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I was about eight and twenty years old, when having tried the diversions of the town till I began to be weary, and being awakened into attention to more serious business, by the failure of an attorney, to whom I had implicitly trusted the conduct of my fortune, I resolved to take my estate into my own care, and methodise my whole life acording to the strictest rules of economical prudence.

Dinner was now over, and the company pro- | than your own experience or observation can posed, for I was now past the condition of mak- supply; and I shall therefore lay candidly before ing overtures, that we should pursue our original you an account of my own entrance into the design of visiting the gardens. Anthea declared conjugal state. that she could not imagine what pleasure we expected from the sight of a few green trees and a little gravel, and two or three pits of clear water; that for her part she hated walking till the cool of the evening, and thought it very likely to rain; and again wished that she had stayed at home. We then reconciled ourselves to our disappointment, and began to talk on common subjects, when Anthena told us that since we came to see gardens, she would not hinder our satisfaction. We all arose, and walked through the inclosures for some time, with no other trouble than the necessity of watching lest a frog should hop across the way, which Anthea told us would certainly kill her, if she should happen to see him.

In pursuance of this scheme I took leave of my acquaintance, who dismissed me with numberless jests upon my new system; having first endeavoured to divert me from a design so little worthy of a man of wit, by ridiculous accounts of the ignorance and rusticity into which many had sunk in their retirement, after having distinguished themselves in taverns and play-houses, and given hopes of rising to uncommon eminence among the gay part of mankind.

When I came first into the country, which, by a neglect not uncommon among young heirs, I had never seen since the death of my father, I found every thing in such confusion, that being utterly without practice in business, I had great, difficulties to encounter in disentangling the perplexities of my circumstances; they however gave way to diligent application; and I perceived that the advantage of keeping my own accounts would very much overbalance the time which they could require.

Frogs, as it fell out, there were none; but when we were within a furlong of the gardens, Anthea saw some sheep, and heard the wether clink his bell, which she was certain was not hung upon him for nothing, and therefore no assurances nor entreaties should prevail upon her to go a step further; she was sorry to disappoint the company, but her life was dearer to her than ceremony. We came back to the inn, and Anthea now discovered that there was no time to be lost in returning, for the night would come upon us, and a thousand misfortunes might happen in the dark. The horses were immediately harnessed, and Anthea, having wondered what could seduce her to stay so long, was eager to set out. But we had now a new scene of terror, every man we I had now visited my tenants, surveyed my saw was a robber, and we were ordered some- land, and repaired the old house, which, for some times to drive hard, lest a traveller whom we years, had been running to decay. These proofs saw behind should overtake us; and sometimes of pecuniary wisdom began to recommend me as to stop, lest we should come up to him who was a sober, judicious, thriving gentleman, to all my passing before us. She alarmed many an ho- graver neighbours of the country, who never failnest man, by begging him to spare her life as heed to celebrate my management in opposition to passed by the coach, and drew me into fifteen quarrels with persons who increased her fright, by kindly stopping to inquire whether they could assist us. At last we came home, and she told her company next day what a pleasant ride she had been taking.

I suppose, Sir, I need not inquire of you what deductions may be made from this narrative, nor what happiness can arise from the society of that woman who mistakes cowardice for elegance, and imagines all delicacy to consist in refusing to be pleased. 1 am, &c.

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Thriftless and Latterwit, two smart fellows, who had estates in the same part of the kingdom, which they visited now and then in a frolic, to take up their rents beforehand, debauch a milkmaid, make a feast for the village, and tell stories of their own intrigues, and then rode post back to town to spend their money.

It was doubtful, however, for some time, whether I should be able to hold my resolution; but a short perseverance removed all suspicions. I rose every day in reputation, by the decency of my conversation and the regularity of my conduct, and was mentioned with a great regard at the assizes, as a man very fit to be put in commission for the peace.

