Nicholas Rowe and the Beginnings of Feminism on the London StageNicholas Rowe flourished during the first quarter of the 18thc: he was poet laureate to George I, the author of eight plays(three of which were great successes) and he was the esteemed translator of Lucan's PHARSALIA as well as the first modern editor of Shakespeare's plays. But most of all he was known as a playwright. Rowe's 'She-tragedies" gave great prominence to women characters and further developed the Whig virtues of the ruling political elite: individual freedom and a belief in a strong parliament which would bring the cause of the people before a constitutionally limited, reasonable monarchy. Professor Sennett's new monograph discusses Rowe's vision of women caught up by tragic, unreasonable threat or menace. He also explores the literary and the political stakes in late Stuart and early Hanoverian theatre.. New material on Rowe's life and his attempt to include ideas that can be described as incipient feminism are brought forward. While not a general biography, Sennett's new work is a contribution to the scholarship that has called for a new examination of Rowe and the Whig London of the early 18th century. |
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Page 22
... strength , she discovers that in that bold stance she is placed in a gender - defined social trap that dooms her to death . This is a fate she accepts with stoic strength and resolve . Aikins ' theory is that the women heroes in The ...
... strength , she discovers that in that bold stance she is placed in a gender - defined social trap that dooms her to death . This is a fate she accepts with stoic strength and resolve . Aikins ' theory is that the women heroes in The ...
Page 101
... strength of will and stoic suffering by his female characters . He did not seem to be working on any of his ... strength of character inherent in womanhood , a strength that should be released and allowed to grow of its own accord ...
... strength of will and stoic suffering by his female characters . He did not seem to be working on any of his ... strength of character inherent in womanhood , a strength that should be released and allowed to grow of its own accord ...
Page 133
... strength of will . Very little in Rowe's play is actually historical . Taking artistic license , Rowe developed his play to loosely follow events from the arrival of Richard in London and culminate with Jane's death . Alfred Jackson ...
... strength of will . Very little in Rowe's play is actually historical . Taking artistic license , Rowe developed his play to loosely follow events from the arrival of Richard in London and culminate with Jane's death . Alfred Jackson ...
Contents
CHAPTER ONE BACKGROUND ON THE STUDY OF NICHOLAS | 11 |
CHAPTER TWO THE BEGINNINGS OF ROWES CAREER | 25 |
CHAPTER THREE CHALLENGES FOR ACTRESSES | 47 |
Copyright | |
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