Aestheticism & Modernism: Debating Twentieth-century Literature 1900-1960Richard Danson Brown, Suman Gupta This textbook ranges from the early twentieth-century to the full array of modernisms emerging between the First and Second World Wars. The editors introduce twentieth-century debates around genre, form and content reflected in both literary and critical writing of the period, as well as differing accounts of the function of literature (aestheticist vs. didactic). They go on to examine debates around modernisms, and the various ways in which authors negotiated the departure of the modern from the past in terms of style, form, ideas and ideology. |
From inside the book
Results 1-5 of 41
... interest in the poetic description of external reality means that it is hard to extrapolate any clear - cut ' message ' from her work . In the words of her mentor , the poet Marianne Moore , Bishop was ' someone who knows , who is not ...
... interest in anatomy . Bishop effectively conducts a poetic autopsy on the fish as it dangles from the hook . It is also intriguing that though the poem is far removed from the battlefield , metaphorically she invests the fish with ...
Sorry, this page's content is restricted.
Sorry, this page's content is restricted.
Sorry, this page's content is restricted.
Contents
Anton Chekhov The Cherry Orchard | 19 |
The stories of Katherine Mansfield | 68 |
Lewis Grassic Gibbon Sunset Song | 117 |
The poetry of the 1930s | 166 |
Introduction to Part 2 | 221 |
TS Eliot Prufrock and Other Observations | 230 |
Virginia Woolf Orlando | 277 |