During the confusion of my affairs, and the daily necessity of visiting farms, adjusting contracts, letting leases, and superintending repairs, I found very little vacuity in my life, and therefore had not many thoughts of marriage; but, in a little while the tumult of business subsided, and the exact method which I had established enabled me to despatch my accounts with great facility. I had, therefore, now upon my hands, the task of finding means to spend my time, without falling back into the poor amusements which I had hitherto indulged, or changing them for the sports of the field, which I saw pursued with so much eagerness by the gentlemen of the country, that they were indeed the only pleasures in which I could promise myself any partaker.

The inconvenience of this situation naturally | ed to comply. Mitissa was ordered to exert her disposed me to wish for a companion, and the power; she told me, that if I could refuse her papa known value of my estate, with my reputation I had no love for her; that she was an unhappy for frugality and prudence, easily gained me ad- creature, and that I was a perfidious man; then mission into every family; for I soon found that she burst into tears, and fell into fits. All this, no inquiry was made after any other virtue, nor as I was no passionate lover, had little effect. any testimonial necessary, but of my freedom She next refused to see me, and because I thought from incumbrances, and my care of what they myself obliged to write in terms of distress, they termed the main chance. I saw, not without in- had once hopes of starving me into measures; dignation, the eagerness with which the daugh- but, finding me inflexible, the father complied ters, wherever I came, were set out to show; nor with my proposal, and told me he liked me the could I consider them in a state much different more for being so good at a bargain. from prostitution, when I found them ordered to play their airs before me, and to exhibit, by some seeming chance, specimens of their music, their work, or their housewifery. No sooner was I placed at table, than the young lady was called upon to pay me some civility or other; nor could I find means of escaping, from either father or mother, some account of their daughter's excellences, with a declaration that they were now leaving the world, and had no business on this side the grave, but to see their children happily disposed of; that she whom I had been pleased to compliment at table was indeed the chief pleasure of their age, so good, so dutiful, so great a relief to her mamma in the care of the house, and so much her papa's favourite for her cheerfulness and wit, that it would be with the last reluctance that they should part; but to a worthy gentleman in the neighbourhood, whom they might often visit, they would not so far consult their own gratification, as to refuse her; and their tenderness should be shown in her fortune, whenever a suitable settlement was proposed.

As I knew these overtures not to proceed from any preference of me before another equally rich, I could not but look with pity on young persons condemned to be set to auction, and made cheap by injudicious commendations; for how could they know themselves offered and rejected a hundred times, without some loss of that soft elevation, and maiden dignity, so necessary to the completion of female excellence?

I shall not trouble you with a history of the stratagems practised upon my judgment, or the allurements tried upon my heart, which, if you have, in any part of your life, been acquainted with rural politics you will easily conceive. Their arts have no great variety, they think nothing worth their care but money, and supposing its influence the same upon all the world, seldom endeavour to deceive by any other means than false computations.

I will not deny that, by hearing myself loudly commended for my discretion, I began to set some value upon my character, and was unwilling to lose my credit by marrying for love. I therefore resolved to know the fortune of the lady whom I should address, before I inquired after her wit, delicacy, or beauty.

I was now married to Mitissa, and was to experience the happiness of a match made without passion. Mitissa soon discovered that she was equally prudent with myself, and had taken a husband only to be at her own command, and have a chariot at her own call. She brought with her an old maid recommended by her mother, who taught her all the arts of domestic management, and was, on every occasion, her chief agent and directress. They soon invented one reason or other to quarrel with all my servants, and either prevailed on me to turn them away, or treated them so ill that they left me of themselves, and always supplied their places with some brought from my wife's relations. Thus they es tablished a family, over which I had no authority, and which was in a perpetual conspiracy against me; for Mitissa considered herself as having a separate interest, and thought nothing her own, but what she laid up without my knowledge. For this reason she brought me false accounts of the expenses of the house, joined with my tenants in complaints of hard times, and by means of a steward of her own, took rewards for soliciting abatements of the rent. Her great hope is to outlive me, that she may enjoy what she has thus accumulated, and therefore she is always contriving some improvements of her jointure land, and once tried to procure an injunction to hinder me from felling timber upon it for repairs. Her father and mother assist her in her projects, and are frequently hinting that she is ill used, and reproaching me with the presents that other ladies receive from their husbands.

