plain poem poet poetic Pope Pope's Prelude present prose reader realization relation representative rich Romantic satiric seems sense sensibility sensuous Shakespeare Shelley Shelley's Shelleyan significant solemn song soul spirit stanza strength suggest sweet Symons Tennyson thee things thou thought Tintern Abbey tion tone tradition tranquillity turn uncon verse Victorian winds words Wordsworth Wordsworth's poetry