Nicholas Rowe and the Beginnings of Feminism on the London StageNicholas Rowe flourished during the first quarter of the 18thc: he was poet laureate to George I, the author of eight plays(three of which were great successes) and he was the esteemed translator of Lucan's PHARSALIA as well as the first modern editor of Shakespeare's plays. But most of all he was known as a playwright. Rowe's 'She-tragedies" gave great prominence to women characters and further developed the Whig virtues of the ruling political elite: individual freedom and a belief in a strong parliament which would bring the cause of the people before a constitutionally limited, reasonable monarchy. Professor Sennett's new monograph discusses Rowe's vision of women caught up by tragic, unreasonable threat or menace. He also explores the literary and the political stakes in late Stuart and early Hanoverian theatre.. New material on Rowe's life and his attempt to include ideas that can be described as incipient feminism are brought forward. While not a general biography, Sennett's new work is a contribution to the scholarship that has called for a new examination of Rowe and the Whig London of the early 18th century. |
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Page 15
... Dobrée wrote a book in 1929 which , was reprinted in 1950 , 1954 , 1959 , and 1963 , entitled Restoration Tragedy : 1660-1720 . Since its first publication , this book has been a standard reference book for those studying Restoration ...
... Dobrée wrote a book in 1929 which , was reprinted in 1950 , 1954 , 1959 , and 1963 , entitled Restoration Tragedy : 1660-1720 . Since its first publication , this book has been a standard reference book for those studying Restoration ...
Page 16
... Dobrée then defined tragedy within the context of the early twentieth century and held that Rowe did not fit into this redefining of tragedy . Dobrée held that Rowe's characters did not depict humanity at its best , nor did they have ...
... Dobrée then defined tragedy within the context of the early twentieth century and held that Rowe did not fit into this redefining of tragedy . Dobrée held that Rowe's characters did not depict humanity at its best , nor did they have ...
Page 17
... Dobrée simply ignored the number of passages by Rowe dealing with the Whiggish issue of equality . Dobrée and Hart were literary trail - blazers in the early to mid - twentieth century , and they helped to open the doors of modern ...
... Dobrée simply ignored the number of passages by Rowe dealing with the Whiggish issue of equality . Dobrée and Hart were literary trail - blazers in the early to mid - twentieth century , and they helped to open the doors of modern ...
Contents
CHAPTER ONE BACKGROUND ON THE STUDY OF NICHOLAS | 11 |
CHAPTER TWO THE BEGINNINGS OF ROWES CAREER | 25 |
CHAPTER THREE CHALLENGES FOR ACTRESSES | 47 |
Copyright | |
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