Such, Sir, was my situation for seven years, till at last my patience was exhausted, and having one day invited her father to my house, I laid the state of my affairs before him, detected my wife in several of her frauds, turned out her steward, charged a constable with her maid, took my business in my own hands, reduced her to a settled allowance, and now write this account to warn others against marrying those whom they have no reason to esteem.

No. 36.]

I am, &c.

SATURDAY, JULY 21, 1750.

*Αμ ̓ ἕποντο νομίες

Τερπομενοι σύριγξι δόλον ὁ οὔτι προνόησαν.

-Piping on their reeds the shepherds go,
Nor fear an ambush nor suspect a foe.

HOMER.

This determination led me to Mitissa, the daughter of Chrysophilus, whose person was at least without deformity, and whose manners were free from reproach, as she had been bred up at a distance from all common temptations. To Mitissa therefore I obtained leave from her parents to pay my court, and was referred by her again to her father, whose direction she was re- THERE is scarcely any species of poetry that has solved to follow. The question then was, only, allured more readers, or excited more writers, what should be settled? The old gentleman than the pastoral. It is generally pleasing, bemade an enormous demand, with which I refus-cause it entertains the mind with representations

POPE.

the perusal of thousands of these performances, find his knowledge enlarged with a single view of nature not produced before, or his imagination amused with any new application of those views to moral purposes.

of scenes familiar to almost every imagination, | series of the composition; nor will a man, after and of which all can equally judge whether they are well described. It exhibits a life, to which we have been always accustomed to associate peace, and leisure, and innocence: and therefore we readily set open the heart for the admission of its images, which contribute to drive away cares and perturbations, and suffer ourselves, without resistance, to be transported to elysian regions, where we are to meet with nothing but joy, and plenty, and contentment; where every gale whispers pleasure, and every shade promises repose. It has been maintained by some, who love to talk of what they do not know, that pastoral is the most ancient poetry; and, indeed, since it is probable that poetry is nearly of the same antiquity with rational nature, and since the life of the first men was certainly rural, we may reasonably conjecture, that, as their ideas would necessarily be borrowed from those objects with which they are acquainted, their composures being filled chiefly with such thoughts on the visible creation as must occur to the first observers, were pastoral hymns, like those which Milton introduces the original pair singing, in the day of innocence, to the praise of their Maker.

For the same reason that pastoral poetry was the first employment of the human imagination, it is generally the first literary amusement of our minds. We have seen fields, and meadows, and groves, from the time that our eyes opened upon life; and are pleased with birds, and brooks, and breezes, much earlier than we engage among the actions and passions of mankind. We are therefore delighted with rural pictures, because we know the original at an age when our curiosity can be very little awakened by descriptions of courts which we never beheld, or representations of passions which we never felt.

The range of pastoral is indeed narrow: for though nature itself, philosophically considered, be inexhaustible, yet its general effects on the eye and on the ear are uniform, and incapable of much variety of description. Poetry cannot dwell upon the minuter distinctions, by which one species differs from another, without departing from that simplicity of grandeur which fills the imagination; nor dissect the latent qualities of things, without losing its general power of gratifying every mind by recalling its conceptions. However, as each age makes some discoveries, and those discoveries are by degrees generally known, as new plants or modes of culture are introduced, and by little and little become common, pastoral might receive, from time to time, small augmentations, and exhibit once in a century a scene somewhat varied.

