Nicholas Rowe and the Beginnings of Feminism on the London StageNicholas Rowe flourished during the first quarter of the 18thc: he was poet laureate to George I, the author of eight plays(three of which were great successes) and he was the esteemed translator of Lucan's PHARSALIA as well as the first modern editor of Shakespeare's plays. But most of all he was known as a playwright. Rowe's 'She-tragedies" gave great prominence to women characters and further developed the Whig virtues of the ruling political elite: individual freedom and a belief in a strong parliament which would bring the cause of the people before a constitutionally limited, reasonable monarchy. Professor Sennett's new monograph discusses Rowe's vision of women caught up by tragic, unreasonable threat or menace. He also explores the literary and the political stakes in late Stuart and early Hanoverian theatre.. New material on Rowe's life and his attempt to include ideas that can be described as incipient feminism are brought forward. While not a general biography, Sennett's new work is a contribution to the scholarship that has called for a new examination of Rowe and the Whig London of the early 18th century. |
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Page xiii
... feminist , an insight for which I am grateful . My deepest appreciation goes to Annibel Jenkins who patiently agreed to meet with me and talk about Rowe . Her book was an invaluable tool in this work and her suggestions concerning ...
... feminist , an insight for which I am grateful . My deepest appreciation goes to Annibel Jenkins who patiently agreed to meet with me and talk about Rowe . Her book was an invaluable tool in this work and her suggestions concerning ...
Page 9
... feminist beliefs . Lee , Banks and Otway , three popular playwrights , had set the precedent for Rowe with their tragedies that had strong , independent women characters . But it was passionate love carried to heroic proportions that ...
... feminist beliefs . Lee , Banks and Otway , three popular playwrights , had set the precedent for Rowe with their tragedies that had strong , independent women characters . But it was passionate love carried to heroic proportions that ...
Page 17
Herbert Sennett. acknowledge the presence of the feminist passages in Rowe's plays . Although his forte was the literature of the early eighteenth century , Dobrée simply ignored the number of passages by Rowe dealing with the Whiggish ...
Herbert Sennett. acknowledge the presence of the feminist passages in Rowe's plays . Although his forte was the literature of the early eighteenth century , Dobrée simply ignored the number of passages by Rowe dealing with the Whiggish ...
Contents
CHAPTER ONE BACKGROUND ON THE STUDY OF NICHOLAS | 11 |
CHAPTER TWO THE BEGINNINGS OF ROWES CAREER | 25 |
CHAPTER THREE CHALLENGES FOR ACTRESSES | 47 |
Copyright | |
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