Nicholas Rowe and the Beginnings of Feminism on the London StageNicholas Rowe flourished during the first quarter of the 18thc: he was poet laureate to George I, the author of eight plays(three of which were great successes) and he was the esteemed translator of Lucan's PHARSALIA as well as the first modern editor of Shakespeare's plays. But most of all he was known as a playwright. Rowe's 'She-tragedies" gave great prominence to women characters and further developed the Whig virtues of the ruling political elite: individual freedom and a belief in a strong parliament which would bring the cause of the people before a constitutionally limited, reasonable monarchy. Professor Sennett's new monograph discusses Rowe's vision of women caught up by tragic, unreasonable threat or menace. He also explores the literary and the political stakes in late Stuart and early Hanoverian theatre.. New material on Rowe's life and his attempt to include ideas that can be described as incipient feminism are brought forward. While not a general biography, Sennett's new work is a contribution to the scholarship that has called for a new examination of Rowe and the Whig London of the early 18th century. |
From inside the book
Results 1-3 of 17
Page 11
... Jenkins while she was teaching at Georgia Tech . The second , titled Nicholas Rowe and Christian Tragedy , was written by another American scholar named Douglas Canfield . Jenkins includes in - depth biographical information , and both ...
... Jenkins while she was teaching at Georgia Tech . The second , titled Nicholas Rowe and Christian Tragedy , was written by another American scholar named Douglas Canfield . Jenkins includes in - depth biographical information , and both ...
Page 26
... Jenkins has written that Rowe was " the representative of a new attitude toward the theatre and toward the literary public that was changing rapidly in the first two decades of the century " ( 16 ) . Rowe was part of that group of ...
... Jenkins has written that Rowe was " the representative of a new attitude toward the theatre and toward the literary public that was changing rapidly in the first two decades of the century " ( 16 ) . Rowe was part of that group of ...
Page 157
... Jenkins has called Jane Grey “ Rowe's own handiwork ” ( 120 ) . In The Tragedy of Jane Grey , Rowe's politics were maturing along with his dramatic writing skills . As the production began at the Drury Lane Theatre , Queen Anne was once ...
... Jenkins has called Jane Grey “ Rowe's own handiwork ” ( 120 ) . In The Tragedy of Jane Grey , Rowe's politics were maturing along with his dramatic writing skills . As the production began at the Drury Lane Theatre , Queen Anne was once ...
Contents
CHAPTER ONE BACKGROUND ON THE STUDY OF NICHOLAS | 11 |
CHAPTER TWO THE BEGINNINGS OF ROWES CAREER | 25 |
CHAPTER THREE CHALLENGES FOR ACTRESSES | 47 |
Copyright | |
12 other sections not shown
Common terms and phrases
actresses Alexander Pope Altamont Anne Arpasia Artemisa audience Bajazet Barry believed Betterton Calista Catholic Charles Gildon Church Cibber Colley Cibber Congreve critics Curll Dammers death developed Dobrée dramatic Drury Lane Theatre Dryden early eighteenth century edition Edward England epilogue Fair Penitent father female characters female hero female roles feminism feminist feminist hero Gildon Guilford heroic historical husband ideas incipient feminist issue Jacob Tonson Jane Grey Jane Shore Jane's Jenkins John king Lady Jane Lady Jane Grey Lincoln's Inn Fields literary London Lothario male marriage Mary Moneses neoclassical neoclassicism Nicholas Rowe offered Otway performance playwrights poem poet poetic poetry political popular production published Queen Richard Rowe was able Rowe wrote Rowe's plays Rowe's writings scholars Shakespeare she-tragedy stage story strength strong female strong woman Susannah Centlivre Tamerlane throne Tragedy of Jane tragic hero Ulysses Whigs wife women women's rights written