But pastoral subjects have been often, like others, taken into the hands of those that were not qualified to adorn them, men to whom the face of nature was so little known, that they have drawn it only after their own imagination, and changed or distorted her features, that their portraits might appear something more than servile copies from their predecessors.

circumstances as attract curiosity. His ambition is without policy, and his love without intrigue. He has no complaints to make of his rival, but that he is richer than himself; nor any disasters to lament, but a cruel mistress, or a bad

Not only the images of rural life, but the occasions on which they can be properly produced, are few and general. The state of a man confined to the employments and pleasures of the country, is so little diversified, and exposed to so few of those accidents which produce perplexities, terrors, and surprises, in more complicated transThe satisfaction received from this kind of writ-actions, that he can be shown but seldom in such ing not only begins early, but lasts long; we do not, as we advance into the intellectual world, throw it away among other childish amusements and pastimes, but willingly return to it in any hour of indolence and relaxation. The images of true pastoral have always the power of excit-harvest. ing delight, because the works of nature, from which they are drawn, have always the same order and beauty, and continue to force themselves upon our thoughts, being at once obvious to the most careless regard, and more than adequate to the strongest reason, and severest contemplation. Our inclination to stillness and tranquillity is seldom much lessened by long knowledge of the busy and tumultuary part of the world. In childhood we turn our thoughts to the country, as to the region of pleasure; we recur to it in old age as a port of rest, and perhaps with that secondary and adventitious gladness, which every man feels on reviewing those places, or recollecting those occurrences, that contributed to his youthful enjoyments, and bring him back to the prime of life, when the world was gay with the bloom of novelty, when mirth wantoned at his side, and hope sparkled before him.

The sense of this universal pleasure has invited numbers without number to try their skill in pastoral performances in which they have generally succeeded after the manner of other imitators, transmitting the same images in the same combination from one to another, till he that reads the title of a poem, may guess at the whole

The conviction of the necessity of some new source of pleasure induced Sannazarius to remove the scene from the fields to the sea, to substitute fishermen for shepherds, and derive his sentiments from the piscatory life; for which he has been censured by succeeding critics, because the sea is an object of terror, and by no means proper to amuse the mind, and lay the passions asleep. Against this objection he might be defended by the established maxim, that the poet has a right to select his images, and is no more obliged to show the sea in a storm, than the land under an inundation; but may display all the pleasures, and conceal the dangers, of the water, as he may lay his shepherd under a shady beech, without giving him an ague, or letting a wild beast loose upon him.

There are, however, two defects in the piscatory eclogue, which perhaps cannot be supplied. The sea, though in hot countries it is considered by those who live, like Sannazarius, upon the coast, as a place of pleasure and diversion, has notwithstanding, much less variety than the land, and therefore will be sooner exhausted by a descriptive writer. When he has once shown the sun rising or setting upon it, curled its waters

with the vernal breeze, rolled the waves in gentle | therefore must have endeavoured to recompense succession to the shore, and enumerated the fish the want of novelty by exactness; that taking sporting in the shallows, he has nothing remain- Theocritus for his original, he found pastoral far ing but what is common to all other poetry, the advanced towards perfection, and that having so complaint of a nymph for a drowned lover, or the great a rival, he must have proceeded with unindignation of a fisher that his oysters are refused, common caution. and Mycon's accepted.

Another obstacle to the general reception of this kind of poetry, is the ignorance of maritime pleasures, in which the greater part of mankind must always live. To all the inland inhabitants of every region, the sea is only known as an immense diffusion of waters, over which men pass from one country to another, and in which life is frequently lost. They have therefore no opportunity of tracing in their own thoughts the descriptions of winding shores and calm bays, nor can look on the poem in which they are mentioned, with other sensations than on a sea chart, or the metrical geography of Dionysius.

This defect Sannazarius was hindered from perceiving by writing in a learned language to readers generally acquainted with the works of nature; but if he had made his attempt in any vulgar tongue, he would soon have discovered how vainly he had endeavoured to make that loved, which was not understood.

I am afraid it will not be found easy to improve the pastorals of antiquity, by any great additions or diversifications. Our descriptions may indeed differ from those of Virgil, as an English from an Italian summer, and, in some respects, as modern from ancient life; but as nature is in both countries nearly the same, and as poetry has to do rather with the passions of men, which are uniform, than their customs, which are changeable, the varieties, which time or place can furnish, will be inconsiderable; and I shall endeayour to show, in the next paper, how little the latter ages have contributed to the improvement of the rustic muse.

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In writing or judging of pastoral poetry, neither the authors nor critics of latter times seem to have paid sufficient regard to the originals left us by antiquity, but have entangled themselves with unnecessary difficulties, by advancing principles, which having no foundation in the nature of things are wholly to be rejected from a species of composition, in which, above all others, mere nature is to be regarded.

It is therefore necessary to inquire after some more distinct and exact idea of this kind of writing. This may, I think, be easily found in the pastorals of Virgil, from whose opinion it will not appear very safe to depart, if we consider that every advantage of nature and of fortune, concurred to complete his productions; that he was born with great accuracy and severity of judgment, enlightened with all the learning of one of the brightest ages, and embellished with the elegance of the Roman court; that he employed his powers rather in improving, than inventing, and

If we search the writings of Virgil, for the true definition of a pastoral, it will be found a poem in which any action or passion is represented by its effects upon a country life. Whatsoever therefore may, according to the common course of things, happen in the country, may afford a subject for a pastoral poet.

In this definition, it will immediately occur to those who are versed in the writings of the modern critics, that there is no mention of the golden age. I cannot indeed easily discover why it is thought necessary to refer descriptions of a rural state to remote times, nor can I perceive that any writer has consistently preserved the Arcadian manners and sentiments. The only reason, that I have read, on which this rule has been founded, is, that, according to the custom of modern life, it is improbable that shepherds should be capable of harmonious numbers, or delicate sentiments; and therefore the reader must exalt his ideas of the pastoral character, by carrying his thoughts back to the age in which the care of herds and flocks was the employment of the wisest and greatest men.

These reasoners seem to have been led into their hypothesis, by considering pastoral, not in general, as a representation of rural nature, and consequently as exhibiting the ideas and sentiments of those, whoever they are, to whom the country affords pleasure or employment, but simply as a dialogue, or narrative of men actually tending sheep, and busied in the lowest and most laborious offices; from whence they very readily concluded, since characters must necessarily be preserved, that either the sentiments must sink to the level of the speakers, or the speakers must be raised to the height of the sen

timents.

In consequence of these original errors, a thousand precepts have been given, which have only contributed to perplex and confound. Some have thought it necessary that the imaginary manners of the golden age should be universally preserved, and have therefore believed, that nothing more could be admitted in pastoral, than lilies and roses, and rocks and streams, among which are heard the gentle whispers of chaste fondness, or the soft complaints of amorous impatience. In pastoral, as in other writings, chastity of sentiment ought doubtless to be observed, and purity of manners to be represented; not because the poet is confined to the images of the golden age, but because, having the subject in his own choice, he ought always to consult the interest of virtue.

These advocates for the golden age lay down other principles, not very consistent with their general plan; for they tell us, that, to support the character of the shepherd, it is proper that all refinement should be avoided, and that some slight instances of ignorance should be interspersed. Thus the shepherd in Virgil is supposed to have forgot the name of Anaximander, and in Pope the term Zodiac is too hard for a rustic apprehension. But if we place our shepherds in their primitive condition, we may give them learning among their other qualifications; and if

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kind, because though the scene lies in the country, the song, being religious and historical, had been no less adapted to any other audience or place. Neither can it well be defended as a fiction; for the introduction of a god seems to imply the golden age, and yet he alludes to many subsequent transactions, and mentions Gallus, the poet's contemporary.

Other writers, having the mean and despicable condition of a shepherd always before them, conceive it necessary to degrade the language of pas- It seems necessary to the perfection of this potoral by obsolete terms and rustic words, which em that the occasion which is supposed to prothey very learnedly call Doric, without reflecting duce it be at least not inconsistent with a counthat they thus became authors of a mangled dia- try life, or less likely to interest those who have lect, which no human being ever could have spo-retired into places of solitude and quiet, than the ken, that they may as well refine the speech as the sentiments of their personages, and that none of the inconsistencies which they endeavour to avoid, is greater than that of joining elegance of thought with coarseness of diction. Spenser begins one of his pastorals with studied barbarity;

Diggon Davie, I bid her good day;
Or, Diggon her is, or I missay.

Dig. Her was her while it was daylight,
But now her is a most wretched wight.

What will the reader imagine to be the subject on which speakers like these exercise their eloquence? Will he not be somewhat disappointed, when he finds them met together to condemn the corruptions of the church of Rome? Surely, at the same time that a shepherd learns theology, he may gain some acquaintance with his native language.

Pastoral admits of all ranks of persons, because persons of all ranks inhabit the country. It excludes not, therefore, on account of the characters necessary to be introduced, any elevation or delicacy of sentiment; those ideas only are improper, which not owing their original to rural objects, are not pastoral. Such is the exclamation in Virgil,

Nunc scio quid sit Amor, duris in cautibus illum
Ismarus, aut Rhodope, aut extremi Garamantes,
Nec generis nostri puerum, nec sanguinis, edunt.

I know thee, Love, in deserts thou wert bred,
And at the dugs of savage tigers fed;
Alien of birth, usurper of the plains.-DRYDEN.

which Pope endeavouring to copy, was carried to still greater impropriety:

I know thee, Love, wild as the raging main
More fierce than tigers on the Libyan plain
Thou wert from Etna's burning entrails torn;
Begot in tempests, and in thunders born!

Sentiments like these, as they have no ground in nature, are indeed of little value in any poem; but in pastoral they are particularly liable to censure, because it wants that exaltation above common life, which in tragic or heroic writings often reconciles us to bold flights and daring figures.

more busy part of mankind. It is therefore improper to give the title of a pastoral to verses, in which the speakers, after the slight mention of their flocks, fall to complaints of errors in the church, and corruptions in the government, or to lamentations of the death of some illustrious person, whom, when once the poet has called a shepherd, he has no longer any labour upon his hands, but can make the clouds weep, and lilies wither, and the sheep hang their heads, without art or learning, genius or study.

It is part of Claudian's character of his rustic, that he computes his time not by the succession of consuls, but of harvests. Those who pass their days in retreats distant from the theatres of business, are always least likely to hurry their imagination with public affairs.

The facility of treating actions or events in the pastoral style, has incited many writers, from whom more judgment might have been expected, to put the sorrow or the joy which the occasion required into the mouth of Daphne or of Thyrsis; and as one absurdity must naturally be expected to make way to another, they have written with an utter disregard both of life and nature, and filled their productions with mythological allusions, with incredible fictions and with sentiments which neither passion nor reason could have dictated, since the change which religion has made in the whole system of the world.

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AMONG many parallels which men of imagination have drawn between the natural and moral state of the world, it has been observed that hapPastoral being the representation of an action or piness, as well as virtue, consists in mediocrity; passion, by its effects upon a country life, has no- that to avoid every extreme is necessary, even to thing peculiar but its confinement to rural ima-him who has no other care than to pass through gery, without which it ceases to be pastoral. This is its true characteristic, and this it cannot lose by any dignity of sentiment, or beauty of diction. The Pollio of Virgil, with all its elevation, is a composition truly bucolic, though rejected by the critics; for all the images are either taken from the country, or from the religion of the age common to all parts of the empire.

The Silenus is indeed of a more disputable

the present state with ease and safety; and that the middle path is the road of security, on either side of which are not only the pitfalls of vice, bu the precipices of ruin.

Thus the maxim of Cleobulus the Lindian, péroov apiarov, mediocrity is best, has been long considered as a universal principle, extended through the whole compass of life and nature. The experience of every age seems to have given it new

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